livebooks blog

Rebecca Norris Webb, Havana, Cuba, 2007

Alex Webb, Havana, Cuba, 2001

MIKI JOHNSON: What initially drew you both to Cuba? It has been photographed so much already…did you try to approach it in a new way that you hadn’t seen before?

ALEX WEBB: Like many projects, this one began somewhat serendipitously. We certainly did not plan it. I first went in to Cuba 1993 for Life magazine, and Rebecca traveled there around the same time separately. We were both intrigued by the island, but somehow didn’t manage to return until 2000, when we visited together to teach a workshop.

Returning to the country inspired both of us, and we embarked on two separate projects: my exploration of the streets of Cuba and Rebecca’s discovery of unique and sometimes mysterious collections of animals there –– from tiny zoos and pigeon societies to hand-painted natural history displays and quirky personal menageries. It was only eight years later, in 2008, that we hit upon the notion of putting our two very distinct bodies of work together to create a multi-layered portrait of Cuba.

Alex Webb, Cienfuegos, Cuba, 2007

Rebecca Norris Webb, Havana, Cuba, 2008

MJ: How many trips to Cuba did you take while making photos for this book, and what places and parts of the culture were you specifically trying to capture?

AW: We made 11 trips to Cuba. Besides our first trips that we took separately, we made six trips together from 2000 to 2005 and then four long trips in 2007 and 2008, when I was fortunate enough to have a Guggenheim Fellowship to continue photographing the island. I initially called my project Esperando because in Spanish the term means both “waiting” and “hoping,” a title that starts to get at my impression of the streets of Cuba.

REBECCA NORRIS WEBB: I originally called my project Three Rooms after the following quote by a Habanero whom I met, a gentle and soft-spoken man who raises cockatiels, love birds, and parakeets: “I have three rooms in my house –– two are for my birds, and one is for my wife and me.”

For the past decade, I’ve been exploring the complicated relationship between people and the natural world. In the 25 cities I visited for my first book The Glass Between Us, I never witnessed anything quite like what I’ve seen on “the violet isle,” a little known nickname for Cuba inspired by the rich color of its soil. Nearly 700 miles across, Cuba is easily the largest island in the Caribbean and has its own endemic species, including the world’s smallest bat and the world’s smallest bird. Alex and I traveled nearly the entire length of the island in pursuit of our separate obsessions.

MJ: Why did it appeal to you to combine your two bodies of work into one book about Cuba? How are the images grouped in the book? More »

A Photo Editor pointed us to some hopeful news about the future of the media industry. Maggwire.com is planning to charge readers a subscription fee to access a channel where they can get content from a large number of top magazines. On the other end of the spectrum, San Francisco-based McSweeney’s announced that they’re releasing a single-issue “21st-Century newspaper prototype” called San Francisco Panorama in December. It’s big and beautiful and nothing like a website — that’s the point.

The judge in the ongoing Google book settlement case ruled this week that photographers are not authors and therefore cannot be included as part of the settlement, according to TechCrunch. The motion to join the current settlement between Google and the Author’s Guild was brought earlier by ASMP, the Picture Archive Council of America, the Graphic Artists Guild, and several individual photographers.

Germany’s most popular women’s magazine, Brigette, confirmed with The Guardian that from 2010 on, it will be banning professional models from its pages and use only women with normal figures. Andreas Lebert, editor-in-chief of the magazine, said that he is tired of having to retouch pictures of underweight models to “fatten” them up. Conscientious has more on the story.

Last Wednesday, Toyota posted an apology on the Flickr forum admitting that they have been using pictures from Flickr without photographer permission. They have since removed the Flickr photos from their 4Runner website. PDN reported that Toyota USA’s ad agency, Saatchi & Saatchi Los Angeles, has reached out to at least one of the Flickr photographers involved.