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March 30th, 2015

5 Traits of a Great Website Homepage

Posted by Heather

You know the saying “you never get a second chance to make a first impression?” Well that absolutely applies to your website. Which is why your homepage – the first page people land on – is one of the most important pages on your entire website. We’ve identified five traits that make for a fantastic website homepage. How many of them does your site have?

1. Clearly Answers Who You Are and What You Do

As photographers and creative professionals, visuals are going to play a huge role in your website homepage. Ensuring that you choose a photo or photos that clearly illustrate who you are and what your brand is about is imperative so that the user continues to browse your site. Do you do multiple types of photography? Or specialize in one area? Make sure the visuals you choose reflect exactly what you do and what you can offer to a potential client. You never want someone to land on your site and have to ask “what do they do?”

2. Dynamic and Always Changing

Users are smart. They can tell when a site hasn’t been updated in a while or if the content is old. It’s important that your homepage reflects that you are constantly completing fantastic new work and projects and posting it accordingly. In this day and age, styles, techniques, even gear changes so rapidly that it is extremely important to showcase that you are “with the times” in the types of photos you display.

3. Stellar Visuals

As photographers this is where you have a huge leg-up over pretty much every other industry. You take stunning visuals for a living! But how do you choose just one (or a few) for a homepage? One way is to let your ideal consumer or customer decide. Your idea of your best picture may be totally different from your target audience, so feeling out public opinion can sometimes make the decision a lot easier. Maybe run a poll on Facebook or Instagram between two photos and see which one gets the most likes. Another idea is to ask some close friends/family what three words come to mind when they land on your homepage – if those three words are in-line with your style and what you envision your brand to be, you know you’ve got the right picture. Plus, as mentioned in number two, your photo should always be changing, so you will have plenty of opportunity to show off your different shots.

4. Optimal for All Devices

These days, mobile phones and tablets are quickly becoming the preferred way to browse the web. To make sure that people coming to your site have the best experience possible, it is very important that your website is optimized for mobile devices. Not only should your site display beautifully on mobile, but it should also be easy to navigate so your consumer is able to get all of the important information they need. Make sure to enable Mobile 2.0 in your editSuite!

5. Clear Navigation

When a user lands on your homepage, what is the logical next thing you want them to do? Most likely check out your portfolios, then maybe read your bio or get more info on you, and last but certainly not least, contact you. Make sure that your navigation portrays these steps in a way that a user would look for them. Make it clear what each page of your site displays so that they don’t have to waste any time looking for what they want or need.

What are some other traits that you think are the most important to keep in mind when designing your website? We’d love to hear your thoughts!

Momenta Workshops offers a variety of workshops from one-day business skills seminars, to personalized multimedia training, to their popular Project Series: Working with Nonprofits workshops in collaboration with Leica Camera. By helping storytellers expand their skills, Momenta explores how to harness that passion into social change. The workshops seek to train attendees to witness the world in a new way and use their camera as a force of change.

Jamie Rose is Founding Partner and Director of Workshops for Momenta, which specializes in photography, video, and multimedia workshops around the globe. Prior to the founding of Momenta, Jamie worked as an international photojournalist on five continents, won awards and grants for her documentary photography, and was contracted with some of the world’s largest media and nonprofit organizations, including The New York Times, The Washington Post, The Global Fund, and Doctors Without Borders, among others.

Q: Would you tell us about your upcoming workshops?

JR: The Momenta Workshops staff has wrapped up our 2014 year with our final workshop on business skills during the FotoDC festival, and our lineup for 2015 is going to be outstanding! If you are interested in nonprofit photography, we have two domestic workshops in 2015: Project New Orleans in April and Project San Francisco in September. Over the course of these five-day workshops, we assign each student to a different local nonprofit to create a photo or a multimedia piece about the organization’s mission. Project New Orleans fills up to capacity every year and is held in the most rollicking city in the US. This is the first year for our San Francisco workshop, and interest is very high for working with the city by the Bay. Additionally, if you want to get out of the country and work with international nonprofits next year, our two very special workshops overseas are Project Colombia and Project Sierra Leone. Each student will work with a deserving nonprofit and use their photography as a force of social change. Throughout the two-week workshop, students will have life-changing experiences, make powerful visual stories, and create connections with their subjects in foreign countries that will last for years to come. If you just want a quick boost of business skills, we recommend The Business of Nonprofit Photography one-day workshop series, where we explore the ins-and-outs of making money working for nonprofits. These workshops will take place at Leica stores in San Francisco and Los Angeles in 2015. Finally, Leica sponsors all of our nonprofit workshops, one of the best perks of our Project Workshop Series. Students may check out a Leica camera to work on their nonprofit photo story. And truly, nothing beats the Leica M system for documentary coverage. Our students create beautiful photo stories with Leicas every year during these workshops.

Project Uganda student Whitney Curtis – 


Q: Are your workshops geared more toward being creative or improving one’s technical skills? Or both?
JR: I’d say both, plus one extra. Yes, we focus on storytelling and the creative process. However, many of our students are looking for a deeper learning experience with Momenta than just shooting tips. Many established professionals come on our workshops strictly for the one-on-one feedback during their daily, one-hour editing sessions with an instructor. They seek an environment where they can network with like-minded peers and dive into concepts with editors to help them find a fresh outlook on their work.

However, Momenta’s model doesn’t just stop at the creative and technical. We also have a series of lectures on building business skills necessary to work with nonprofits and be sustainable in today’s competitive marketplace. We want students to learn to be successful in both their craft and their business.


Bali: Island of the Gods student Jessica Koscielniak –


Q: What differentiates your workshops from others?
JR: We keep our workshops small with a personal touch and limit our workshops to less than 10 a year. We don’t have a desire to be a huge company with tons of products. We focus on quality documentary training in real-world situations with an outstanding team of instructors. By keeping our workshops limited to 15 or fewer attendees and as many as five instructors on our longer workshops, we maintain an intimate learning experience. We focus on each student’s individual goals during daily 1-on-1 editing sessions, instead of herding everyone into group edits. We balance this with nightly sessions that include discussions, slideshows, and presentations that help to bolster inspiration in a group atmosphere. At orientation, we tell our students, “It is your workshop.” And we mean it. Students and staff work together to craft each person’s experience for the best outcome for their goals. Our alumni will back up that statement. We have a very tight group of past students (many of whom return for multiple workshops) and they have coined themselves the Momenta Family. That network extends far beyond the last day of the workshop, and many have remained friends, shooting buddies, and even have reunions around the world. We pride ourselves in fostering community.



Project Colombia instructor Charlotte Kesl –

Q: I’d love to get a little background on why you host workshops and what you hope others will get out of them?

JR: In my personal work with Momenta Creative and as a journalist, I realized the visual needs of nonprofits are not effectively met in many communities. Likewise, we found visual storytellers were hungry to learn about how to shoot for a nonprofit. When we founded Momenta, we chose to focus the majority of our lineup on nonprofit photography training workshops and the public response has proven to be inspiring.

 Nonprofits can communicate their mission and entice donors more easily with custom photographs and video. Furthermore, these organizations have budgets, and many are willing to pay for beautifully-crafted visuals. This is not a market often explored by photographers. Our goal with these workshops is to open the nonprofit world to photographers who may not have realized it existed before, teach them the business skills necessary to work with these organizations and empower them to make thoughtful work that sparks dialogue. We also work with our nonprofit partners to help them realize and value the power of strong visuals.


 Project India student Dana Pugh –


Q: What are some of the unexpected benefits one might get from attending these workshops?

JR: Three things: Inspirational instructors who are excellent mentors and coaches, extended lectures on developing business skills and a supportive alumni network after the workshop ends. I could add that we have a gang load lot of fun too, but that’s a given!



Project India student Chuck Cecil –

Q: What are the most important things for the attendees to realize when they participate in a workshop, to help them get the most out of the experience?

JR: Whether it’s a Momenta workshop or another company’s workshop, an open mind and good attitude is the key to a great experience. We encourage every student to get ready to put in long hours and have a willing approach for creative exploration. One of our founders, Seth Butler, encourages students to “embrace mindfulness” while on the workshop and when shooting in the field. That mindfulness can create great leaps with their work. A Momenta workshop is going to be an intense, exciting experience because students are packing a hefty amount of learning into a short amount of time. However, the payoffs are incredibly rewarding. We remind students to stop, breathe and take a moment to truly soak in the experience and allow themselves to be enlightened by it.


Project India student Robert Dodge –

Q: Was attending workshops instrumental to help you become the photographer that you are now? If so, how did they do that?

I still attend workshops! I wouldn’t be where I am today without a commitment to my education, and that isn’t just defined by college. When I was starting out, I took weekend workshops, attended the Northern Short Course every year, and went to specific skills building seminars. The workshops I have attended in the past helped me to grow my knowledge base, network with other photographers, and learn new skills to further my career. Whether you attend a Momenta Workshop or any other learning experience out there, I would encourage photographers to make continuing education a priority every year. It’s a big world, and there are great learning experiences to be had.  We’d welcome any of your readers to join us on one of ours!


Project India student Frank Rohrig –

To learn more about Momenta’s workshops line up, please visit

Here at liveBooks, we love providing creative professionals with the tools they need to express themselves, their brand, and their work. We are starting up a new weekly series where we will feature a different liveBooks website each week with details from the site’s owner about what went into its creation. We look forward to seeing the amazing things each of our clients can do with their liveBooks site!

This week we are featuring Mike Adrian, a destination wedding photographer who travels throughout Hawaii, California, Mexico, and Canada.

Mike Adrian Headshot

Q: How would you describe the aesthetic of your website in three words?

MA: Clean, Elegant, Romantic.



Q: How do you choose the photos that you display on your homepage?

MA: Photos need to represent a powerful moment of connection between the couple. I want potential clients to be able to place themselves in the photo – let them feel that this can be their moment too.



Q: How often do you update your website?

MA: Photos are generally updated every three months. Galleries are added or removed based on location, venue, or event style.



Q: What is your favorite feature that liveBooks offers?

MA: The customer support is the best. I can have ideas for the website and the technical team is there to make the ideas become a reality. The ability to update the look and feel of my site based on my business needs is amazing.

Check out more of Mike’s site here:


Interested in having your website featured? Email us at

Networking is one of the most important things you can do for the success of your business as a photographer. The perks of a successful network range from learning from your peers, gaining referrals, collaborating to build portfolios, and even getting discounts on new gear. While networking may be one of the best things for your business, it isn’t always easy getting started. Let’s discuss some basic tips for successfully building your professional network.

Business Communication Duplicate model


Simply put, as a photographer you are your brand. And while you are selling your work, ultimately you are selling yourself. People want to work with awesome people – and networking is the best way to truly show off who you are and what you’re about in the most cost-effective way possible. Beyond that, networking gives you the opportunity to learn from each other. Whether you’re tipped off about a new gadget, or need advice about how to handle a certain situation with a client, exchanging ideas and information with people that do the same thing you do every day is extremely beneficial. Plus, not only can other photographers end up being a referral source, but working together truly does raise the bar for the photography industry as a whole.


Go to seminars, conventions, and workshops. There is no better way to network than to physically be in a place surrounded by other photographers all learning together. Make sure to bring plenty of business cards and follow-up with those that you connected with afterward. Maybe call and invite them to grab a coffee, lunch, or drinks, or send them a handwritten note letting them know you enjoyed meeting them. Putting in the time and effort up front to develop these new relationships will pay off in spades later.

great meeting you

Perhaps the easiest and least-intimidating step of networking is connecting on social media. Figure out the photographers that you specifically want to target and start visiting and liking their Facebook, Twitter, Instagram, LinkedIn, Tumblr, etc, – but be genuine about it. Remember that you are working to build a meaningful relationship that will be mutually beneficial, and simply throwing a bunch of “likes” and comments on their content will probably not get you the outcome you are hoping for. Show that you can provide value and meaningful contribution and above all – showcase your personality!

Join online forums, groups, and discussions. Not only is this a great opportunity to learn, but you will have the ability to provide advice and knowledge on different topics. Bonus tip: many forums allow you to have a link in your signature, so make sure to take advantage of this and link back to your website or portfolio.



Networking events can be tougher to find depending on where you live or if you are new to the industry, but here are some good first places to start:

  • for industry get-togethers
  • Local Photography workshops
  • Local Professional Photographers of America (PPA) groups
  • Local business owner groups
  • Local artist groups
  • Facilitate a meet-up through social media and/or forum discussions

Much like a gym membership, when it comes to networking the best thing to remember is that you get out of it what you put into it. The more time you spend cultivating real relationships with people, the easier it will be to make new contacts and build your business.

Check out some more great resources on networking:

The Ultimate Guide for Photography Networking.

4 Reasons Why Networking is Critical to Going Pro

Social Networking for Photographers

5 Reasons Networking is Important for Photographers

Why It’s Important to Network with Other Photographers

Top Secrets to Better Networking

Posted in Business / Networking / Workshops

Interested in learning about sports photography from one of Sports Illustrated’s top photographers? Join Peter Read Miller April 13-19 in Denver, Colorado, and get access to a variety of action packed sports from mountain biking and college football, to high school basketball, and amateur boxing during this weeklong workshop.


In addition to capturing the action on the field, a portion of the workshop will be spent on learning how to shape the light in both studio and on-location, arena lighting with strobes, and the set-up and use of remote cameras.

For maximum learning potential, participants of this workshop have the opportunity for their work to be personally reviewed and critiqued by Peter each day at one of Denver’s top commercial photography studios.


What you will learn:

  • Techniques to capture action
  • How to use lighting and different angles for shooting various sports
  • The power of cropping & editing images to make them magazine cover-worthy
  • How to choose the best lenses for sports photography

What’s Included:

  • Canon and Dynalite gear loans
  • 6 days of instruction
  • Access to sporting events
  • Location & model fees
  • One on one portfolio review with Peter

Workshop fee: $1,995

Don’t miss out on the opportunity to gain a better understanding of how to turn good images into outstanding ones!

Learn more:

Hopefully by now you all know about the importance of social media for the success of your business. At this stage in the social game, Facebook and Twitter should be old hat. But what about some of the newer platforms that are quickly becoming more popular – even surpassing – some of the old favorites? Instagram, Pinterest, and Tumblr are the networks to watch in 2015 – and the good news for all you creative professionals – all of these platforms are dominated by photo and video content.



InstagramWith 300 million monthly active users and Citigroup just raising the valuation of the network from $19 billion to $35 billion, Instagram has officially surpassed Twitter. With a number of recent updates to the app, such as looping videos, like its main competitor, Vine, does, Instagram has made some huge strides in overall user experience. Instagram also just released a whole slew of new photo editing tools – from creative tools, to brand new filter choices – making it the ideal space for creative professionals to share their photos. If you aren’t on Instagram already, this should be the first social network that you check out ASAP so you can connect with customers, showcase your work, and develop your brand. (Also, make sure to follow @liveBookswebsites!)



Pinterest – With another round of funding, Pinterest is rumored to now be valued at $11 billion with an 111% growth in active users in the past six months. Pinterest has also been making some pretty significant updates to its platform – a smarter search tool called Guided Search that allows a user to filter their searches by adding specific filters relevant to the original search term. Plus, much like Instagram’s Direct feature, Pinterest also recently released the ability for users to have private conversations about specific pins. Since up to 80% of all pins on Pinterest are repins – this is a huge opportunity for photographers to organically “pin” their own content with a high likelihood that it will be re-pinned by the Pinterest community. Everyone – from agency’s (for commercial/editorial work) to consumers (for portraits and weddings) are searching photos on Pinterest. This is a great platform to showcase your work and get noticed – and don’t forget to #hashtag!


Tumblr – While Tumblr has actually been around since 2007, because of some updates and a refreshed interface, its active users grew by 120% in the past six months. To put this all in perspective, Facebook’s active users grew by just 2% in the past six months.  And while Tumblr is mostly known as a microblogging platform, the reason to be on Tumblr is its highly engaged community. Posts are shared, reblogged, liked, and commented on with great frequency, and it has become known as the “Twitterized version of WordPress.”  While you can share and post pretty much any content you want, from text, photos, quotes, links, chat, audio, and video, unsurprisingly in this day and age, the most shared and liked content is photos. Since 83% of Tumblr posts are photos, and most users do not create their own content, adding your original photos to the content pool will set you apart in the Tumblr world. Check out Harrison Jacobs “7 Tumblr Tips for Photographers” for some really great info on how to best utilize this platform for your business.

I think we all know that social media is here for the long haul, and the good news is that it’s a great opportunity to show off your creativity and add meaningful content to the conversation. Take advantage of all of these free ways to get your brand out there – because it will be imperative for the future of your business.


We just got back from 3 days in Las Vegas for the WPPI conference, and we’re still catching up on sleep. The best way to describe WPPI is that it’s three days of education, conversation, and fun – and WPPI 2015 was certainly no different!

The liveBooks team had an absolute blast in Vegas. We approached our time there with a “work-hard, play-hard” mindset, and were thrilled to see some new and familiar faces (we scanned 632 people!) at the liveBooks Booth.  (Hopefully everyone got the orange bags before they ran out!)   As always, we enjoyed seeing our clients in person — as much of our interaction is done via phone or email — and showcasing the new features liveBooks has to offer. Plus, WPPI was a great opportunity for us to hang out with our co-workers that we might not see as often as we would like.

WPPI Recap

From bags, to stickers, to sunglasses, our orange swag seems to have been a huge hit! We gave out 400 totes, 350 sunglasses, 700 lens cloths, and 100 stickers! (It certainly didn’t hurt that our colors perfectly aligned with the World Series Champions, the San Francisco Giants, as was pointed out to us by many of you.)

Check out our Senior Support Specialist, Laura, and her mom showing off their liveBooks swag!

                                                   WPPI                                         swag

Finally, congratulations to Heather East for posting her photo of the liveBooks sticker and winning our WPPI social media contest! Thank you again for everyone that stopped by our booth and participated in our contest. We can’t wait to see you all next year!



Posted in Blogs / Photography

Looking for a hands-on workshop that will connect you with the roots of landscape photography? Join award-winning photographer Craig Varjabedian as he takes you to the California Coast, the place where landscape photography as we know it was born.

Pfeiffer-Beach Pt-Lobos-Sunset-copy Pfeiffer-Waterfall

This is not just any workshop. You’ll explore and make photographs along the California Coast from Monterey to Big Sur, where Ansel Adams, Edward Weston, Wynn Bullock, Morley Baer and many other important photographers made their homes, honed their craft, and created their most significant work.

In addition to making photographs, you will visit with the families of Edward Weston and Wynn Bullock to learn more about their photography. These are the artists and places that inspired Craig most when he was just starting out, and he will take you to where Morely Baer and other esteemed photographers took him.

For Craig, spending time with these artists at these beautiful locations was a turning point for him. It’s where photography began to make sense. The light came on. He hopes that by recreating some of the most significant experiences he had early on in his career, it will influence your work and improve your image-making abilities.

This workshop takes place October 4-9, 2015. For more information or to request an invitation to this one-of-a kind photography workshop visit

Craig’s bio:

Craig Varjabedian’s photographs of the American West illuminate his profound connection with the region and its people. His finely detailed images shine with an authenticity that reveals the inseparable ties between identity, place, and the act of perceiving. Visit Craig’s website to see more of his work and learn more about his workshops.

Photographer Li Westerlund takes us on her latest trip exploring sea life in Indonesia’s Raja Amput. Raja Ampat, or the Four Kings, is an archipelago made up of 1,500 small islands, cays, and shoals surrounding four main islands located off the island of New Guinea in Indonesia’s West Papua province.

Few destinations make me voluntarily get my bags ready and happily embark on a forty to forty-five hours flight mission with all the hassle and sleep deprivation it entails. Among those, some selective and still relatively unexplored dive areas remain, promising enthralling marine environments of a certain kind that cannot be found close to my home town of Half Moon Bay CA. Raja Ampat in Indonesia was one of these irresistible places to dive and photograph before its present-day remoteness, to some degree shielding it from the risk of environmental degradation, perhaps turns less inaccessible to more people. Simply put, I wanted to go there before it changes.

Raja Ampat diving is all about the small creatures and critters, the abundance of fish life, and most certainly its diversity of soft and hard corals. A marine biologist’s dream no doubt. This environment in many ways is the polar opposite of one of my other favorite escapes Cocos Island; the Island of the Sharks with its ferocious currents and large pelagic fish life which I wrote about recently on this blog.

Raja Ampat

Photo courtesy of Li Westerlund

Image courtesy of Li Westerlund

Photo courtesy of Li Westerlund

Though I love capturing the action of large pelagic marine life, I also think that macro expressions below the surface captured as photographic images are somewhat overlooked. With exquisite anemone species, the intriguing solar powered nudibranch and peculiar orangutan crab, a walking shark at night (or more like running when we spotted him), pygmy seahorses almost indistinguishable from their surroundings, and an explosion of color in soft corals and the magnificent hard coral, there was so much to explore. And I loved every bit of it.

Raja Ampat Blog images5 2408

Photo courtesy of Li Westerlund

Photo courtesy of Le Westerlund

Photo courtesy of Li Westerlund

Raja Ampat, or the Four Kings, is an archipelago of about 15,000 square miles, comprising over fifteen hundred small islands and cays surrounding the four larger islands from Waigeo in the north to Batanta, Salawati and Misool in the south. Instead of heading north as planned, we headed south towards Misool because of a typhoon over the Philippines stirring up the water. Though December is the monsoon season, we were lucky with sunshine and the calmest water I have experienced over the years living on dive boats for several days taking these types of trips. Nonetheless, the visibility was only fair at times and for macro captures the currents complicated matters when using the macro lens at its edge.

This time I experimented with lighting and focused on macro expressions. I wanted to capture the beauty I see in the marine life, the splendor which is surely there but perhaps only perceptible when you look closely. There is an intimacy so tangible in this environment, one that you can truly feel when you are down below if you take the time to appreciate and interact with what surrounds you. The trick is to focus on what you “see” and not merely on what it “is” directly appearing in front of you. In an endeavor to express the feeling I wanted to convey, I also used the depth of field differently from how I have previously captured the macro life.

Photo courtesy of Li Westerlund

I believe that people generally tend to care about what they see and what they can relate to. It is my hope therefore that images not focusing merely on epic wildlife encounters, including what to many would be experienced as scary imagery of large pelagic sharks for example, will spark an interest in the marine environment among people not otherwise aware of its wonders. Find my series “Amphimone” “Eudora” and “Amatheia” captured during this trip at


We had the opportunity to speak with photographer Michael Soluri about his exciting work with space exploration photography and his new book, Infinite Worlds: the People and Places of Space Exploration.

Tell us about your book Infinite Worlds: the People and Places of Space Exploration?

Published by Simon & Schuster, Infinite Worlds: the People and Places of Space Exploration, is a coffee-table designed photography book of an historic era in the human and robotic exploration of space involving the Hubble Space Telescope.


Cover of Infinite Worlds Photo by ©michael soluri/Infinite Worlds

In the annals of these kinds of books and American spaceflight, no photographer has ever been extended the degree of quality access into three NASA flight centers for nearly three years to reveal a portrayal of the astronaut crew that essentially saved the Hubble Space Telescope.

In addition to a Foreword by former Senator and legendary astronaut John Glenn, 18 unscripted self-written essays from the Hubble labor force and crew weave a narrative where I seek the humanity in both the human and robotic exploration of space.

How did you come to work in the field of space exploration photography?

I am a fine art documentary and portrait photographer whose interest is the human and robotic exploration of space.

I studied to be a planetary geologist but discovered that I was more interested in the visual qualities of the field rather than impersonal chemistry labs and calculus classes! Once I earned my MFA (Master of Fine Arts) in photography I became an editorial fashion and documentary travel photographer.  I worked in Brazil, Italy and New York.   Over the years I collected, edited and studied decades of space-themed images for my own interest and for various publications, and that led me to more substantive portrait and documentary work on American space exploration.


©michael soluri/Infinite Worlds

In 2004 I photo-edited and co-authored What’s Out There – a visually themed index on astronomical phenomena – and I even got Stephen Hawking to write the Foreword.  While working on documenting the people and places of NASA’s New Horizons mission to the Pluto system in 2005, I discovered that the servicing mission to the Hubble would be reinstated.

Ultimately, Infinite Worlds evolved out of these chance occurrences. History was unfolding and I wanted to discover the meaning and art in human and robotic spaceflight.

How and why did you begin documenting the effort of those prepping for the last Hubble servicing mission?

I didn’t begin this project with a book in mind. It began as an editorial story for Discover magazine that started with an unprecedented three-hour portrait session of the STS125 shuttle crew.  From that I earned the trust of the crew as well as the NASA engineers and scientists who were creating, training and managing this multi-year mission to save the Hubble.

As a photographer what inspires you?

I would point to Kubrick’s “2001, a Space Odyssey” as a transcendent life experience.  My inspiration for Infinite Worlds was a product of many interests (films, short stories, music, history of art and photography, science) and a personality driven to always want to be behind the scenes.

As a photographer, my early influences continue to be my inspiration: the works of Cartier-Bresson, August Sander, Aaron Siskind, Walker Evans and Irving Penn.

©michael soluri/Infinite Worlds

©michael soluri/Infinite Worlds

What did you find to be most challenging about putting together a book of this nature?

The time, patience and discipline to know why I wanted to tell this story, as well as being able to edit 3 years worth of work into a visually coherent narrative.

How did you compile the essays? Why did you decide to include them?

The notion for stories written by various individuals in the shuttle and Hubble labor force was influenced by Working, a remarkable book written in 1972 by the Chicago based broadcaster Studs Terkel.  He wrote about people talking about their work and how they felt about doing it, an approach that felt like verbal snapshots.  As I got to know the people behind the STS125 mission better I would often find myself in a discussion with one of the crew and support staff.   I loved hearing them speak about their work in an unscripted way.

During the subsequent months when I was beginning the daunting task of editing years of photographs, the notion of individuals from the labor force writing their own story became a significant element in planning Infinite World’s narrative.  The 18 story-tellers recalled many common memories and had many individual stores, but the common thread was the need to make a contribution to an end result larger than themselves.

Photo by ©michael soluri

Photo by ©michael soluri/Infinite Worlds

Based on your experience please describe what goes into getting a book published? 

Tenacity is crucial. Although I had a project based on exclusive access, I needed to know my story and that took about two years to develop. I also needed a marketing plan – to identify my audience and what my plan would be for exhibitions and magazine articles. A New York-based literary agent was critical to having the contacts at the various publishing houses. My initial proposals were ultimately shot down.

This caused me to look at myself and think about how I could tell this story in a more compelling way.  Seeing Hertzog’s “Cave of Forgotten Dreams” — a documentary film about the oldest human-painted images in the Chauvet Cave of France, as well as my documentation of the space shuttle’s flame trench beneath its launch pad, helped to reveal the narrative sub-text: time, distance and light.

About a year and a half later Simon & Schuster made an offer. Creating the book took two years. It involved collaborating with the production department to achieve the quality we ultimately experience in Infinite Worlds. It also involved an enormous amount of work with my editor, the art department, copy editor and the marketing and promotion folks.

Realizing the mutual marketing benefits, photo industry support was critical. As a result, I am grateful for Canon, Moab Paper, Eizo, Chimera Lighting and liveBooks.

How has your website helped your business? How has it helped this project?

I chose liveBooks because I could have a custom designed site and a web hosting relationship responsive to my evolving communication needs.  I couldn’t be happier with the collaboration and the responses I receive from the print and electronic media, aerospace industry and art community.  Currently Infinite Worlds is my most visible project, so design flexibility to respond to the marketing of my book was essential and liveBooks provides that flexibility.

What other events are you doing in conjunction with the book release? 

There are many events that will provide varying degrees of visibility.  The holiday season and the run up to and through the 25th anniversary of the Hubble Space Telescope in April 2015 will provide many public and exhibition venues.

My ten-year project portraying the people and places of NASA’s New Horizon’s Pluto mission will come to it’s crescendo beginning in spring 2015 when the probe passes within thousands of miles of Pluto and its moons. I’ll be there photographing the project scientists and flight controllers.

In addition I will be speaking at the IMAX theater at the Denver Museum of Nature and Science on January 21st, the National Air & Space Museum on February 13th and the Smithsonian Institute on April 11th. Exhibitions of my work are currently at the Kennedy Space Center’s Atlantis pavilion, in Hubble @25 at the Intrepid Sea, Air and Space Museum, and in Outside the Spaceship: 50 years of Extra-Vehicular Activity.

Additional information on media and events may be found on my (liveBooks) custom designed website


Posted in Photography / Q and A

liveBooks designers and marketing experts weigh in on the ten things you can do to improve your photography website.

1. Add Fresh Content
With the new year on the horizon, our design experts recommend refreshing the images and content on your website to make sure you are displaying recent and relevant work. “So many people like to build their site and forget it.  We’ve found that the most successful websites are those that are updated regularly,” says Ryan Maher, designer at  Just like a store changes the display window each season, we recommend refreshing the work displayed on your site two or three times a year.

2. Keep Mobile in Mind
It’s no secret that the world is going mobile. As more and more of your website traffic comes from smart phones and tablets, you need to make sure your website is optimized for those visitors. Whether you use a responsive website platform or enable a mobile-optimized version of your desktop site, you need to be sure your website looks good –and functions well– across all devices.

Mobilize Your Website

Expert Tip: Design with mobile in mind.  The mobile visitor behaves differently than the desktop visitor- make sure your site looks good for both!

3. Use Clear Navigation
Website Designer Adam Royer advises, “Function over fashion. User-friendliness is a must!” As you build your website, have an idea in mind of what you want your visitors to do when they land there. Do you want them to view your portfolio? Contact you? Watch a video? Whatever your answer, make sure your navigation and layout makes it easy for people to go to the pages you are hoping to highlight. A clean navigation menu is one of the easiest way to accomplish this!

Expert Tip: Make sure the text is legible! Use fonts that are large enough to be read on all devices.

4. Blog Regularly
Since we don’t all have time to change the photos on our website every week, a blog is a great way to add fresh content to your web presence without altering the look and feel of your website. Make it a goal to generate one blog post per week. You can start short and simple, just try to get something out there. Not only will new blog posts engage your visitors and showcase your recent work, it is also a huge benefit from an SEO perspective, as search engines tend to favor sites producing new content.

5. Let Your Images Do the Talking
Your photos are your calling card, show them off! One of the biggest trends in website design for 2015 is large, full-bleed photos that extend across the entire page. We recommend choosing a few photos that convey your vision, and displaying them (in a rotating slider or stacked) on your homepage.  A great website design that uses this full-bleed feature is the STATURE template within the liveBooks Professional Design Templates.full_bleed

6. SEO
Search Engine Optimization is considered one of the most important things you can do for your website. No matter how great your site looks, and how user friendly it is, search engines like Google, Yahoo and Bing are not going to display it in their results without the proper keywords, tags, backlinks, etc.  While search algorithms change constantly, (making it nearly impossible to “game the system”) one thing you can do to help your ranking is to name your images. Since most photographers websites are portfolio based, you can counteract the lack of keywords with naming and alt tags in your images.

7. Make it Easy to Contact You
You’ve worked hard to get visitors to your site- make sure you’re making it easy for them to contact you!  Whether you utilize a traditional contact form or simply write out your contact information, our experts recommend having a way to contact you listed from every single page of your website.

Expert Tip: Contact forms with fewer than 5 fields perform best!

8. Showcase Videos
Whether or not you have a videography component to your work, including two or three videos on your site is a great way to engage your visitors and bring your work to life.  Each liveBooks template allows for vimeo integration, providing you with the ability to have a video grid, single video, or full-page video embedded into your site.  Some suggested video types include: behind the scenes footage of a shoot, a welcome video of you talking about your work or a promotional video featuring your work.


Expert Tip: Videos perform better when they are integrated into your site, rather than requiring a pop-up to play.

9. Track Visitor Behavior
In order to ensure that your website is performing the way you want it to, you need to understand what people are doing (or not doing) on your site.  Google analytics is one of the easiest (and cheapest- it’s free!) ways to track the behavior of visitors to your website.  Once you understand how visitors are engaging with your site, you can adjust photos, content, and calls to action to maximize each visit.  Notice that people keep hitting your pricing page after visiting a specific gallery? Highlight that gallery on your homepage to increase conversions!

10. Choose the Right Photos
Some photos resonate better than others when put up on your website.  Designer Ryan Mahar recommends that you have a portfolio editor or even some friends or colleagues go through your images and pick out their favorites. Then choose what to upload accordingly.


Award-winning photographer, author and educator Michael Corsentino gives us his tips for getting the most out of the Photo Plus Expo. Follow these simple recommendations and you’re sure to have a productive show!

When it comes to the end of October most people are thinking about their latest Halloween costumes and stocking up on candy for the parade of ghouls and goblins about to descend on their doorsteps. For those of us in the photo industry the end of October is also the time of year when 22,000 photographers and enthusiasts from every corner of the country converge on the Jacob Javitz Center in Midtown Manhattan for the annual PhotoPlus Expo in New York City! With tens of thousands of square feet, 220 exhibitors, 80 conference seminars, myriad special events, and a ton of parties, attendees have a lot of ground to cover in just 4 short days. As a longtime denizen of PhotoPlus, here are my top 10 recommendations for getting the most out of this great expo:

1. Pace yourself
As mentioned above and below you’ve got a lot of ground to cover during PhotoPlus, there’s a ton to take in. Remember Rome wasn’t built in a day, take it slow and resist the urge to try and accomplish everything the first day. Slow and steady wins the race here.

2. Bring snacks
Full conference and expo days easily top 10 hours, definitely qualifying them as endurance events. You’ll need energy and hydration to keep up, brave the crowds, stay on your feet, and explore the miles of exhibitors without falling over. Cover your bases and bring snacks like protein bars, apples, nuts, and bottled water to provide the fuel you’ll need.

3. Staying on track
An iPhone is my go-to tool for staying organized and on point during the show. At a glance I can view the expo schedule, keep track of planned meetings, locate exhibitors, take notes and photograph cool new gear to reference later.

4. Layer
In late October early November the weather in New York starts getting chilly and windy so come prepared. During the expo you’ll be dealing with two temperature zones, one outside the show where it’s potentially cold and windy and another inside the expo where it’s not! In this situation a backpack to stuff an overcoat or a few extra pieces of clothing into is your best friend. This way you can layer up and down as needed. A backpack is also indispensable for holding show collateral and snacks.

5. Go for comfort
This isn’t the time to break in that new pair of killer shoes you’ve been dying to show off. Comfortable shoes rule the day during PhotoPlus! That doesn’t mean you can’t be stylish if that’s your thing, just be sure and choose shoes that are well broken in. Consider using a padded insole for extra comfort and pack a few bandaids just in case things get dicey with your dogs.

6. Make a plan
With so many classes and exhibitors all in one place knowing where to start can be overwhelming. It’s easy to miss the important and get diverted by the trivial. Make it a point to have a plan and prioritize. Let the exhibitors list be your guide. Map out the manufacturers who’ve got that must have gear you’ve been considering. This is your chance to see it all up close and personal, get your questions answered, and take advantage of show discount specials!

7. Take at least one class
PhotoPlus isn’t just the place to ogle the newest lust worthy gear, it’s also your opportunity to meet and learn from your photography heroes. Consider arriving prior to the trade show to take advantage of one or more of the many great classes being conducted. Be sure and reserve ahead of time, seating is limited.

8. Network, network, network
PhotoPlus is your chance for some rare face time with everyone from photography executives, marketers, manufacturers and other photographers, famous and not so famous. If you’ve been dying to get on someones’s radar this is your opportunity. Bring your A game, an iPad portfolio and plenty of business cards!

9. Affordable lodging
Accommodations in NYC typically run the gamut from expensive to very expensive. However there are deals to be had if you know where to look. Many people prefer the Pod for reasonably priced digs, but if you’re a good camper like I am and don’t mind a shared bathroom arrangement, you’ll love Larchmont Hotel in the West Village. At about $100 a night it’s hard to beat. Airbnb is also a great option and the one I opted to use myself this year. For $70 a night I was able to book a room in a clean, modern, well reviewed apartment with a full kitchen located in midtown, a stones throw from the Expo.

10. Enjoy NYC
Fall is one of the best times of the year to visit New York. Set aside some time to enjoy the city and all it has to offer. Explore the beauty of Central Park, check out a museum, take in a show, hang in the village, dine in Tribeca, take a ride on the Staten Island ferry – there’s no shortage of options in the city that never sleeps.

Bonus tip!! Don’t forget your Badge
I hate wearing a badge almost as much as I hate forgetting my badge back at my hotel! There are a lot of things you can do without during PhotoPlus, your badge isn’t one of them. Save yourself the headache and double check to make sure you have your badge with you before leaving for the expo.

If you have other suggestions please leave them in the comments below. And don’t forget to visit the liveBooks team at Photo Plus in booth 566!

Lou Manna has spent over 30 years creating images of all things editable. He is an award-winning commercial photographer, author and teacher based in New York City. His recipe for marketing for photographers is tried and true!

Marketing Basics

Most marketing experts say you need to strictly adhere to a plan and adopt specific tactics and objectives in order to be successful. Well, as a photographer with a creative soul whose spirit prefers shooting wonderful images more than being awash in spreadsheets, I follow three pretty simple rules: I cast a wide net in the right waters by having a great website, practice targeted email marketing, and make sure to stay in touch with current and potential clients.

By practicing this style of marketing, I have been able to maintain a thriving studio in today’s competitive environment.

Image courtesy of Lou Manna.

Image courtesy of Lou Manna.

Casting the Big Net

The Internet offers a huge sea of potential clients, so one of the key things for me is to cast a wide net with a great website. This net is my 24 hour presence and my virtual storefront, so it’s important to show my best work. Personally I love the way liveBooks displays large, high quality photos and permits me to change or move around images in a snap. I cannot tell you how many times I have had a potential client tell me they decided to call because they saw my site. Since I switched over to liveBooks, my revenue has risen over 50 percent. One client even told me he looked at more than 250 photographers’ websites before narrowing it down based on site views alone. It came down to me and one other candidate. I got the job.

Of course you can never be sure who’s surfing the Internet, so that’s why I make it a point to constantly include fresh images and keep the range of displayed photos wide. I can point to an example where just after updating my site I reeled in a big client, the National Mango Board, who in turn referred me to their agency. I was hired to shoot a campaign for them including recipes and beauty shots of mangos. As it happens, the account executive that we worked with loved my photography and decided to tie in the American Lamb Board and sent them to my site for their feedback. Once again my website came through for me without my knowledge. That union led to another client through the same agency, the National Peanut Council.


Consistent Email Marketing Pays Off

Besides this wide cast, I like to use personalized email marketing to nab or influence individual targets—the ones I know. I call this my narrower net. My list is up to three thousand names, mostly clients, peers, people I have met and think might one day be a source of business or referral. My email marketing is not highly polished or sent out at consistent intervals. I send out HTML emails that feature a fresh image whenever I have the opportunity. My images are simple and clean with appetite appeal! I add a few personal sentences and hit the send button. I think recipients appreciate the sentiment and see this as a greeting card, not a marketing push. Just staying in touch reminds people of your work. A few holidays back I sent out about 500 emails with the martini glasses. Nearly ten percent responded with well wishes and I netted two big jobs. Today I count 80 percent of my clients to be repeaters, so email marketing is a real inexpensive mainstay for me.

Holiday Cocktail. Image courtesy of Lou Manna.

Holiday Cocktail. Image courtesy of Lou Manna.

Face to Face is a Narrow Net

The old fashioned way which is geographically limited is getting out there as much as possible to network face to face. People like working with a photographer they have met and are comfortable with. I always carry my business card that has a mouthwatering photo on the back. Combine this with a great website and consistent communication through the Internet and you have a winning recipe.

Lou Manna is an award-winning commercial photographer, author and teacher based in New York City. You can find more of his work on his website and blog.

Posted in Marketing
September 23rd, 2014

Shooting on the Edge

Posted by liveBooks

Have you ever wondered how did they get that shot? Corporate industrial photographer Nick Souza tells us how he is able to create and produce compelling images while navigating a dangerous work environment.

As I carefully work my way to the tip of a 300 foot crane boom perched 200 feet over the water and swaying mightily as it unloads a giant container ship, my biggest challenge is to not smash a camera against one of the huge steel girders that surround me. More importantly, be careful not to slip on the minefield of grease blobs that wait to slam me into the sharp metal catwalk that is below my feet.

Subic Bay Container Terminal in Manila, Philippines

A vessel is assisted by a tug boat as it departs the Subic Bay Container Terminal in Manila, Philippines. Image courtesy of Nick Souza.

Surrounded by giant machinery that will roll over you in a matter of seconds or alternately drop their 2 tons of cargo right where you are standing, my work environment can be extremely dangerous. An ear splitting array of sounds in the midst of controlled chaos, a container terminal plays a roll in our daily lives that most people have no idea about.

The vast majority of our clothing, household goods, electronics and even some of our food are shipped around the world in 40 foot steel boxes on ships longer than four football fields. For twenty years as a corporate industrial photographer I have concentrated on this specialized world. The incredible scale of the ships, the colorful containers and the opportunity to travel captivated me immediately. With a background in photojournalism, telling my client’s stories was easy, but it was doing it dramatically that became my signature style.

Combining my storytelling ability with a strong artistic approach, I create images that are driven by their composition, color or quality of light yet still successfully illustrate the theme or message that they were ultimately created for. This concept has become my brand, with my client’s relying on a unique vision of their industry to differentiate themselves from the competition.

SPRC Container Terminal Cartagena Columbia

View of the front of a Reachstacker which is designed to move containers in multiple directions. Image courtesy of Nick Souza.

My approach to an assignment always begins by gathering as much information as possible. Very simply, I ask a lot of questions! Working on location is about finding solutions to challenges and still producing the best possible images. In an environment where shoot sabotaging last minute schedule changes are the norm, and cooperation is the key to my success, knowing the right questions to ask is what enables me to produce the types of images that I do. Armed with information, it is easier to make decisions about what I am going to shoot and plan for potential opportunities.

Speaking the lingo and having a great deal of knowledge about what I am photographing has served me well in being able to do things that would usually be greeted with a resounding NO! I am persistent and have been given some incredible access to produce some very difficult shots.

I have been on a lot of cranes, but on an assignment in Cartagena Columbia for the manufacturer, I really wanted to shoot from a different perspective. Making giant steel structures look as impressive as they are in person, showcase my client’s brand, throw in some bad weather mixed with uncooperative local authorities, just another typical assignment!

When working in a setting that has massive scale, finding an elevated vantage point is my favorite way to create a dynamic image. Shooting from on top of a container crane is the simplest way to get above this giant world. My client’s crane in Columbia offered a potentially incredible vantage point that I have never shot from before. A small platform at the tip that was actually below the boom, difficult and dangerous to get to while the crane was working, became the place that I absolutely had to shoot from.

SPRC  Container Terminal Cartagena Columbia Kalmar STS Crane

Gantry Cranes unloading a container ship at the Port of Cartagena Columbia. Image courtesy of Nick Souza.

While I work in dangerous environments, I am not a daredevil and safely doing my job is the number one priority. Noticing several minutes of lag time in the cycle of unloading containers, I realized it might be possible to get to my elusive vantage point without risk or interfering with productivity. I was just going to have to convince my escort who really didn’t want to be up there in the first place, that everything would be fine! Utilizing the always-effective bargaining tool of time, as in “we will only be there for a few minutes” I was able to make an image that offered an amazing perspective of my client’s product in operation.

One of the more unusual aspects of a typical assignment is that often I will be shooting for more than one client at the same time. I discovered many years ago that if a project or assignment involves multiple companies, it works very well to combine everyone’s needs into one assignment. Interconnected as vendors or customers of each other, sharing production/travel expenses is always appealing to them. On this type of shoot I provide each client involved with their own custom set of images mixed with selections that are useful for everyone.

Adding this additional level of complexity to my normally challenging assignments has actually enabled me to be more creative. Focusing on the different needs, I’m seeing the situations that I’m shooting in ways that may have been missed. During a recent shoot documenting the delivery of five gigantic automated cranes in New Jersey, I made one of my favorite images by seeing my subject a little differently.

Konecranes ASC/RMG delivery at Global Container Terminal New Jersey USA

A fully assembled automated stacking crane is unloaded from a heavy lift vessel while a supervisor looks on. Image courtesy of Nick Souza.

In an environment that is filled with giant impressive industrial machinery, it is easy to focus only on that. To enhance the story, I will often include people in the frame adding both scale and a connection. On this particular assignment everything came together when the project manager for one of my three clients put himself right in front of me, blocking my shot. With this extremely large man obstructing my perfect angle, I was just about to move when suddenly I saw a great shot. Placing this giant man clad in yellow coveralls in the center of the frame with his back to me while the action happened beyond him told a great story. It would have been really easy to not see one of my now favorite images when the shot I had in my mind was completely obstructed.

With persistence, luck and a lot of patience, I am constantly searching for more interesting ways to photograph an industry that I have been looking at for a long time.

September 15th, 2014

A Visit to the Island of the Sharks

Posted by liveBooks

Cocos Island was designated a World Heritage Site by UNESCO in 1997 and has no inhabitants other than the Costa Rican Park Rangers who strive to stem off illegal fishing within the protected area surrounding the island. With little resources and only one boat available to them they do their best under circumstances to keep the marine environment thriving. Photographer Li Westerlund takes us on her latest trip.

There are many hidden wonders in the world still to explore even for the most adventurous. As a photographer and scuba diver with the love of remote dive-areas, my passport is filled with all kinds of destinations which makes immigration officers at the airports on my return raise their eyebrows. Places like Komodo, Alors and Northern Sulawesi in Indonesia, Papua Guinea and Sudan’s Red Sea waters to mention a few. One of my absolute favourite escapes is located about 35-40 hours of open water travel by boat off the Pacific coast of Costa Rica. Its name is Isla del Coco, or Cocos Island, at times referred to as the Island of the Sharks.

Whitetip on the lookout

Whitetip on the lookout. Image courtesy of Li Westerlund.

The abundance of marine life surrounding Cocos island, which is the only emergent island of the relatively minor Cocos Plate, comes with some of the strongest currents you will encounter as a diver. Thus in many ways this marine preserve not only provides one of the most intensive adrenaline rushes but also some intriguing challenges for divers and underwater photographers.

Abundance of life

Abundance of life. Image courtesy of Li Westerlund.

In August of this year I made my fifth trip, deliberately choosing the rainy season – and does it rain in Cocos Island! – with the hope of encountering enormous schools of scalloped hammerhead sharks that grace the pinnacles around the island. There may not be a real on or off season for encountering these sharks and we all have to remember that the sea gives you what the sea wants to give you, not what you desire when descending into its depth. My preferred time though is between July and September, which also coincides with the time of the year when in the past I’ve encountered the giant whale sharks. And for this year, my trip truly became the trip of whale sharks.

Whaleshark in the deep

Whaleshark in the deep. Image courtesy of Li Westerlund.

Even though we saw scalloped hammerhead sharks, Galapagos sharks, tiger sharks, whitetip reef sharks, yellowfin tuna, the enormous school of jack fish that is always present, bottlenose dolphins and humpback whales on the surface, the mantra “May the whale shark be with you” was forever coined among some of us. There are several destinations around the world known for whale shark encounters but most only permit encounters while snorkelling or scuba diving in fairly shallow waters, when they come closer in to feed on plankton. Yes, the biggest shark on the planet lives on the smallest plankton, which is quite incredible in the bigger scheme if you think about it.

Hammerhead in for cleaning.

Hammerhead in for cleaning. Image courtesy of Li Westerlund.

Compared to other encounters with whale sharks, what mesmerized me the most diving with them in Cocos was the thrill of mingling with them in the greater depth of the ocean and how gently, gracefully, they interacted with us divers. How they were curious and almost inquisitive, and not anxious or troubled by our presence. The monsoon rain pouring down over the island affected the visibility most times, making lighting quite challenging for photography but it also creating an opportunity to capture these magnificent creatures in the mysterious fashion they suddenly appear from the depth.

See more images from her trip in her series “Gentle Giants of the Deep” and “Galenaea” at

August 17th, 2014

Win Clients With Your About Page

Posted by liveBooks

If the top priority for your photography website is to get your best images out there for the world to see, next on the list should be having a unique About page. Your About page is your chance to incorporate a little extra personality into your work which will help you stand out from the competition.

About page

For many of us it’s second-nature to shoot, shoot, and shoot some more, but when it comes to talking about ourselves and writing a few paragraphs about what we do we often just throw something together about our education, qualifications and experience. This is a huge lost opportunity!

Imagine, as a potential client, that you’re looking for a photographer for your wedding day. You’ve narrowed it down to two photographers with comparable talents at the same price range, but one has a typical About page and the other shows some personality and makes you laugh. Who are you going to choose?

Photographer and director David Emmite's About page.

Photographer and director David Emmite’s About page.

Clients are getting savvier every day, and with a run-of-the-mill bio you risk looking like someone merely going through the motions rather than a photographer full of ideas and energy who is ready to deliver amazing photos. Don’t be afraid of posting something a little quirky and off-beat. A little something different is a breath of fresh air.

In addition, from a photographer’s standpoint, having a unique About page works great as an extra level of pre-qualification. We all know that the best, most rewarding shoots are the ones where the client shares our tastes and sensibilities and therefore trusts our vision and judgment. By having a unique About page, you will attract clients that see the world as you do and also weed out clients who may not be the best fit. We’ve heard from countless photographers that people who mention their About page in their initial contact are almost always on the same page as they are when it comes to stylistic choices for their shoot. In this age of fast, fast, and faster, with so many decisions being made based on what can be found online, a unique About page is critical to help you stand out from the masses.

Photographer and humanitarian Sarah Fretwell has been called an unreasonable activist. She formed The Truth Told Project to help the girls and women of the Congo share their stories of sexual violence with the world and serve as a catalyst for change. She tells us about the project and with what we can do to help.
The Truth Told

Kavira Kabambi, 15 year old survivor. Photographed by Sarah Fretwell.

The Truth Told Project

One girl or woman is raped every minute in the Democratic Republic of Congo (DRC). The rape is not random, as you might think. It is a power play that targets those who are not in a position to fight back. The rebel and military groups use rape as a scare tactic and way to control and destroy local communities. The DRC’s society is so broken rape is now “normalized.” Millions of girls, women and men have been raped. Many more will be raped in the time it takes you to read these few paragraphs. More »

July 23rd, 2014

5 Benefits of Mobile Websites

Posted by liveBooks

The internet is constantly changing and as creative small business owners we need to evolve as it changes. It seems like everyone is touting the importance of the mobile experience these days – and for good reason!

The number of smart phones in use worldwide has exceeded 1 billion, and it’s only continuing to climb. In fact, although only 1% of small businesses have optimized their website for mobile viewing, 50% of all local searches are performed on mobile devices. By the end of 2014 mobile is predicted to overtake desktop Internet usage. With consumers using mobile devices and tablets more often, it has become more important than ever to have a well-designed mobile website for your business. More »

Posted in Marketing / Website Tips

A climber and visual storyteller, Cory Richards was named National Geographic Adventurer of the Year in 2012. Cory’s camera has taken him from the controlled and complex studio to the wild and remote corners of the world, from the unclimbed peaks of Antarctica to the Himalayas of Nepal and Pakistan – all in the attempt to capture not only the soul of adventure and exploration, but also the beauty inherent in our modern society.

Cory dropped out of high school and was practically homeless by the time he was just 14 years old. His education came from observing what was happening around him and discovering the richness that comes from struggle. His video “A Tribute to Discomfort” takes you through his journey from recounting the avalanche that almost took his life and led to the moving self-portrait that appeared on the cover of National Geographic, to describing what drives him to tell stories of people and places.

“My job is communicate a real raw visceral experience. Despite the fact that we are experiencing massive problems as a human family we are still experiencing each other, loving and having a ton of fun. I mean life is fun.” – Cory Richards

A Tribute to Discomfort: Cory Richards from Blue Chalk on Vimeo.

June 3rd, 2014

Creating a Brand Strategy

Posted by liveBooks

Your company’s brand is one of its most valuable assets. It represents the core of who you are and why you do what you do. It’s about the promise you make to your customers to provide a product or service, to do so with consistency and quality, and to do it better than your competitors.

To build a successful creative business it takes more than artistic vision and talent. The reality is that you are a small business owner and as such you need to understand business. For many of us that’s not the fun part – but it can be! More »

Posted in Marketing
May 30th, 2014

What Makes a Moment?

Posted by liveBooks

Each of us defines a moment in a different way. For food photographer Penny De Los Santos a moment is where people, culture and food come together.

“I am inspired by and in love with that space where a scene vibrates with an energy. And when it’s combined with light, composition and color – that’s when I make a picture of a moment.” – Penny De Los Santos

In her TEDx Talk she takes us from a candlelit dinner table in war torn Lebanon to the grave of a loved one, asking us to stop, connect and take the time strengthen and honor the bonds between us.

Brand Advocates can create some of the best value for any small business or emerging brand. Advocacy for your brand has a vital impact in driving awareness, creating conversation and generating more business. Cultivating brand advocates who are excited to share their experiences with others can be a low-cost, high-return marketing strategy.

Essentially a Brand Advocate is someone who enjoys your product or service so much they are eager to tell others about it. Brand advocates can be online influencers with a large social media audience, people who are active or well-respected in their industry or your customers. Here are some ways to turn a customer or industry influencer into an active, engaged advocate for your brand: More »

Posted in Marketing

Award-winning photographer Michael Corsentino tells us how to create beautiful portraits using simple lighting techniques. As an author and an educator he generously shares his lighting and posing secrets, processing techniques, time-saving workflow strategies and shooting philosophies with other photographers. We’re thrilled that he’ll be a regular contributor.

Keep it simple! I’m continually reminded of this tried and true maxim. Being a dyed in the wool lighting geek I like nothing more than throwing a ton of lights into a setup, and creating complex, layered lighting. It’s the puzzle solver in me. Sometimes that’s completely called for and the only way to produce the desired result. However solving the lighting puzzles doesn’t always have to involve a kings ransom worth of strobes, power packs, etc, quite the contrary. In fact, 90 percent of my lighting solutions end up using between just 1 to 3 lights. More »

April 10th, 2014

Tax Tips for Photographers

Posted by liveBooks

Dealing with taxes can be stressful. With April 15th just around the corner we wanted to share some helpful tax tips for photographers and creative professionals. As with any general advice you should consult with a qualified tax preparer.

Staying Organized

An ounce of prevention is worth a pound of cure. Staying organized throughout the year is the best way to be prepared for tax season. Utilize accounting software like, Quicken or Quickbooks. Set aside time each month to download and classify the activity from your checking, savings and credit card accounts. At the end of the year 90% of the work required to prepare your tax return will already be done.


If you can’t make time to keep the books yourself on a regular basis or if you aren’t inclined to learn an accounting software package, find a competent bookkeeper in your area with whom you can build a relationship. A good bookkeeper shouldn’t cost more than $40-50 per hour and depending on the size of your business you should expect to engage them for 3 – 4 hours per month. More »

Posted in Business
April 2nd, 2014

The Fine Art of Travel Photography

Posted by liveBooks

Mark Edward Harris is an award-winning photographer, author and educator. His book North Korea was named Photography Book of the Year at the 2013 International Photography Awards. He teaches travel photography workshops at the Los Angeles Center of Photography, Samy’s Camera, and the Santa Fe Photographic Workshops. These are his tips for creating fine art travel photography.

How does one transcend the “I was here” imagery that is often associated with travel photography and create fine art images of places near and far?

From the dozens of workshops I’ve taught on the subject and carefully studying the work of and talking with many of the great globetrotting lensmen and women in the field, I have developed a methodology, that when applied, should yield impressive and at times spectacular results. More »

March 26th, 2014

How to Write a Photography Proposal

Posted by liveBooks

As a photographer being able to appropriately charge for your time and expertise is essential. Photographer Kelsey Foster breaks down what can be a challenging process and shares with us her tips on putting together an effective photography proposal.

Writing a photography proposal is a learned process. I still learn something new every time I need to write one. Everyone has a slightly different way of doing things, so you have to figure out what works best for you.

Writing an estimate is essential for large advertising jobs. Editorial jobs for magazines and newspapers often approach you with a predetermined budget. Wedding and portrait photographers often structure their form and fees differently. No matter what type of photographer you are, being able to appropriately charge for your time and expertise is essential. These tips will help you think about what, and how much, to charge a prospective client. More »

Posted in Business / Marketing
February 13th, 2014

Myanmar: Bridges to Change

Posted by liveBooks

Photographer, filmmaker, and climber Mark Fisher was asked to join an expedition that would make a first ascent of Gamlang Razi, Southeast Asia’s disputed highest peak. He created a film called Myanmar: Bridges to Change about the experience which will be released on June 14, 2014. In the meantime he has shared the trailer and these beautiful images with us. We can’t wait to see it in its entirety!
Myanmar Bridge. Photo courtesy of Fisher Creative.

Myanmar Bridge. Photo courtesy of Fisher Creative.

In August 2013 a group of 7 climbers, 5 Americans and 2 Myanmarese climbers, traveled to the farthest reaches of northern Myanmar to make a first ascent of Gamlang Razi, Southeast Asia’s disputed highest peak. All told, the climbers traveled over 270 miles on foot through some of the harshest terrain on the planet, braving extreme heat and moisture, as well as the gambit of jungle creatures. Despite these challenges, they were rewarded with rare access to one of the most remote and untouched corners of this planet, living with villagers along the trail that have never seen westerners before. In fact, there have been less than a dozen or so westerners in history to have ever been to this part of the world, and only one climbing expedition in history have been to these mountains. More »

Media-education blogger Amy Cobb gives the liveBooks community some tips on how to build your personal brand using Instagram without giving away your work for free.

Is Instagram revolutionizing photography? This is a stale question at this point. We all know that Instagram owns the right to use your photo if you post it with their app, and that it has potentially democratized photography – everyone can be a photographer now, and the photographer with the most followers wins! (What they “win” we have yet to know). Nevertheless, while iPhone and Instagram-only weddings have occurred, they are still by far the exception. Photographers that hope to make money from their photographs – and not just from contests sponsored by corporations – can use Instagram to help establish their personal brand without giving all their work away for free. More »

Claire Rosen is a photographer that blends a fine art sensibility with commercial work to create whimsical imagery inspired by fairy tales, fables, and other children’s stories. Her fashion art and advertising work touch on the bizarre and unusual with the themes of vintage circus, burlesque, magic, curiosities and natural science interwoven throughout the images. She tells us what her favorite moment was this past year and what she’s hoping for in 2014.

What was your most memorable moment this past year?

Taking an overnight train from Budapest to Bucharest…

What is your main goal for 2014?

To find gallery representation in NYC.

What is it that keeps you picking up your camera everyday?

Admittedly it’s not “everyday” but the adventures that my camera allow me to have keeps me picking it up as often as possible!

Fine art fashion photographer

Series: Pre-Raphaelite, 2013
Locality: Bucharest, Romania
Fashion Story
Credits: Model – Marta mraModels, Styling – Raluca Racasan, Hair – Claudiu Alex Sarghe, Makeup – Irina Selesi, Location – Institutul de Arheologie

Connect with Claire and view more of her work on her photography website.

Fine art wedding and portrait photographer Karen Hill loves photography, the history of photography and shooting with film. She is known for her ability to create emotionally powerful images. Karen has shared some of those images with us in addition to what keeps her motivated.

What was your most memorable moment this past year?

There are so many memorable moments in a year of photographing weddings. It’s such an intimate job where so many things are happening all around you at the same time. It’s hard to name just one! So I’ve included a few of my favorite images.

Photo by Karen Hill Photography

Photo by Karen Hill Photography

What is your main goal for 2014?

To keep getting work and making my couples happy.

Photo by Karen Hill Photography

Photo by Karen Hill Photography

What is it that keeps you picking up your camera everyday?

What I love is the feeling I get when everything seems to align, when the perfect moment is in front of you, when the light is just right and the right camera and lens are in your hand. When the sun and the stars align perfectly, so to speak, to me, that’s photography magic and that’s what keeps me picking up my camera everyday.

Photo by Karen Hill Photography

Photo by Karen Hill Photography

Connect with Karen and view more of her work on her photography website.

Robin Layton is an award-winning photojournalist and renowned artist. Her exquisite work has been nominated for a Pulitzer prize and featured in the Smithsonian. She shares some of her favorite moments from this past year with us.

What was your most memorable moment this past year?

I’ve got a few! Becoming a Nikon Ambassador, the release of my second book, hoop: the american dream, and completing my 8th film for The Oprah Winfrey Network.

hoop: the american dream

What is your main goal for 2014?

To keep growing as an artist and to keep creating art.

What is it that keeps you picking up your camera everyday?

I’m at a point in my career where I’m just focusing on creating fine art. After being a “hired gun” for everyone else my entire career it’s my turn. Finding out what I have inside me is very exciting! This is the happiest I’ve ever been in my career.

To connect with Robin and view more of her work visit her website.

Award-winning fine art photographer and instructor Craig Varjabedian recently won Best Art Book at the 2013 New Mexico-Arizona Book Awards for his book Landscape Dreams: A New Mexico Portrait published by the University of New Mexico Press. He tells us about the book and what he is currently working on.

What was the genesis of this book?

My publisher approached me with an idea to create a piece that would celebrate New Mexico on its 100 years of statehood. But really, this book is a natural progression of my work. It presents a selection of my photographs, made over the nearly three decades that I have lived and worked in New Mexico. Some of the images are from my archives while others are newer, based on my desire to have a more complete geographical coverage in order to best represent the varied landscape of the state. More »

As the end of the year approaches it’s an opportune time to reflect on the past year and look forward to the next. We decided to check in with longtime friend and sports photographer Matt Brown to see what his most memorable moment was this past year and what he plans to do in 2014. We look forward to keeping up with him!

What was your most memorable moment this past year?

My most memorable moment in 2013 was being named the Director of Photography for the Los Angeles Angels. Twenty five years of hard work paid off and I couldn’t be happier!

What is your main goal for 2014?

My goal for 2014 is to show the Angels in a new way. I want the fans to see more intimate, quiet moments away from the field. In this photo Los Angeles Angel Mike Trout gets a haircut 90 minutes before a game. Most fans didn’t know this even happened and very few people have seen this photo till now. Check out the Angels photo blog for more candid shots.

What is it that keeps you picking up your camera everyday?

I’m a super competitive person and that drives me to make the best photos day in and day out. Plus I get really grumpy if I don’t shoot!

Keep up with Matt’s work on his photography website and of course on the Angels photo blog!

2013 Season, Game 86: Los Angeles Angels vs Boston Red Sox

Los Angeles Angels Mike Trout gets a haircut 90 minutes before a game.

September 16th, 2013

How to Leverage Your Contacts

Posted by liveBooks

how_to_leverage_your_contactsTaking time each week to leverage your contacts is one of the most basic things you can do to ensure that your business continues to grow. Even though they are already in your address book, maximizing your relationships takes time, consistency and focus. Your network includes past clients, current clients and all of your prospects.


Mantaining Your List

Did you know that 40% of creatives at advertising agencies change jobs each year? 40%! So that great Art Director that you worked with last month may not be there next month. Where did they go? Who took their place? More »

Kike Calvo is an award-winning photographer, bilingual journalist and author represented by National Geographic Stock. The nature of his work is primarily cultural documentary and editorial. He has lectured at the Leica Akademie and is a freelancer for the New York Times. He shares with us a little about his journey as a storyteller, his most memorable moments, and what inspires him.

Melissa Dubasik: How did you get started in photography?

Kike Calvo: This question makes me sad as it was one of the worst moments in my life that drove me into photography. I was studying economics in Spain when my father, a radio personality and one of the most fascinating characters I have ever met, was diagnosed with cancer. I dropped everything and devoted that year to join him on his last journey through hospitals and chemotherapy. Before he died I promised him I would graduate. And I did. More »

For over a decade, award-winning youth photographer Rebecca Drobis has returned to explore and photograph on the Blackfeet Reservation in northwest Montana. Initially, the impressive mountains of Glacier National Park drew Rebecca to the reservation, but the children living in the shadow of those peaks keep her coming back. Grown Up West: Children of the Blackfeet Reservation documents the lives of the youth living on the reservation. Rebecca tells us a little about her project.

Where the endless plains are abruptly transacted by the dramatic Rocky Mountains lies Blackfeet Country. A small community of people call this place home and this project is about the young people of that community. It is a glimpse into their world as they see and live it. Through my photographs, I want to show the triumphs and struggles that are unique to these youth. This project explores the power of place and illustrates how the natural environment and the challenge of reservation life affect a child’s experience.

These challenges unite the community and further strengthen family and neighborly bonds. In the absence of material excess, the children’s imaginations flourish. Without tightly packed schedules of extracurricular activities or the latest video games, children are drawn outdoors to explore and adventure.


My goal in this body of work is to honor the enduring strength, resilience and wisdom of these youth. The project speaks to a universal childhood. More »

We had a great Q+A webinar with many members of the liveBooks community last Monday. Thanks so much to those who were able to attend!

For those who weren’t able to join us, the focus of the conversation revolved around the future of the liveBooks brand, the state of our support team and the new features and platforms we hope to add to liveBooks in the future. To illustrate some of these items, we’ve listed some highlights below.

  • The liveBooks brand remains intact. You can expect to receive the same level of service as in the past and enhancements to the products and designs you love. We plan to increase the amount of resources dedicated to the liveBooks business to create even better products in the future. Our ultimate goal is to create a website that drives you and your business success for the long term.
  • We sincerely apologize if anyone had difficulty getting in touch with a liveBooks representative during the transition period. With the recent acquisition, we are working hard to bring the level of support back to that which you had come to expect from liveBooks. We have hired back many of the familiar faces from the support team, and will ensure that you receive timely responses and in-depth support. Thank you again for your patience.
  • We look forward to improving and creating new products to power your businesses including: responsive designs, HTML 5 components, open API and integrating workflow from LightRoom to liveBooks.

If you missed the webinar and are interested in receiving a copy of the full recording, please email

Posted in Business / Photography
July 16th, 2013

Support Members are still here!

Posted by liveBooks

It’s been a crazy few weeks over here at liveBooks, and we are extremely grateful for your patience and understanding through this process.  In spite of all the exciting news, things are finally starting to settle down and return to life as we remember it.  While you may still have some questions about the acquisition (if so, we encourage you to join this afternoon’s Q+A webinar), rest assured that the liveBooks brand, team, and core values remain intact!

From a support personnel standpoint, not much has changed around here.  Patrick, Luis and Laura are back online to help answer your questions and manage your accounts.  They are joined by Catherine, Senior Customer Satisfaction Manager. We want to ensure that we introduced you to her, in case you see her name pop up on any of our channels.  When Catherine isn’t managing our support teams, she is mastering the art of pilates (well… almost… she fell off the pilates machine yesterday.)  Catherine’s email is


We are excited to utilize our new resources to increase our offerings and deliver an even better product to all of you.  Please feel free to email Patrick, Luis, Laura or Catherine with any questions you may have (allow 48 business hours for a response).


Posted in Business

Dear liveBooks Community,

It is a huge thrill to be joining forces with the liveBooks team. Together, liveBooks and WeddingWire are able to take action with our shared commitment to continue the amazing work that liveBooks has been doing in serving photographers and creative professionals around the world. I wanted to share insight with you on where liveBooks is headed in the months ahead, as well as introduce myself and WeddingWire.

Where We Are Headed
Andy Patrick and I share a passion for helping small businesses succeed online.  As both of our teams work together, we are committed to providing you with the level of service for which liveBooks has been known.  In the coming months, our technology teams will work together very closely to build a more powerful liveBooks platform to serve your business needs for years to come. Whether you are a commercial photographer or creative professional, we look forward to delivering success to your website and your business.

About WeddingWire
WeddingWire is a company dedicated to helping small businesses succeed.  We have extensive experience in working with photographers, videographers, venues, and other small business owners and are focused on understanding their ever-changing business needs.  In fact, many members of our team are creative professionals themselves.  The company was launched in 2007 from my living room and has continued to expand in staff, space and innovation with a priority to serve our clients.

We initially began by creating an online marketplace for the wedding industry, connecting consumers with event merchants efficiently online.  Today, is one of the largest wedding sites in the U.S.  Furthermore, our technology platform powers portions of leading industry sites such as Martha Stewart Weddings and CondeNast’s

Next, we launched, dedicated to helping event planners find the best resources for their corporate and social events.

We are always innovating our current offerings but most recently, we extended our software suite to include features like social media management, digital contract signing, online bill payment, mobilized sites and more.

Today, our platform powers over 140,000 small businesses across the globe. We have become the leading technology company in the industry and our team is laser- focused on driving product innovation for our professional community.  If you’d like to learn more about our company or our products, please visit:

On behalf of the entire WeddingWire team, we are incredibly excited to join the vibrant liveBooks community and we are grateful for the opportunity to serve you and your business needs.  I look forward to connecting with you over the coming months; however, should you have any questions, comments or concerns, please don’t hesitate to email and you will receive a response within 24 hours.


Timothy Chi
WeddingWire, Inc.


Posted in Business

We’ve been busy over the past few months preparing for some exciting news. liveBooks has been acquired by WeddingWire, Inc., which operates the leading wedding and event sites such as,, and many more.  Furthermore, the company features a comprehensive online business marketing and management solution, called eventOS, which offers businesses the opportunity to enhance their marketing, customer relationships, reputation and more. We are confident that in WeddingWire, we have found a great partner and a steward of the liveBooks brand.

Our sincerest apologies for any bumps you may have experienced during this transition period and for any inconvenience it may have caused you.  In tandem with WeddingWire, we are dedicated to making this transition as smooth as possible and we are committed to answering your questions.  Our staff is available and here when you need us.  We look forward to this new chapter as we deliver more value to YOU, our valued liveBooks customers.

Here’s a note from Andy Patrick to the liveBooks community:

We are thrilled to announce that liveBooks has been acquired by WeddingWire, Inc., the leading online marketplace for the wedding and events industry. They are an amazing group of people, passionate about being great stewards of the liveBooks brand, and focused on maintaining our leadership role in all aspects of the photography and creative professional industry.

What does this mean for you?

You’ll continue to receive the same great service as always. For anyone who experienced frustrations during this recent transition period, our sincere apologies. We will be working hard over the next few weeks to make the transition as seamless as possible. This week, support staff is in full force and ready to help with for your support questions, custom design and new site enhancements.

liveBooks brand will remain.

We’re excited to partner with the WeddingWire team to continue to serve the liveBooks community. The acquisition means more resources will be available for product innovation and we will be sharing the details of these developments in the coming months. We’re working to bring you more value as a liveBooks customer.

We appreciate your loyalty over the years and look forward to this exciting next chapter—we’re committed to bringing you stellar business solutions to boost your online presence and success.

Keep doing great work and having fun.

All my best,
Andy Patrick

For more information about WeddingWire’s platform for merchants, which includes lead management, social media monitoring, digital contracts and more, visit

Posted in Business / Ideas / Photography

Portrait photographer Jessica Washburn is especially gifted at newborn and family portraiture. It’s not easy to bring out the best in every member of a family simultaneously. Learn from a pro how to prepare parents for family portrait sessions.

Family portrait sessions should be fun! As photographers we can do more than just create beautiful images for our clients – we can make sure they enjoy their time with us. Ultimately, the experience families have while they’re with us is what determines if we are gaining clients who will want to come back to us again and again.

Family portrait photography

Confession #1:

Growing up, I hated getting our family pictures taken. Uncomfortable clothes, stressed-out mom, cranky kids, and someone almost always ended up crying.

Confession #2:

Until a few years ago, I dreaded taking my own kids’ pictures. I was the stressed-out mom, they were the cranky kids, and if someone was crying it was usually me. Why I decided to pursue family photography after all the itching and whining and the poking and the crying is anybody’s guess, but I’ve learned some things over the years, both as a mom and as a photographer, that have completely changed the family portrait experience. Now, I love family portraits – I love shooting them, I love being in them, and I adore looking at them after the session. My clients and my kids look forward to them. I’ve found that taking the time to prepare parents for their family portrait session can turn a potentially stressful situation into one that’s a lot of fun.

Family portrait photography

Manage your clients’ expectations:

Make sure your clients know exactly what to expect from a session. Explain what will happen from the time they arrive at the session until they leave. Remind them that their children don’t have to be perfect at the session. The camera captures 1/250th or less of a second at a time – in between the wiggles and the goofiness and even the “I don’t want to!” there are always sweet moments. Ask them to trust that you can capture those.

Help them focus on what they can control:

I frequently tell my clients that I hope their family portrait session doesn’t cause them any stress, but if it does, all of that stress should happen before the session. Stress and tension have no place at a portrait session. Thoughtful selection of their photographer, their wardrobe, and a session date and time that works with their family’s schedule will definitely lead to beautiful images. However, once the session starts there isn’t much more parents can do to ensure success, other than having fun and showing affection to their kids.

Family portrait photography

Remind them to be flexible:

Kids have minds of their own. Let clients know that you’ll try something for a while, and if it’s not working out you’ll move on to something else. Reassure them during the session that their child’s shyness or silliness is age-appropriate and that they’re not misbehaving.

Portrait photography website

Bribes and rewards:

Bribing a child before a portrait session almost never works. I explain to parents that by offering a reward to children before a portrait session, they’re often sending the message, “This is going to be painful. So painful, in fact, that I’m going to have to take you to ice cream/buy you a toy/let you play video games to make it up to you.” The problem with bribes is that children under the age of 5 don’t understand delayed gratification, thus the reward is ineffective and can quickly turn into threats, “Uh-oh, no ice cream!”

I believe a child over the age of 5 is completely capable of participating in the session without the promise of a reward. Ask parents to please not mention any rewards before the session. Find out prior to the session if they’re comfortable with you offering a small treat or prize to win the child over to get that last shot at the end of the session. Let everyone know that the session itself will be fun – no one needs a reward for having fun!

Family portrait photography

Encourage parents to keep it light:

Remind parents that comments like, “This is really important to Mommy, we really want you to cooperate,” instantly gives the child complete control over the session. Instead, I encourage parents to say something like, “We’re going to go see Jessica today. She’s going to play some games with us and take our picture. It’s going to be so much fun!”

Portrait photography website

Take comfort into account:

As the mom of many highly sensitive children, I encourage parents to make sure they’re not setting themselves up for unnecessary difficulty by asking their children to do things that make them uncomfortable. Sessions should be scheduled, as much as possible, when children will be well-rested and fed. Ask parents to make sure their children have tried on clothes before the session so that any problems resulting from uncomfortable clothing can be addressed prior to the session date. I also let parents know that we can always take a break from shooting if children just need a drink or a snack, a snuggle, or time to play for a bit.

Family portrait photography

Newborn sessions with brand new older siblings:

Practice makes perfect. Ask your clients to make sure they let the new big brother(s) or sister(s) hold the new baby every day. If the older sibling is too little to hold the baby, he should be lying down next to the baby, kissing the baby, or at least talking to the baby every day. This gives the toddler or child a chance to get used to the baby. It also gives the parents an idea of how much cooperation they can expect from their older child or children. The clients will then come to the session with a much more realistic idea of just how cooperative the older children will be, which is especially important if the new big sister is still pretty much a baby herself.

Family portrait photography

Giving them just a little bit of guidance, we can help our clients avoid some of the common causes of family portrait stress. The less stress at the session, the more time there is for fun, and the more likely you are to win over a client for life.

Family portrait photography

Family portrait photography

Family portrait photographyJessica Washburn’s images are pure, intimate, and above all beautiful. Finding and accentuating the beauty of her clients is always the inspiration for every session. While she enjoys photographing families and children of all ages, Jessica’s attention to detail, patience and absolute love for her subjects has made her especially gifted at newborn portraiture. Her newborn images display a unique sensitivity and sense of peacefulness.

To see more of Jessica’s work visit her website.


April 4th, 2013

A Look Back at WPPI

Posted by liveBooks

After all the lead-up to WPPI in Las Vegas last month, it seems strange that it’s really over. But as I look into the rear view mirror, I see it getting smaller and smaller as we drive our brand forward toward new product launches and what will likely be a healthy wedding season.

This was my first WPPI and everything that I was told to expect turned out to be true. The crowds were massive, the energy was high, the sessions were informative, and Las Vegas was the perfect town (and the MGM Grand the perfect locale), to host the event.

Unlike Imaging USA in Atlanta last January, Pinhole Pro’s presence at WPPI was as an integrated brand beneath liveBooks, Inc. and alongside Fotomoto. For the most part those who were looking for us managed to find us just fine, and when they did they were pleased to note that all of the Pinhole Pro products they’d come to love were on display to touch and feel.

You Asked. We Delivered.

WPPI also marked the unveiling of our brand new Horizontal Panoramic album, which is now available in Pro Studio. Log on to check it out now. You can even save 25% off it and all other Pro Studio product through April 15th when you use promo code PROWPPI. Enjoy!

All-Star Speaker Lineup

We were fortunate enough to have a wonderful lineup of speakers at this year’s event, including Wedding Photographers Stacie Kirkwood, Barrie Fisher and Jared Platt, commercial photographers Michael Grecco and Mark Wallace, and liveBooks CEO Andy Patrick. Our own Patrick O’Connor walked attendees through all the great custom tips and tricks available to all of us in Pro Studio, and Fotomoto Product Manager Piam Kiarostami spoke about the benefits of Fotomoto. Speaking of which….


Start Selling with Fotomoto

Trade shows are nothing if not an opportunity to sample and demo product, and one of our major points of discussion at WPPI was the integration of Fotomoto into liveBooks websites. It was great to see booth attendees’ faces continually light up as we showed them how they can sell photos through their liveBooks websites for free. Think of it as an extra source of revenue that you can set and forget.

For a sample of what I’m talking about, visit Jared Platt’s site and click the ADD TO CART button at the bottom of the screen. If you like what you see, and I think you will, I’d be remiss if I didn’t let you know that you can now save 50% off a Professional predesigned liveBooks website, which includes the integrated Fotomoto shopping cart option, by visiting and entering promo code LBWPPI at checkout.

Our next major industry event will likely be the PhotoPlus Expo in New York in October, but we are looking into creating a trimmed down booth experience for smaller shows throughout the spring in summer. Please be sure to ‘Like’ us on Facebook and check our Events tab to stay abreast of our upcoming appearances.

Joe Franklin is the Director of Marketing at liveBooks and Pinhole Pro. When he’s not sending emails, optimizing landing pages and organizing events, he’s running the trails of the SF East Bay Regional Park district or shooting photos of whatever catches his eye.

Being able to create and deliver an elevator pitch is fundamental to any good marketing plan. In the final installment of a 4 part series, liveBooks Inc. CEO Andy Patrick discusses the value in being able to state your elevator when it counts.

Posted in Business / Marketing

Being able to manage and grow your contact database is essential for all working photographers. In part 3 of a 4 part series, liveBooks Inc. CEO Andy Patrick discusses some effective ways to manage and grow your database.

Posted in Marketing / Photography
March 4th, 2013

Photography, The Art of Selection

Posted by liveBooks

Learning to edit your work is essential in order to become a successful working photographer. Wedding and portrait photographer Jared Platt shares with us his tips on how to become a better photo editor.


One of the greatest challenges new photographers face is learning to bridle their excitement to show everyone, everything they shoot. The difference between a good photographer and a great one is not what they shoot, but what they choose to show the world. Learning to edit your work is paramount to being a great photographer.


In the last century, there was a buffer between the amateur photographer and the rest of the world: the science of photography itself and the cost of production and distribution. Expensive labs, chemical heavy darkrooms, and the complexity of publishing one’s work made it difficult to publicize. Those who were willing to make the effort and spend the money did so very carefully, with assistance from industry professionals to insure their work was well received. These hurdles to publication slowed photographers down and forced them to reflect on their work before displaying it to the public at large.


Today, you don’t have to go through a gatekeeper to have access to the world. With the advent of Facebook, blogs and Instagram, the public is only a click away from seeing your latest shot. A photographer can snap a shot, alter it in Snap Seed and post it to the world in a matter of 60 seconds, for free, without any oversight, second opinions or editorial review.

And the world will act as your editor by following and un-following your feeds. Now you (the photographer) need to learn how to be a photo editor. You can do it, you have the skills, but you now need the discipline to be your own harshest critic and to accept nothing but the best, even when it hurts to hit the delete key.


After all, photography is the art of selection. When you are out in the field photographing, you have an infinite number of frame options available to you, and with your photographer hat on, you choose the location, the angle, the moment and even the exposure settings for each image you capture. When you get back to the Lightroom, you now have a smaller number of frame options available, but it is still the same act of selection that occupies your attention. The only difference is that the decisions you make in the computer can be contemplated over and are not as permanent as missing the shot in the field. If a photographer approaches the act of selecting in the computer the same way she approaches selecting at the camera (with confidence), the act of selection will be far less intimidating and much more fruitful.


I offer a few suggestions for being a better photo editor:

Comparative Review:

First, photographers select in the field by reviewing options in comparison to one another. In the old days, we used to make our selections in the darkroom using a contact sheet with 15-36 images being compared to one another at the same time. Reviewing images one at a time will never yield quick or informed selection decisions. The art of efficient, accurate and quality selection begins with this comparative review principle: we make better decisions when we see our options in comparison to each other.


Positive Selection:

Second, photographers in the field take an infinite number of options and select images from that infinite set. When options are placed before you in comparison, one option will catch your eye and that is the option you will explore. Back in the studio, the selection process is hindered when photographers scrutinize every possible image. Instead, determine what you are looking for (i.e. children in action, brides dressing, politicians lying, etc) and set those images in front of you. As you compare them to each other on the screen or in print, let the great images jump out and grab you. Those that do not are unworthy of your attention.


Kill Your Darlings

Third, you must be willing to “kill your darlings.” Too many photographers keep too many images because it cost them time and money to produce. But if the image is not impressive, it should not be shown. Your goal as a self-editor is to promote your great work and, like the gatekeepers of the 20th century, deny entry to the rest. Shakespeare’s character Polonious reminded his son that “brevity is the soul of wit,” and I am reminding you now, that brevity is the soul of a potent portfolio. Protect your brand by protecting your portfolio.

Don’t just think of your portfolio as the book you show your clients, or a website for potential clients. Your portfolio is anything and everything you put out into the public’s eye. This includes your printed products, magazine publications and advertisements, your Facebook pages, blogs, image galleries and Instagrams. This is where you make your impression on the public, which is why it is so important to be more critical of your own work.

Seek Out Private Critiques:

Fourth, find someone you trust to review your work on a regular basis. This could be another photographer, a mentor, your print lab, a portfolio review session at a trade show, a camera club or even a password protected web forum.  You don’t want a “yes” man to butter you up, but an honest and harsh critique. The public will be more than happy to critique your work, but getting that critique means that you have to show the world your mediocre work. Henri Cartier-Bresson said “showing your contact sheets is like taking your pants off in public.” Don’t take your pants off in public – it’s not good for your brand!

The world knows that you are putting your best foot forward. So, when you share images that are merely good, you are telling your potential clients that this is the best you’ve got. If you are not willing to reject the good that is mixed in with the great, you will be seen as mediocre at best.  If you won’t judge your own work harshly, the world will.


Jared Platt is a professional wedding and lifestyle photographer. He has lectured at major trade shows, photo conferences and universities on photography and workflow. Currently, Jared is traveling the USA and Canada teaching photography and post production workflow.

Posted in Editing / Photography


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