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Guest Blog Post By Chris Humphreys

In late 2010, an old high school friend contacted me asking if I’d be interested in shooting sports. He worked for USA Today Sports Images and they were in need of more shooters out in Denver. Up to that point, my business had been focused almost exclusively on weddings and I had virtually no experience shooting sports. However, the idea of trying something different appealed to me, so I made the leap by purchasing a Canon 400mm f2.8 and bravely entered a whole new world.

To say the experience of going out to shoot sports is different than shooting weddings is, well, quite the understatement. In both activities you attach lenses to cameras, you dial up exposures, look through your viewfinder, and hit your shutter to take pictures. And while there’s also the pressure to perform, knowing that you don’t get a second chance if you miss a critical  moment, that’s about where the similarities end. Whereas at weddings you are constantly interacting with the bride and groom, family, wedding party, and guests, at a professional sporting event interacting with a player is likely to get your credentials revoked. I’m always amused when folks ask me if I “know” Peyton Manning once they find out I photograph Broncos games from the sidelines. (The answer to that question is a resounding “No.”)

Further, at weddings you of course want to dress up nicely, in order to look professional and blend in with the crowd. On the other hand, with sports, it’s safe to say that I’ve never exactly worn a suit and tie to a game. In fact, I have an old tattered ripped up pair of jeans I refer to as my “football jeans.” I only wear them for football since I end up kneeling in the grass on the sidelines at a lot of Broncos and college football games and I would never want to subject a good pair of jeans to the punishment those take over the course of a season.

Despite all the differences between weddings and sports, I wholeheartedly profess that shooting sports has made me a better wedding photographer. Here are some of the things that I’ve learned (or become much better at) since shooting sports.


Without a doubt, this is probably the biggest lesson you must learn when you start heading out to professional sporting events. If you only expect yourself to be able to react to what is happening instead of anticipating it happening ahead of time, you will almost always be a step behind the action. Professional sports simply move too fast to expect yourself to react to what’s happening. You have to be constantly thinking ahead to what is most likely going to happen and where you need to be, before the play even begins. For instance, if I’m shooting baseball and there are runners on bases, I don’t usually follow the ball once it’s hit. I move my lens to where the final play is going to be. The speed of the game is simply too fast to try and follow with your lens.

Chris Humphreys

With football, if it’s 3rd down and 20 yards to go, I’m thinking like a defensive coordinator and am probably going to follow the best wide receiver on the field with my lens because I know there’s a very good chance the ball is going to him. If I try to keep my lens trained on the ball from the time the quarterback has it to the time the wide receiver catches it, I will miss the play 95 times out of 100.

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It’s amazing just how many times I’ve applied this lesson to weddings. When I’m photographing toasts at a reception and I’m listening to a funny story the father of the bride is telling to the crowd, I begin to anticipate at what point in the story everyone is about to laugh. And when that happens I’m already focused on the couple’s faces to capture that moment.

Chris Humphreys

Or when the bride is walking down the aisle and I quickly move my camera to capture the groom’s reaction to seeing his bride for the first time, I’m also out of the corner of my eye looking to see if the mother of the groom is reacting to her son because there’s a very good chance the groom’s mom is probably more focused on her own son at that moment than the bride walking down the aisle. Who knows, if you’re lucky maybe the mom even gets out of her seat to give her son a hug as he tries to control his emotions.

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These aren’t hard things to do, but they take practice, and more than anything they require a photographer to always be aware of what’s going on around him/her and thinking several steps ahead.

Stop Complaining About the Rules

I’ll admit as a wedding photographer I’ve privately rolled my eyes after getting a lecture from the “church lady” who tells me that I can only photograph from behind the last pew, that I can’t use flash, or that I can’t even be at the bottom of the aisle for when the bride comes down the aisle. After all, I want to provide the best photographs I can for my client and these “silly” rules keep me from doing that. If you start photographing sports however, particularly at the professional level, you’ll realize that you’re constantly restrained by rules. Rules about where you can shoot from. Rules about where and when you can move. Rules about what you can do with the images on the internet (and particularly social media). Rules about how some photographers from some agencies can shoot in specific sports, and photographers from other agencies can’t. Each league has it’s rules and beyond that every venue has certain rules as well. Some make total sense, others seem very arbitrary.

For instance, at Coors Field photographers can only walk on the field from one photo well to the other after the top of the 4th inning (photo wells are the on-field position in baseball where photographers shoot from – usually located next to the dugout). Any other time you have to walk up the stairs to the concourse and carefully weave yourself through the throngs of people as you make your way around the stadium, and then proceed to walk down the stairs (again dodging more throngs of people) to the photo well on that side. But why is it only after the top of the 4th inning can you make the much easier and quicker transition from one side of the field to the other? Why not after the top of the 5th? Or the bottom of the 7th? What difference could it possibly make? Other MLB baseball stadiums don’t have that restriction on photographers. Why does Coors Field find it necessary to make photographer’s lives harder?

I’ve come to the realization that these are simply dumb questions to ask. The fact is it doesn’t matter. Those are what the rules are and if you want to photograph at that venue you follow the rules. Period. (Breaking rules while photographing sports is never a “better to ask forgiveness than permission” type of situation. Always, always, always ask for permission if you think there’s even a chance you might be breaking a rule at a sporting event at the professional or collegiate level.) If you’re lucky enough to photograph a higher profile event such as an All Star game, a Superbowl, or a Conference Championship game, fully expect even more rules to magically appear. Again, just accept them and learn to live with them.

Most importantly, figure out how to create stellar images working within the rules. Because while you’re focused on complaining about the rules, some other photographer is focused on figuring out how to make great images working within the rules.

Chris Humphreys

Tell the Story of the Day

Maybe this seems obvious, but for those who have been shooting weddings for years and who feel they’ve “seen it all” it’s very easy to get into a rhythm and go on auto pilot and to get the predictable shots you know work well and look good. In doing that though, you may completely miss capturing what the really important images are to the bride and groom because you’re just busy focusing on the poses and the types of images you’re used to getting.

One big misconception is that sports images are just about capturing amazing action shots. Certainly, that’s a part, but it’s not everything, You have to be aware of what happened during the game. Editors at newspapers and sports outlets expect you to know what ongoing story lines are going on with a team and who the most important players are for that game. It’s important to note that doesn’t always mean the star players. It could be the small forward who came in off the bench and managed to get a triple double. Or the right fielder who normally isn’t a star hitter and bats eighth in the lineup, but today had 4 RBIs and scored the game winning run.

Chris Humphreys

Sometimes the story of the day is told in an emotional moment (either happy or sad). Capturing emotions and reactions are a huge part of sports photography and unlike at a wedding where photographers tend not to shoot the rare moment when someone is upset or disappointed (because what kind of bride wants to see images of people looking sad at her wedding), those types of moments tell the story in sports just as well as images communicating victory or triumph.

Chris Humphreys

Chris Humphreys

Sometimes, it’s about going a step further and trying to find that unusual image that tells the story of the day that you think other photographers aren’t capturing. This is particularly important with sports where you want to try to do something to differentiate yourself from the dozens of other photographers capturing the exact same event. Back during the 2013 AFC Conference Championship game, I captured an image of a Broncos cheerleader making snow angels in the confetti after her team’s victory celebration. There were easily over 30 photographers photographing the game, and so coming up with a truly unique image that not many other of the highly talented experienced photographers would have captured that communicated the Broncos winning was difficult, but that’s the job.

Chris Humphreys

At a wedding there aren’t usually 30 other professional photographers that you’re competing with to get great images (hopefully not anyway!) but that should have no less impact on our desire to capture wonderfully unique images that tell the individual story of each couple. At one wedding I was at, the bride’s father had passed away when the bride was quite young and her grandfather was not only like a father figure for her, but clearly one of the people she was closest to in the whole world. Had I simply gotten stunning pictures of the bride and groom, but had failed to get great images of the bride and her grandfather, I would have completely failed at my job that day.

Chris Humphreys

Sometimes the story of the day doesn’t revolve around a person or a specific relationship, but is instead something that goes wrong or unexpected like the weather. No matter what it is, if it has an impact on the day or is something you think the bride and groom will remember when they thing back on their wedding, make sure you have a picture that tells that aspect of the day.

Chris Humphreys

Regardless of whether you ever have the opportunity to shoot sports, the important point is to step out of your comfort zone and try shooting something completely new. You might surprise yourself and discover new lessons for how to better photograph a subject or genre you’ve been covering for years.

Based out of Denver, CO, Chris Humphreys travels across Colorado and the rest of the United States photographing weddings for discerning couples who want their weddings captured in such a way as to be true to who they are.

In addition, when Chris isn’t photographing brides and grooms, he also freelances for USA Today Sports Images. Chris’ images have been featured in Sports Illustrated, USA Today,, The LA Times, The Chicago Tribune, and Late Night with Jimmy Fallon among others.

Chris is also a sought after speaker and teacher for other photographers.

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There’s really only one way to describe photographer Ben Clarke’s website: cool. Everything about it screams modern and highly impactful and we are so excited to feature it this week.

Check out what he had to say about his site’s creation and head on over to to see the full thing!

Ben Clarke

Q: How would you describe the aesthetic of your site in three words?

BC: Tailored, Modern, Visual.

Ben Clarke

Q: How do you choose the images for your homepage?

BC: I go with images that have a cinematic touch, also photos from a shoot that brought happiness or joy in the moment.

Ben Clarke

Q: How often do you update your website?

BC: I will change out images or add something when I believe I captured the vision I had or was just totally surprised by an outcome.

Ben Clarke

Q: What is your favorite feature that liveBooks offers?

BC: liveBooks’ new feature, which displays a mockup of the site across all different devices now that are browsing the web is nice and convenient. This is on the new platform’s back-end.

Ben Clarke

Q: What’s one piece of advice you’d offer to someone designing their website?

BC: I would draw inspiration from a website that is impressive ans is accomplishing things that you are going toward. Don’t be afraid to make tweaks once liveBooks has made custom changes. Keep in mind your original idea when working with liveBooks creatives. Be willing to adapt to what is current and available within the design elements. Give the site character and have original content for viewers.

Ben Clarke

Have a website you’d like us to feature? Email us at

We are thrilled to have just wrapped up our first ever Instagram contest – we absolutely loved seeing all of the amazing photos! We wanted to share with you the winning snaps (the decision was incredibly difficult!)


This photo by Stephane Malassine is absolutely gorgeous – it makes us feel tranquil and relaxed, and the colors are so incredibly vibrant! Check out more of his work at his website: and on Instagram: @s.malassine

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We are mesmerized by this pic from Greg Anthon – the colors, the way he expertly captures a wave at its peak, and the clean lines. See more of his unique style on Instagram: @greganthon.


Our third winner is this breathtaking snap by Jamie Chan in Bali, Indonesia. Check her out at and on Instagram: @jamiecphotos.

Stay tuned for our next Instagram contest – and thanks to all those that participated!

Photographer Bruce Racine has one of the coolest homepages we’ve ever seen – and that’s just the beginning of his fantastic website. Read on to get a glimpse of his site and head on over to to see more!


Q: How would you describe the aesthetic of your website in three words?

BR: Simple Delivery Vehicle (for the complexity of photography)

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Q: How do you choose the imagery for your homepage?

BR: I use a flash graphic that is a holdover from my previous liveBooks website. I like having a more generic welcome to the site that graphically represents the photo process.

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Q: How often do you update your website?

BR: I aim for every eight weeks but have taken up to six months due to being too busy.

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Q: What is your favorite feature that liveBooks offers?

BR: The editSuite. Very simple uploading and organizational process that has a visual interaction basis. I also like that I know exactly how the images will fit into the design of the website without continual redesign.

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Q: What’s one piece of advice you’d offer to someone designing their website?

BR: In the case of photography, make sure the design doesn’t overpower the imagery. Keep it simple to let the work you are trying to promote speak for itself.

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Have a website you’d like us to feature? Email us at


Photo-stylist Lisi has an incredibly bright, colorful, and eye-catching website. We just love the pop in her images and the way it draws us in and makes us keep clicking – we had to share it with you as our featured website this week.

Check out the sneak peak below and head on over to to see the full site!

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Q: How would you describe the aesthetic of your website in three words?

LD: I would describe my website as colorful, simple-clean, and stylish.

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Q: How do you choose the photos that you display on your homepage?

LD: I select images that represent me. As a stylist I receive images from different sources and for that reason, I have two ways of selecting the images that will go on my site. When the images are either from a client or a photographer I make my selection when I feel a profound connection with the image. I don’t necessarily select an image because I worked on it or even because it’s published. Sometimes in the same story there is an overwhelming amount of variations of the same image so I select the image that speaks to me…the one that makes me the happiest. When there is an image that I personally photographed and styled, I choose the image that I connect with and that feels good. I call it “complete” when I don’t get tired of staring at it. I also use the same strategy when I rotate images out of the website. If I’m tired of looking at the image, it’s time to rotate it or time to replace it.

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Q: How often do you update your website?

LD: As soon as I finish a job that I’m super proud of, I just cannot wait to add the new images to my site. So, with that being said, as soon as the images are ready I make the time to include them in the site. Sometimes as often as weekly.

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Q: What is your favorite feature that liveBooks offers?

LD: My favorite feature that liveBooks offers has to be the editSuite and the navigation. In my industry when looking for talent you only have a minute to look through hundreds of websites, so having an easy-to-navigate structure is a plus for a client; you really want that person to concentrate on the illustrated work.

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Q: What’s one piece of advice you’d offer to someone designing their website?

LD: To somebody designing their website I would suggest to look at sites that they like and gather a list of “whys.” Then contact a support specialist at liveBooks to discuss the design. liveBooks has an incredible amount of great templates that are simple and easy to manage. Another piece of advice is to keep the web design simple. At times a simply designed template and a good support specialist is all that’s needed or at least a great start.

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Have a website you’d like us to feature? Email us at!


We’ve discussed the importance of branding for your business and finding your unique voice. One incredibly important aspect of that branding is designing a fantastic logo that potential clients will begin to recognize and associate with your business. In this post we will outline a few things to keep in mind when designing your logo.


In the photography industry your images are always going to be the most important aspect of your business, however your logo is an important indicator of your style and can have an impact on a potential client’s decision to work with your or not. Make sure that your logo is reflective of your overall style and is consistent with the way you want your audience to view your business. For instance, different font treatments, colors, and designs can automatically evoke a certain emotional response from a viewer. Commercial and editorial photographers typically have a simpler logo with a specific font and maybe one or two design elements thrown in that speaks to their professionalism. A wedding photographer, for example, might have a more elaborate logo design and graphics that speaks to the emotional nature of their clients. Whatever your niche, it is important to remember that a logo is a graphical representation of the style of your work.

Bonus: just in case you are designing your logo yourself, FontSpace, Fonts, and dafont all offer free or low license rate fonts to help you spruce up your logo design.

Color, Size, and Placement

Much like deciding whether your images will have a greater impact in color or black and white, the decision to use color in your logo design should be approached in the same manner. If your logo design has a lot of graphics in the background, using color will make those graphics more prominent; if your logo is a simpler design that features either just your name or the name of your business, a black and white color scale may make more sense.

In the same vein, deciding on the size of your logo will also be important. Keep in mind that no matter how stellar, cool, and unique your logo turns out to be, a potential client’s focus when looking at your website or marketing materials should be on your images. Your logo should not only serve as a supplement and a reinforcement of your photography and therefore should not overwhelm or take over the entire page or website.

Lastly, deciding on the placement of your logo within your website will also be integral. Does it have more impact being used as the background for your splash page when a user first lands on your site? Or do you simply want it placed in a small portion of the upper right/left corner of your website? Whatever you ultimately decide, your editSuite and our Support Team allows you the ability to customize the placement of your logo to fit your needs.

What Does Your Logo Mean?

Much like every image you capture, every logo should tell a story – even if it’s just to you. It’s important that you are able to articulate why you chose the logo design that you did, what it means to you, and what message you want it to send to your clients. A good exercise to try is writing down three words or ideas to describe your business or style. Once you have a few logo designs that you are deciding between, ask some friends and family (who will give you an honest, objective opinion) to look at the designs and write down the words that come to mind when they view each logo. If you find that some of the words they use match-up with the descriptions you’ve written about your business, you’ll know which logo is on the right track.

Be Consistent

While many businesses (especially ones that have been around for many years) go through re-branding, it is important that you are not changing your logo all the time. In order for potential clients to really associate your logo with your brand, it needs to remain consistent and have time to become recognizable.

Ultimately, whether you design your own logo yourself or hire a graphic designer, having a logo for your business is an incredibly important aspect of establishing your brand and professionalism. What other tips do you have for designing a logo?

Posted in Business / Marketing

Guest post by liveBooks client Kike Calvo. 

This post is the latest in the Drones and Small Unmanned Aerial Systems Special Series, which profiles interesting information, thoughts and research into using drones, UAVs or remotely piloted vehicles for journalism and photography, that I learn about during my travels.

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Pictured: Upgraded DJI Phantom 1. Photo © Nano Calvo.


If there is a question that gets asked over and over in the many emails I get in response to my Drones and Small Unmanned Aerial Systems Special Series, it is “What gear and components do you use in your on-going process of becoming a proficient aerial photographer and filmmaker?” I will devote today’s column to discussing one of my basic rigs.

One of my unmanned vehicles of choice is the DJI Phantom, both Phantom 1 and Phantom 2. My decision is based on size, portability, and reliability. With the knowledge that experts from DSLRpros bring to the table, I have upgraded my system to include the following:

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Photo © Nano Calvo


Futaba Control Radio

“The Futaba remote control gives the Phantom nearly twice the range of the standard RC remote,” said DSLRpros Associate Josh Hohendorf. “In addition to increasing range, the connection with the craft is much stronger and reduces interference from foreign frequencies that would otherwise disrupt the flight of the craft. It offers a variety of programmable controls that photographers and cinematographers alike can customize their remote to suit their specific shooting needs.”

“The Futaba can save an unlimited number of settings for any unlimited number of crafts. Controlling the camera is also superior to the standard RC system. There are two range selectors. One knob for large-scale range selection and another wheel for smooth, fine tuning within that range.”

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Photo © Nano Calvo


Carbon Fiber Propellers

For awhile I debated whether I should be adding these or not. I finally went with them. “Carbon Fiber props are a must have for anyone using the phantom to capture visual content,” said Hohendorf. “The props are far superior to the standard plastic propellers in every way. Their rigidity prevents them from bending and warping like the plastic propellers. In addition, the rigid design translates into overall handling performances of the craft. It can achieve faster speed, harder maneuvers, and greater altitudes. The propellers are also precision balanced. This results in a far greater efficiency over the standard plastic propellers. The craft will fly several minutes longer with the lighter and more balanced propeller. A standard propeller will produce a great deal of vibration into the frame of the craft. This means that the video being recorded will display these vibrations in the form of ‘jello’ on the screen. The balanced carbon propeller will eliminate any vibration into the craft and result in clean and clear visual content.”

Warning: I suggest not installing carbon fiber propellers until you have become a proficient pilot, with a thorough understanding of the dynamics and operations of your craft, as these propellers can be more dangerous than plastic ones due to their superior strength.

To read the full article, check out the original source: So You Want to Shoot Aerial Photography Using Drones?

To learn more about drones, please visit: Small Unmanned Aerial Vehicles.

Eric Smith, an award-winning director, designer, and photographer, has not only gorgeous images but an incredibly clean and focused website that we are honored to feature this week.


Q: What type of work do you specialize in?

ES: I am a professional photographer working for EcoMedia, a division of CBS, but I have a passion for fine art photography and wanted a place to showcase that aspect of my work. Image making is my life and liveBooks helped me to bring a beautiful website to life without enormous expense or weeks of work.

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Q: Did you use a pre-designed template or was it custom-built?

ES: I used a pre-designed template with some customization.

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Q: How long did it take you to create your site?

ES: 1-2 weeks to generate all the content. The actual launch of the site took about a week.

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Q: What’s your favorite aspect of your site thus far?

ES: I love that the site is clean and not overly designed. The images are the stars. I have also gotten feedback that the site is really easy to navigate. The rotating images on the homepage keep the site fresh. I’m also a fan of how easily the CMS allows me to add content. Uploading a new photo set is a breeze, so the name liveBooks is very appropriate. is truly a living catalog of my craft.

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Have a website you’d like us to feature? Email us at



July 27th, 2015

#LBPicStop Instagram Contest

Posted by Heather

Are you traveling somewhere really fun and exciting this summer? Are you taking photos along the way? If so – then our Instagram contest is definitely for you!

Open to all – current liveBooks clients and non-liveBooks clients – we want to give you a free website for a year!

All you have to do is follow three easy steps:

1. Follow us on Instagram – @liveBookswebsites

2. Tag us in a fun and unique travel photo from this summer

3. Use the hashtag #LBPicStop

Three winners will be chosen. Contest runs from July 21st – August 21st.

insta contest


Terms and conditions.

Questions? Email us at

Posted in Contests / Social Media

We have one word for photographer Blair Bunting’s website: stunning. Not only because of the stellar visuals and imagery, but we love the fluid, easy-to-navigate design that simply pulls the user in.

Read on to get the inside scoop in his site’s creation, and don’t forget to go to to see more!

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Q: How would you describe the aesthetic of your website in three words?

BB: Simple, Symmetric, Solid.


Q: How do you choose the photos that you display on your homepage?

BB: The images on the landing page were chosen over a period of months. We would go through tons of images and specific crops of those images to see if the angles and colors were catching. When it was all said and done, we were lucky that the selection that was made also had a broad representation of my portfolio.

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Q: How often do you update your website?

BB: I update some aspects of my site, like the blog, quite regularly. During the busier times of the year, I will add one to two posts a week. As for the main site, I update it when new work is allowed to be shown (usually after an embargo).

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Q: What is your favorite feature that liveBooks offers?

BB: By far my favorite aspect of liveBooks is their customer support. I spent many hours on the phone and corresponding through emails with them to make the site perfect. Not only did they make changes quickly, but they helped to give ideas to creative and stylistic ways to implement the changes.

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Q: What’s one piece of advice you’d offer to someone designing their website?

BB: Make sure it represents you. All too often sites for photographers seem to be showing off the website designer’s strengths at the cost of showing the photographer’s portfolio in a way that is not distracting. When we designed my site, we asked ourselves, “what does it need to show?” Anything that wasn’t a necessity was left out, and what resulted was truly a clean representation of my work.

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Have a website you’d like us to feature? Email us at!

Designing the perfect website to show off your work and style can be overwhelming, daunting, and extremely time consuming. Here at liveBooks we strive to make it as easy (and fun!) as possible to create your website. While there are many things you can do within your editSuite, in this blog post we have narrowed down the top five things to do to get your website ready to go-live in one hour.

Portfolios and Libraries

As photographers and creative professionals, one of the most important aspects of your website will be showing off your beautiful work. The first thing you will want to do within your editSuite is name your portfolios and libraries so you know where to put your content once it is uploaded. One thing to note: libraries are for organizing and storing your images within your editSuite and do not appear on the user-facing side of your website. There is no limit to the number of libraries you can have on your site, and you can always add more than the default amount given. Portfolios, once you have added at least one image to them, will show on your website.

Check out these Support articles to learn more:

What Is The Difference Between Libraries and Portfolios?

How Do I Use The Name Portfolios and Libraries Module?

Upload Content

Once you have your portfolios and libraries named, you will want to upload your photos. Your first step will be to prepare your images according to the Image Prep Instructions. Once you have uploaded the images to your site, they will appear in the acquire area of your “Upload Image” page and you will see thumbnails as the images appear. Note that these images will remain in the acquire area until they are moved into a library for permanent storage (which is why naming your libraries ahead of time is a good idea.) Once images are moved to a library, you will then have the ability to place them into a portfolio for viewing on the front end of your site.

Some additional helpful articles:

How Do I Use The Upload Images Module?

How Do I Use The Upload Images Module For Scaler?

Name Your Pages

After your photos are uploaded, you will want to make sure that the rest of the pages on your website are correctly named and filled with some content. Typical names include: Home, About, Contact, Video, Blog, etc. Once you have renamed your pages accordingly, add some basic content and links so that they are not blank when you go-live.

Additional Resources:

How Do I Rename One Of My Pages?

How Do I Use The Pages Module?

Choose Homepage Photo(s)

One of the final steps to get your website go-live ready will be choosing your homepage photo (or photos, depending on the type of template you choose.) These will be displayed when a user first lands on your page and is really the first impression that people will have of your work and style.

How Do I Change The Images In My Homepage Slideshow?

How Do I Create And Control My Homepage Gallery?


Once the above steps are done, you have previewed your website, added some brief content, and activated your account, you will want to submit a Go-Live request so that your beautiful website can be seen by the world!

Have any other to-do’s before going live with your website? Sound off in the comments or shoot us an email at!

Commercial photographer Rush Varela specializes in advertising, fashion, and entertainment portraiture. His website design is so crisp and his images so captivating that we just had to feature his website this week.

Check out more on his site below and see the full masterpiece here:


Q: How would you describe the aesthetic of your website in three words?

RV: Dramatic, Colorful, Bold

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Q: How do you choose the photos that you display on your homepage?

RV: For displaying on my website, I choose photos that are a good representation of my style and can captivate the attention of the viewer.

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Q: How often do you update your website?

RV: On average, my website is updated every two months and before I send out a marketing campaign.

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Q: What is your favorite feature that liveBooks offers?

RV: Scaler – I love the ability to have my images fill the screen.

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Q: What’s one piece of advice you’d offer to someone designing their website?

RV: Before going live, experiment with the vast customization tools to find out what works best at showcasing your work to your viewers.

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Have a website you’d like us to feature? Email us at!


New liveBooks client and Philadelphia photographer Michael Confer specializes in Lifestyle and Landscape photography – with a distinctly elegant and classic style. We were so impressed with how he put together his website that we just had to feature it this week.

Read on for more on his site’s creation – and don’t forget to head over to to see it all!


Q: Did you use a pre-designed template or was your site custom-built?

MC: I used a Professional pre-designed website by liveBooks for photographers called “Landscape.” One Monday morning I downloaded four different pre-designed liveBooks templates so I could experiment and interact with the different strengths and design features of each template. While I liked many of the different aspects of each design, the “Landscape” template fit my personality the best. It features a professional, yet simplistic design that showcases my images and videos without additional fancy designs that can potentially distract the user. Once the “Landscape” template was chosen, I resized and uploaded my images, experimented with galleries and image order, wrote some background info and highlights, did a few tests, optimized the mobile aspect, spoke to customer service twice, and linked my Vimeo videos. I submitted the request to go live Thursday evening and was live Friday morning!

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Q: How long did it take you to create your site?

MC: I experimented with templates for one day and learned all the features of the editSuite. The other three days were experimenting with design, image order, and background information. In the end it took me about three hours a day for four days. If I had all decisions made about my website, except for template choice, I could have done everything in one day. I had already owned my domain name with one of the major providers and called them for some confirmations; I was all set in 10 minutes.

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Q: What’s your favorite aspect of your site thus far?

MC: A favorite aspect of my new liveBooks site is the simplicity, professionalism, and the showcasing of my work first and foremost. I hope everyone visiting my site feels the same!

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Have a website you’d like us to feature? Email us at!

Guest blogger Manuela Marin Salcedo is a research and development team leader at Momenta Workshops. Her expertise is in visual communications and social media. In addition to her work for Momenta, Manuela is working on long-term, independent multimedia projects.

Unless you are a social media manager with experience engaging virtual audiences, social media as a promotional tool for your photography business can be intimidating and exhausting to manage. While it can also be a social and fun experience, keeping up with all your feeds takes maintenance. Therefore, the team at Momenta Workshops has put together a short list of tips and tricks to help you re-evaluate and invigorate your social media feeds to further your photo business strategy.

Develop Social Media Goals

Whether you are new to social media pages or a seasoned pro in need of a social media boost in creativity, it is important to plan and evaluate your social media outreach. If social media success by way of increased follower engagement is your destination, you’re going to need a road map to success. Consider the following as you create your goals:

  • How is social media important to your company?
  • How does social media relate to your goals?
  • How are you using social media as a voice of your brand?
  • Are more followers the goal or better dialogue with current followers?
  • Do you use all your feeds equally? If you’re neglecting one, do you need it?

The answers to these important questions will give you direction, and that will be essential in creating a new strategy or refreshing an old one.

Add to the Story

Taking the above tips into consideration, with every post you put your valuable time into, ask yourself:

  • What am I saying?
  • Did I just say the same thing with a previous post?
  • Am I adding to my brand’s story?
  • Is this post encouraging people to follow me or just adding content?
  • Would *I* want to follow posts like the ones I’m sending?

If you are bombarding your audience with the same perspective or information multiple times in a short span of time, you could become irritating.

Live-Post From Events

Are you attending a film festival this weekend? Did you recently attend a gallery opening? What about a lecture? Were they interesting, exciting, mind-blowing? Talk about it! Share content from it, such as favorite quotes or photos. Chances are, others who attended these events have social media accounts and will be talking about it too and your posts can add to the dialogue and give you lots of exposure to new people. If the event has a specific hashtag, make sure to use it. This will make your posts visible on a grander scale and allow you to interact with brands and individuals.

Interact With Your Followers

Think of your social media as an invitation for followers to interact and engage with you and your portfolio. Your posts initiate a dialogue. When followers respond, don’t leave them hanging. Turn those replies into a conversation; your followers will be more likely to chime in with their two cents in the future.

Get Visual!

As visual creators, you’re in luck. Research and analytics show adding images to your social media posts can increase click-through rates anywhere from 18%-27%. What does this mean exactly? People love pretty pictures! So let it rip and share your greatest asset: your beautiful images!

What are some other tips that you’ve employed to invigorate your social media channels? Let us know in the comments!


Photographer and stylist Steven Menendez has one of the most vibrant, colorful, and beautifully styled websites we’ve ever seen. He says that his work has been greatly inspired by his travels – seeing exotic people and landscapes has influenced his creative perspective – and we can definitely see that same unique perspective in his website design.

We are so thrilled to have him as our featured website this week and we know you’ll love his site –


Q: How would you describe the aesthetic of your website in three words?

SM: I would describe the aesthetic of my website as uplifting, chic, and clean.

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Q: How do you choose the photos that you display on your homepage?

SM: The way I choose my images is finding the ones that speak to my aesthetic of classic, chic, and timeless.

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Q: How often do you update your website?

SM: I update my website whenever I have new work.

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Q: What is your favorite feature that liveBooks offers?

SM: My favorite feature on liveBooks is the ease in uploading images and updating portfolios to keep the website fresh.

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Q: What’s one piece of advice you’d offer to someone designing their website?

SM: The advice I would give others when designing a website is to keep in mind that the images should speak first and the website should be a beautiful canvas to display your work and not distract the viewer. For the most part I usually feel less is more when it comes to displaying your art. Research other websites and find out what looks good and what features you are drawn to. My motto is to keep it simple and let the work speak for itself.

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Have a website you’d like us to feature? Email us at!


June 22nd, 2015

Photography Website Trends

Posted by Heather

Things are continually changing in the digital age that we’re living in, and now that we’re mid-way through 2015, it’s time to do a round-up of photography website trends for the rest of the year – and beyond.

Mobile-Friendly Design

With an increasing number of people browsing the web on mobile devices such as phones and tablets, designing a website with mobile in mind is going to be even more important in the coming months. Think of a mobile-friendly site as a much simpler version of your full website; the amount of text is limited to be as concise as possible, the site menu has shorter titles, and the focus really falls on your beautiful images. It will also be extremely important to ensure that your site loads quickly on mobile devices, as user experience is even more apparent on mobile.

Interactive Storytelling

Your website and images should essentially tell the user a story: what your brand is about, your journey as a photographer, the past work you’ve done, and ultimately the type of work you hope to do in the future. Ideally, your images will also evoke a strong emotional response from the viewer – and interactive storytelling can help achieve this. Techniques such as scrolling images, unique page transition effects, and interesting layouts allows you to create a truly original and engaging experience for your viewers – hopefully triggering an emotional response that will make them remember you long after they’ve left your site.

Image-Centered Design

A couple of years ago, the theme of prominently displayed images across the full screen became very popular in web design. This is incredibly fortunate for photographers, and it’s a trend that’s not going anywhere any time soon. In fact, it is only going to get more sophisticated as techniques emerge to optimize images for better responsiveness and faster load time. Plus, the ability to add information on top of photos without compromising the resolution or user-experience will prove extremely valuable.

Customized Image Portfolios

The way you display your images on your website is highly personal; only you know the story you have to tell and the way you want your audience to hear it. The trend of creating unique ways for users to view your portfolios is gaining a lot of traction. From displaying your images in a grid layout, photo strips, slideshows, and automatic scrolling, you now have more control over the experience your user has.

Focus on Video

Video has become increasingly popular over the past couple of years, and that trend will only continue. Many websites are now utilizing full-screen videos in the background to create a more engaging experience for the user, and because many sites have become more advanced to facilitate faster media streaming, Internet users tend to read less and watch more. Even if you do not typically offer video services, creating a reel of “behind-the-scenes” shots would be a great way to present your brand so that it leaves a lasting impact on your audience and allows you to have interactive media.

Minimalist Design

The minimalist design has been trendy for a few years now and it basically follows the “less is more” philosophy. Large, full-screen imagery, bold typography, simpler navigation bars, and linear shapes are all going to continue to be design elements in the future. The good news is that this type of design will be a great way to practice honing your marketing message in fewer words and/or photos.

What trends do you hope to see (or not see!) the rest of this year and next?


8 Photography Website Trends

Top 7 Website Trends for Photographers

Posted in Website Tips / Websites

Bob Packert, a creator of fine art, motion, and still photos has a website that is so intriguing and captivating that we absolutely had to feature it this week. His usage of video and colorful images plus his sleek design has us eager to click to each new page.

Check out the full site here (trust us, you don’t want to miss out!) – – and read on for some great info on the creation of the site.


Q: How would you describe the aesthetic of your website in three words?

BP: I view my website aesthetic as a clean simple gird, with a kinetic feel to the video movement. (I guess that’s more than three words…oh well.)

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Q: How do you choose the photos that you display on your homepage?

BP: I choose the images for my homepage very carefully. I wanted to represent what I shoot, but also consider what images would work well within the grid format.

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Q: How often do you update your website?

BP: Approximately every three months. I switch out images and placement.

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Q: What is your favorite feature that liveBooks offers?

BP: I love being able to control things myself.

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Q: What’s one piece of advice you’d offer to someone designing their website?

BP: Keep it simple and clean, and able to load fast for the viewer.

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Have a website you’d like us to feature? Email us at

Photographer Wayne Kaulbach took his family and went on the trip of a lifetime around the world for nine months – capturing some pretty incredible moments along the way. We love his story and images so much that we had to share.

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Q: What inspired your trip?

WK: The inspiration for our trip came about when my wife was diagnosed with a brain tumor in May of 2012 (she has thankfully fully recovered). We just sat down as a family and decided life is much too precious and short and that we should embark on a Round The World trip that we dubbed “9 Months of Sundays.” We took our daughter Chloe (who was 14 when we left on December 2nd, 2013) and our son Noah (who turned 12 on December 5th of our trip). Our eldest daughter, Litia, was busy with University studies. Another inspiration for the trip was to try to follow the “mindful living” philosophy and live in the moment.

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Q: Which countries did you visit?

WK: We flew from Vancouver, British Columbia on the morning of December 2nd to Seattle, and then on to Tokyo, Japan. We spent five days in Tokyo and then flew to Bangkok, Thailand. In Thailand we volunteered at an Elephant Nature Park north of Chiang Mai for one week and then made our way by train down south to spend Christmas and New Years on Koh Lanta. January 6th, 2014 we flew to Kolkata, India where we spent six weeks mostly in Rajasthan broken up by a flight up to Kathmandu, Nepal. Mid-February we flew to Nairobi, Kenya and started a 30-day trek that took us through Kenya, Tanzania, Malawi, Zambia, Zimbabwe, Botswana, and South Africa. On April 1st we flew to Rome and embarked on the European portion of our travel. We visited Barcelona (took in a Barcelona football game and saw Messi), Rome, Sora, Florence, and Venice. The month of May we spent in Ljubljana, Solvenia – amazing city! June found us in Budapest, Prague, Salzburg, Munich, Wroclaw, Poland, Berlin and a flight to London on June 21st to celebrate our daughter’s 15th birthday. End of June, July and all of August we spent in Paris and flew back to Canada the beginning of September 2014.

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Q: What was your main focus/inspiration for the pictures you took?

WK: I love to photograph street/editorial images and I just love to photograph people. My wife and I have owned a natural light portrait business – Skylight Images – for the past 20 years so it was nice to have a break from our business but we simply could not put our cameras down as we are both very passionate to create photographs. We shot lots of candid work and also approached people and asked to photograph them. We also left our bulky Canon gear at home and I traveled with Fujifilm’s X-Pro 1 mirror-less system with a 35mm F1.4 R and my wife took the Fujifilm X-E2 with 23mm F1.4 lens. Each of our camera bags were approximately 6 x 8 x 4 inches. It was a liberating experience and I do not feel that we compromised on quality. The only time we really missed the gear we left behind was in the Serengeti – a longer lens would have been useful.

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Q: Do you have a favorite image from the series? If so, which one and why?

WK: It’s challenging to pick a favorite image but I’m partial to the image that opens my website (shown below): Dysturb (candid street image taken on the streets of Paris).


Q: It appears you made a conscious choice to have these photos in black and white. Did you know that going into it or was that a decision you made in editing?

WK: The Paris Series that won Best Feature Album at our National Convention in Canada in May of 2015 did (originally) have some color images that looked good on their own but as a series I decided to go with a black and white theme. Perhaps channeling the great French street photographers I admire so much: Robert Doisneau and Henri Cartier-Bresson. I generally default to black and white with my street work but some images just look better in color.

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Q: Can you tell me a little bit about the two awards you won for this series?

WK: I won the Beast Feature Album – 1st in Class, Professional Photographers of Canada in May of 2015.  Everyday I would wander different sections of Paris on foot/bike or transit and photograph.

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WK: I also won 2nd place for Life International Magazine, Interconnections for “Dysturb” photographed in Paris, April 2015. I was admiring the backdrop of Dysturb and brought in a foreground element with the sign. I waited about five minutes for my subject to walk through the scene.

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Q: Do you have any other projects that you’re working on for the rest of the year?

WK: Upcoming projects include three photography tours I will be conducting. The first is 18 days in India: Rajasthan and Taj Mahal, January, 2016. The second is eight days in Venice in April, 2016. And finally, I will be doing eight days in New York City in June of 2016. Please contact me at for more information. I have over 10 years part-time experience teaching Street and Travel photography at Langara College and and Focal Point here in Vancouver, Canada.

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To read more about Wayne and his family’s trip, check out his wife’s blog about the experience, and see more of Wayne’s photography here:


Photographer Christina Kiffney brings creativity and a fresh, artistic approach to each and every assignment. Her work is highly compelling and authentic – and we think her website absolutely exudes all of these same qualities.

Check out her full site here: and read on to see just why we chose her as our featured website this week!


Q: How would you describe the aesthetic of your website in three words?

CK: Narrative, Genuine, Creative.

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Q: How do you choose the photos that you display on your homepage?

CK: I work with a consultant at Agency Access to choose a portfolio that reflects my core style, while still displaying the breadth of my work.

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Q: How often do you update your website?

CK: I update my website annually.

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Q: What is your favorite feature that liveBooks offers?

CK: The ability to upload private, customize-able Lightroom galleries for client viewing and selection.

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Q: What’s one piece of advice you’d offer to someone designing their website?

CK: Work with a consultant to make sure your website appeals to the clients you want to book, rather than just being a representation of the jobs you do.

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Have a website you’d like us to feature? Email us at



As a photographer you are providing an extremely valuable service to your clients. Whether you’re capturing once-in-a-lifetime moments like weddings, births, or graduations, snapping stunning landscapes, or creating powerful imagery for editorial campaigns, your photography is an expression of who you are as a creative. Blogging is a key aspect of developing and maintaining your brand and voice as a photographer, and there are numerous benefits to blogging regularly for your business. Below we’ve compiled some of the benefits of blogging, some quick and easy tips for getting started with a blog, and how to leverage your blog effectively for your business.

Benefits of Blogging

While your website is extremely important to showcase your business, work, and experience, a blog is a less formal way to showcase who you are, why you’re a photographer, and the type of value you can provide a prospective client. Since a blog should be updated much more frequently than a website, it allows you to showcase all your work in a more real-time fashion, plus you don’t have to be so concerned about picking and choosing your absolute best photos and can have more flexibility in showing off a variety of your work.

Blogs do wonders for your search engine optimization (SEO). Since good blogs are frequently updated with lots of interesting content, Google is constantly having to come back to your blog and catalog that content. A well-maintained and frequently updated blog can immensely improve your rankings with search engines – especially if your blog is connected to your website!

Additionally, a blog is an extremely effective way to establish your personal brand as a photographer. You can develop a unique voice thanks to the narrative style that blogging allows that will be easily recognizable by your clients.

Tips for Blogging

  • Don’t bite off more than you can chew. Starting and maintaining a blog is definitely a lot of work, especially for busy creatives. Make sure that you have a plan of action when you start up your blog so that you can post frequently. A blog that is never updated is worse than a non-existent blog.
  • Create an editorial calendar. Before you launch yourself into blogging, it would be great to brainstorm some ideas of what you will be writing about in the coming weeks and months – and even drafting up your first few posts. That way, when life inevitably gets busy you already have a plan of attack for your blog.
  • Before you launch your blog, make sure to write out clear objectives about you your audience is, what you hope to achieve with your blog, and how you will measure your “success.” Are you simply trying to hone your unique voice? Gain more traffic to your website and ultimately get more business? Improve your SEO rankings? Knowing the reasons why you are starting your blog in the first place will help keep your posts consistent and on the right track.
  • If you’re ever stuck on what to write about, maybe start with some of these basic ideas: your recent work, your most interesting work, your personal journey as a photographer, a behind-the-scenes look at one of your shoots. The key is to be authentic and engaging with your audience so that they want to keep coming back to read your new content.

Blogging for Your Business

Once you’re ready and prepared to start up your blog, make sure that you have all the measures in place for it to effectively boost your business. Setup some sort of tracking metric, such as Google Analytics, so that you can track your blog analytics just like you would with your website. This will give you good insight into which posts generate buzz and are most popular with your audience. Utilize your social media channels to cross-promote your new blog posts. No one will know about it unless you tell them, plus this is also an additional way for you to track which posts seem to get shared most often. Don’t forget to optimize your blog for Google just as you would with your website – with descriptive, meaningful titles that actually describe the content of your post. Lastly, have an RSS feed so that your readers can subscribe to your blog and stay on top of your new content.

There’s no doubt that in this day and age having a blog for any type of business is extremely important. And because blogs are so heavily image-centric, it is especially relevant for photographers. What are some of your best practices for blogging? Do you have any unique tips that you’ve learned over the years?

Additional Resources:

The Secrets of Successful Photography Blogging

How to Start a Photoblog

Blogging for Photographers 

Posted in Blogs / Business

Photographer and world traveler Karl Nielsen develops dynamic images that showcase his high energy and fearless approach to photography – and his website exhibits all those same qualities.

We are really excited to have him as our featured website this week – read on to find out more about his site and see more at:


Q: How would you describe the aesthetic of your website in three words?

KN: Personal, Eclectic, Rough and Tumble.

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Q: How do you choose the photos that you display on your homepage?

KN: I struggle with this all the time, portfolio consultants always tell me I should focus my portfolio in one genre. But in all honesty I have a broad set of interests and I really feel passionate about most of the projects I take on, which is good because when I started my business in 2007/2008 the economy was horrible and I was desperate to find any kind of work as long as it paid money. So from the beginning I was delving into every subject and genre I could all at once. Luckily, all of my clients have stuck with me and each client has introduced me to more clients and through word-of-mouth my business has grown in all sorts of directions. Because the type of work I do is so diverse so is my portfolio, which makes it difficult to decide what to show in it.

I guess the simple rules I stick with are as follows:

1) Strongest work

2) Most recent work

3) The type of work I want to do more of

4) Consistent galleries within the portfolio.

After I follow the listed guidelines it’s a lot of trial and error, adding photos, removing photos, and moving photos around until the portfolio has a good feel. My website never really feels finished to me, just constantly evolving.


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Q: How often do you update your website?

KN: Probably every 2-3 months or whenever I build a new body of work that I want to show off to the world. It’s a good feeling when you are working on a project and you know you shot something better than anything else in your portfolio.

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Q: What is your favorite feature that liveBooks offers?

KN: The scaling features and the mobile-friendly version of the site. It’s nice to be able to pull up my website on my phone while I’m talking to someone.

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Q: What’s one piece of advice you’d offer to someone designing their website?

KN: A great website does not happen overnight, keep working on it.

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Follow Karl’s adventures and see more of his awesome photos on Instagram – @kidcalifornia.

Have a website you’ d like us to feature? Email us at

Robin Layton, an award-winning photojournalist, renowned artist, and filmmaker is our featured website this week. We just love the clean, fresh look of her site and how gracefully it pulls the user in, making them want to stay for hours!

Check out the full site here – – and don’t forget to read below to see what she has to say about her site’s creation!


Q: How would you describe the aesthetic of your website in three words?

RL: Art, Fresh, Clean

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Q: How do you choose the photos that you display on your homepage?

RL: I choose the ones in each category that I feel are the strongest ones, the ones that will hopefully get someone’s attention and make them want to look at that portfolio.

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Q: How often do you update your website?

RL: It depends; I try and add new images when I shoot them. But overall, I try to update my website once or twice a year.

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Q: What is your favorite feature that liveBooks offers?

RL: That you can easily edit or update your images/content yourself and that it’s so simple to use!

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Q: What’s one piece of advice you’d offer to someone designing their website?

RL: Design your website to reflect who YOU are. Make it different than everyone else’s. Once of my favorite quotes: “Be yourself, everyone else is already taken.” – Oscar Wilde.

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Have a website you’d like us to feature? Email us at



May 26th, 2015

Top Five Nonprofit Photography Tips

Posted by Heather

Manuela Marin Salcedo is a research and development team member and content developer at Momenta Workshops. Her expertise is in visual communications and social media. In addition to her work for Momenta, Manuela is working on long-term, independent multimedia projects. Her work has been featured at LookBetween 2014, Fototazo, and Light Work. She was also chosen to participate in the 2014 New York Times Portfolio Review. 

Working with nonprofits provides the opportunity to produce important imagery that can spark global dialogue. The experience can be both rewarding and fulfilling for visual creators. However, many photographers fail to price appropriately (or even at all) for their services.

I have worked with the team at Momenta Workshops to put together a basic list of top tips to consider when beginning your exploration of the nonprofit photography marketplace.


The James House Organization provides community-based child and youth care development programs in Hout Bay, South Africa. Photo © Lukas Spieker/Momenta Workshops 2015.

1. Know if a nonprofit can afford you

Nonprofits who value good imagery will understand strong visuals have an immediate impact on their donors. Before meeting with a client, you’ll need to do your research and see if the group has the budget to afford you. Chances are if they have a staff of more than 10 people, a nice office, and big donations coming from corporations… they can afford you. So negotiate reasonably, and find a way to make their budget work for their needs.

2. Understand their visual needs

Congratulations! They’ve hired you. Now, you’ll want to be clear on their visual needs and desires before you go out on the shoot. What kinds of issues is this nonprofit grappling with? What images do they tend to use most often? Do they want single image or a photo story? These are all questions you’ll need answers to before you begin photographing.

3. Be clear about your deliverables

Before going into the field, you will also want to be clear about what they can expect from you in terms of deliverables. For example, there is no need to provide them with the RAW images, especially if they do not have the software to process them. So, be upfront if you’re only handing over jpegs. Additionally, be clear about how long they are allowed to use the imagery, and get it in writing. Then, set a reminder on your calendar on the day their use expires. This way, you can reach out to see if they’d like to renew their contract or even hire you to produce new imagery.

4. Be honest with your imagery

Though you are taking what may be considered promotional imagery for marketing purposes, remember nonprofits deal with issues rooted in reality, and their audience will appreciate the real moments you document. For example, anybody that has photographed a group of schoolchildren before knows that things are not fine and dandy at all times. Smiles can turn into frowns in an instant. But explain to the client that these situations provide the opportunity for a volunteer to hug or comfort the upset child, and you’ll want to capture that gesture.

5. Don’t forget to follow up

Follow through is key to making lasting clients. Ask the client what they liked and what they didn’t like from your shoot. Take criticism constructively, and work on that during the next shoot. Follow up with them in 1-2 months to see how the images are working for them and ask if they need more work done during the coming months, the holidays, special events, etc. Keeping in touch with clients will help put yourself above the rest of the pack and keep you valuable to them for their imagery needs!

If you’re interested in going into more detail about these topics, Momenta offers 10% off to all liveBooks members for our workshops, including the one-day The Business of Nonprofit Photography seminars as well as our longer Working with Nonprofits series with Leica Camera. Simply use the discount code LIVEBOOKS. You can learn more about our nonprofit business skills workshops here.


Gary Kordan – an extremely talented Art Director and Production Designer for television – has a website unlike any we’ve ever seen before. His utilization of graphics, video, and imagery keeps users supremely engaged and wanting to click to each new section.

We are honored for his site to be our featured website this week – so read on because you’re in for a treat!


Q: How would you describe the aesthetic of your website in three words?

GK: Dynamic, Bold, Edgy

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Q: How do you choose the photos/videos that display on your homepage?

GK: As a production designer for television, I try to choose my most recent recognizable project to display on my homepage. A big, bright set design featuring well-known talent like Key & Peele or the cast of Workaholics helps potential clients to get excited about my work. Finding the right image that showcases set design, set decoration, and overall aesthetic of the TV show I designed is important because my website audience is extremely busy and may only spend 30 seconds on a site. First impressions are important!

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Q: How often do you update your website?

GK: I update the order of my galleries and blog often. Especially when I’m up for a show that is searching for a specific type of look. If the project is a single camera comedy I’ll feature these images first. If it’s a variety or sketch show, I’ll move those to the beginning of the gallery. Same with the most recent blog post. I am always assuming that people have only 15 seconds to look at my site and blog so I don’t want to bury the stuff I think they want to see. I’m pretty sure all television producers have ADD. One recent exception to this happened when I booked a show after a great meeting (in Hollywood interviews are “meetings”) and the star of the show said that my website was the best she had ever seen. She spent an hour on it reading and looking at everything!

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Q: What is your favorite feature that liveBooks offers?

GK: My favorite feature is my video homepage that changes each time it’s refreshed. I have black and white video edited to look like silent movies. To me it serves as a premium and warm-up to the full color and bold images in the galleries. Black is my favorite color and very much a part of my brand. The look of my site and the homepage video preview has an edge that matches my daily wardrobe.

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Q: What’s one piece of advice you’d offer to someone who is designing their website?

GK: My best advice to someone designing their website is to ask someone to objectively be their editor. Are there too many photos? Are the names of the galleries too confusing? Typos in the bio? Is their homepage too busy to navigate? I feel like less is more and no one really cares about a project from 20 years ago unless it’s in a specifically named gallery. Ask a friend or a family member to look at the website before it launches. Sit beside them and notice if they start to get bored or if the images seen redundant. A website should play like a great movie or rock concert. It should draw people in and leave them wanting more. The minute they are confused by the navigation or losing interest in the photographs it’s time for an edit!

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Head on over to to see more (our post really doesn’t do his site justice!)

Have a website that you’d like us to feature? Email us at

You spend hours upon hours getting the perfect photo. You love everything about it and can’t wait to showcase it everywhere possible – your website, blog, Facebook, Instagram, Google+. Then your worst nightmare as a photographer happens – a few months later you notice your photo is being shared around, but with absolutely no credit to you as the photographer. In the digital age we’re living in, this scenario happens all too often. How do you protect yourself against this type of situation? Watermarking images is a constant debate in the creative community. In this post we will explore the pros and cons of watermarking. We will also lay out a few other easy options to protect your work.

Pros of Using Watermarks

Beyond helping to protect your images from theft, watermarking your images can serve a few other purposes:

  • Free Marketing – Photos get shared on the internet (and social media) at an alarming rate. Having your logo, name, or website URL in a subtle place on the photo can act as free advertising for you. This is especially effective for wedding and portrait photographers; people will always share their wedding or family photos on their personal social media pages, which in turn goes out to all of their friends, and their friends’ friends. Having that watermark not only gives you credit, but drives potential customers to your work.
  • Professionalism: Watermarks (if done correctly) have the ability to make your photos look more professional. Watermarking adds a layer of commercial into your work and can help establish your branding, especially if you have worked hard to design your logo and want it to be immediately recognizable.


Cons of Using Watermarks:

  • Distraction – If a watermark is not subtle enough, it can distract the viewer from the main subject of your photo and can sometimes look amateurish, cheap, or arrogant.
  • Doesn’t Always Protect Your Images – While watermarking does add an extra step for would-be thieves, it does not completely protect your photos. Even someone with very little Photoshop experience can easily remove most watermarks from images and pass them off as their own.
  • Less Sharing – Watermarks are a great way to get some additional advertising for free; however, people are less likely to share heavily watermarked images on their social media accounts. Furthermore, the people who are most likely to steal your photos probably never had the intention of paying for them in the first place, watermark or not.


Watermarking the Right Way:

In an effort to combine the best of both worlds, here are some quick tips for watermarking your images in a way that allows you to enjoy all of the pros and experience few of the cons.

  • Subtlety Is Key – Place your watermark in the bottom right-hand corner with a low opacity. This method mimics what famous artists such as Picasso have done in the past to sign their work unobtrusively.
  • Class It Up – Another option is to place a strip at the bottom of your image that brands your name with a nice font but isn’t disrupting the actual photo itself.
  • Don’t Overload – Having your name, website URL, logo, copyright symbol, etc is overload for a watermark. Choose one of these items (your URL is a great way to drive people to where you actually sell your  photos!) and use only that on the image.
  • Hide Your Logo – If you want to get really fancy, you can incorporate your logo into the photo somewhere where only you can find it. This will probably only work if the images you create are very unique, less so for everyday photos.

Other Alternatives:

Let’s take a look at some easy alternatives to watermarking your images that will still provide you some protection from theft.

  • Don’t Upload a Full-Resolution Photo Online – For social media sites where sharing is rampant, this is extremely important and in the event that your work is stolen, will be an easy way to prove the original work was yours. If you sell your photos or prints on your website, you can always upload higher-resolution files there.
  • Utilize Your Camera – Most DSLR cameras will allow you  to add some metadata directly into your photography via a menu on your camera settings. This can help make sure that every shot you take has your name, copyright, and URL injected straight into the digital thread of your image.
  • Description + Google Alerts – Most digital thieves will not bother to rename your photos, so using a description that is personal to you and setting up a Google Alert for that exact description can help let you know immediately if someone has tried to publish your work online.

Lastly, make sure you are educated on the tools out there to help you keep track of your images. TinEye is a service that allows you to submit an image to find out where it came from, how it is being used, and if modified versions of the image exist. Google Image Search is also an easy and free way to track your images – you can enter the URL or upload your image to see where it’s been or see any images that look similar to it. Whether you choose to watermark your images or not, it is always best to make sure you register your photos with the US Copyright Office.


Why You Shouldn’t Watermark Your Photos

The Pros and Cons of Watermarks

To Watermark, or Not to Watermark?

How to Protect Your Photography Online

Watermarking Your Images: Pros & Cons


Photographer David Wilder dabbled in portrait, wedding, and commercial photography before he landed on his true calling – photographing the great outdoors. Now, David spends his time capturing the beautiful Alberta landscape and exploring around the world. His website is a true reflection of his love for nature – and reflects a clean and crisp look that we are so excited to feature this week.

Check out his full site – – and read on for what he had to say about his site’s creation!

DW website

Q: How would you describe the aesthetic of your website in three words?

DW: Clean, Simple, Sleek. For someone like myself who is always about presenting my work with less distractions, that’s what drew my attention to this design.

DW website 1

Q: How do you choose the photos that you display on your homepage?

DW: I was always taught that your handshake says a lot about you. My homepage is my handshake, it is often the first thing people see and where they start to learn about me. I choose images for the homepage that speak to my character, what I value, and who I am as a person. It is with these images the visitor can become captivated and drive them to want to see more.

Dw website 2

Q: How often do you update your website?

DW: The most challenging thing for any creative is to stay current and relevant. Before I found liveBooks, it was so hard to keep updating my site. But with liveBooks the system is now so easy to make changes on the fly. I tend to make updates to my website once a month. I feel it gives a balance between my visitors getting a chance to see what I have recently been working on but not rush their favorite images out the door too soon.

DW website 3

Q: What is your favorite feature that liveBooks offers?

DW: Hands down it is the Admin Portal. Time is so important to everyone. The less time I have to dedicate to making changes means the more time I can focus on my craft. My heart always wants to be behind the camera taking the next photograph and the way the Admin Portal makes updating my site so efficient it allows me to be out there finding my next shot.

DW website 4

Q: What’s one piece of advice you’d offer to someone who is designing their website?

DW: My advice would be design something that speaks to you, as this will achieve a number of things. A website speaks on your behalf, it represents you. You want visitors to get to know you by viewing it and feel like they have already met you. You also want to be happy with its aesthetics; it needs to be captivating and engaging to your audience, otherwise you will constantly be trying to change it and using up precious time that you could be using to create more of your art.

DW website selfie

Follow more of David’s work and adventures on Instagram – @dw_photo_ca

Have a website you’d like us to feature? Email us at



Emmy-award winning destination wedding photographers Chris+Lynn travel all over the world taking gorgeous, colorful, and highly expressive images. Their website is so unique and romantic that we absolutely had to feature it this week.

Check out their full site – because we absolutely love it – and we’re sure you will too!

C+L test


Q: How would you describe the aesthetic of your website in three words?

C+L: Emotive, bold, and handcrafted.

test test


Q: How do you choose the photos that you display on your homepage?

C+L: Our clients are couples headed on the literal and emotional journey of having a destination wedding, so our photography is about capturing that – the true adventure of love! We choose images that reflect the authenticity of travel, adventure, and love.

C+L press


Q: How often do you update your website?

C+L: We try to update galleries with fresh images every two months.

C+L truth


Q: What is your favorite feature that liveBooks offers?

C+L: The ease of updating in the editSuite is great and we love the incredible customer service.

C+L published


Q: What’s one piece of advice you’d offer to someone who is designing their website?

C+L: For us, designing a website is a constant work in progress! Understanding this and having a platform where you can continually and easily update and tweak the site is important. Another tip we found valuable was to aim for maximum impact when choosing your images – and design your site to heighten that impact.



Keep up with their destination weddings and adventures on Instagram @chrispluslynn & Twitter @chrispluslynn.

Have a website you’d like us to feature? Emails us at!


Many professional photographers start out taking photos as a hobby or a creative outlet. At some point, you realize that your talent is too good to be limited to a few nights and weekends here and there, and take the leap to becoming a full-time professional photographer. Starting your own business can be challenging. Once something goes from a hobby to a livelihood it’s easy to get lost among all the things that need to get done. Building your photography brand and voice is an extremely important piece of creating a successful business. Here are some tips to help you build your photography brand while still enjoying what made you take that leap in the first place: capturing amazing images.

Take photos because it makes you happy

One of the best ways to find your voice and build your brand is to always remember to take photos because it makes you happy – not because you need to sell them. This may seem intuitive, but many times photographers will spend so much energy researching the perfect equipment and collecting different lenses that they forget to step back and enjoy taking pictures. Having fun, trying new things and exploring will naturally bring out the creativity in you and lead to some of your best work. Plus, taking beautiful photographs comes from the heart – trying to “force” a perfect image for the sole purpose of selling it will probably result in a lot of frustration. Bottom line: if you do it because you love it and it makes you happy, people will feel more of a personal connection to the pictures you capture, in turn helping you to build a consistent voice and brand.


Study your previous work

Chances are that if you’ve been photographing for a while (professionally, or otherwise) you have thousands of photos to look through. If you are just starting out with your business, devote some time to studying all of your previous work. Try to find common themes in your images – do you tend to like a certain time of day best? Do you prefer shooting people or landscapes? Do you prefer candid shots, or giving your subjects more direction to stage the perfect image? Once you’ve determined some common themes, this will give you a better idea of how to brand yourself and describe the type of work you do to others.

Build your portfolio to reflect your brand and voice

Studying your previous work is also the best way to start building your professional portfolio. Once you’ve landed on common themes in your work, figure out which photos you’ve taken that have garnered the most responses out of people in the past. Utilize social media. It is probably pretty likely that you have posted your previous work to some social media outlet at some point or another. It would be very simple yet extremely beneficial for you to go back and look at the comments people made on the photos that you shared. Which ones resonated the most with your audience? Which ones got the most attention, likes, shares, or engagement? This will help you determine your best work and what should ultimately make the final cut for your professional portfolio.

Write a stellar ‘About’ page that shows off your brand and voice

While most of your brand and voice is going to be conveyed through your images, being able to show off your personality through your website’s ‘About’ section is also very important. The ‘About’ page is most likely the first time a potential client is really “meeting” you – and it will set the tone for all your written communication with your clients. Whether you decide to use that space to talk about the inspiration for your work, your camera gear, or your personal journey as a photographer or creative – what you decide to say and how you say it will tell a potential client a lot about the way you do business.


Don’t kill your creativity

So much of your voice and brand as a photographer comes from your creativity and is what makes you unique and sets you apart. Sometimes, when photographers start to take photos for a living, they become perfectionists – always critiquing and criticizing their work. Constructive criticism is definitely a good way to learn and grow, but too much of it can cause you to shut yourself down as a photographer. Some of the best and most famous photos have some technically “imperfect” aspects, and yet those are part of what has made them so fantastic. Don’t lose sight of your voice in an attempt to create an image that everyone else will love – focus on why you love it.


What other tips have you employed over the years to help build a successful photography brand? We’d love to know!


How to Find Your Unique Voice as a Photographer

Four Tips to Finding Your Photography Voice



Photographer Dorit Thies specializes in beauty, fashion, and lifestyle photography. She creates powerful imagery ranging from international magazine covers to compelling photos captured in exotic destinations all around the world. Her website reflects glamour and elicits intrigue from the moment you land on the homepage – we just had to feature her this week!

Read on to see what she has to say about her site, and check out the full thing at

Dorit Thies


Q: How would you describe the aesthetic of your website in three words?

DT: Clean, Intriguing, and quick easy overview at first glance.

Dorit Thies 1


Q: How do you choose the photos that you display on your homepage?

DT: Each portfolio has its own category. In my case I shoot beauty, fashion, celebrity, and lifestyle. I choose my best and most recent shot to be the first image in the individual portfolio. For example, I have multiple beauty portfolios, based on recent publications, so I place the most recent and most iconic image at the beginning of each portfolio. I play around with the order of the appearance in the editSuite as well to make sure it looks strong on the homepage. I always make sure my latest work shows up on the top rows.

Dorit Thies 2


Q: How often do you update your website?

DT: Whenever I get new work in, or I try twice a week.

Dorit Thies 3


Q: What is your favorite feature that liveBooks offers?

DT: To have multiple portfolios (21) in my case, visible on my homepage, presenting my body of work immediately and still loading within five seconds.

Dorit Thies 4


Q: What’s one piece of advice you’d offer to someone who is designing their website?

DT: To create a number of portfolios that present your body of work, naming them clearly so they explain the category of your photography, include the name of the story or name of the publication. Make it short and to the point. Promote it as much as you can once you have it published, and make sure you have your SEO (Search Engine Optimization) in place.

Dorit Thies 5


Have a website you’d like us to feature? Let us know!

April 24th, 2015

Ten Portfolio Review Tips for Pros

Posted by Heather

Guest blogger Manuela Marin Salcedo is a research and development team member and content developer at Momenta Workshops. Her expertise is in visual communications and social media. In addition to her work for Momenta, Manuela is working on long-term, independent multimedia projects. Her work has been featured at LookBetween 2014, Fototazo and Light Work. She was also chosen to participate in the 2014 New York Times Portfolio Review.

As creatives we tend to work in a vacuum. So how do we combat this? With community, collaboration, and connections. How do we get that in today’s modern world? By participating in portfolio reviews!

Portfolio review opportunities seem to be everywhere nowadays. You can get your work reviewed at places like The New York Times Annual Portfolio Review, FOTOfusion, Photoville, NPPA’s Northern Short Course, WPPI, PhotoPlus, and even at workshops such as ours, like The Project Series: Working with Nonprofits. Showing your work to others can be daunting. However it will hone your presentation skills, refine your vision, advance your craft, put your work in front of new people, and spark personal growth.

In an effort to help you better prepare for your next portfolio review, the team at Momenta has compiled a list of portfolio review tips to keep in mind.

momenta blog
Chris Usher (far right) gives constructive feedback to student, Stephen Van Seters, during Project New Orleans 2015: Working with Nonprofits workshop, hosted by Momenta Workshops. Photo © Jaime Windon/Momenta Workshops 2015.

Research your reviewer

Before going into the review, you should have conducted some background research on your reviewer’s personal and photographic journey. Having an idea of their experience and body of work will help demonstrate your appreciation for their time and consideration for discussing your work with them. It will also help you ask better questions.

Always have a non-digital backup of some kind

Imagine this scenario: your computer freezes, and you are unable to access the image folder on your desktop. As you try to log into your website instead, you realize the hotel WiFi is not working. Quickly you pull out your iPad, and, as if things couldn’t get any worse, you realize you did not bring the right charger and your battery is at 10%. This example is a pretty terrible and unlucky sequence of events – yet it is also completely probable. Technology has been known to let us down, so don’t tempt the tech gods to strike down on your review. Bring a print backup if possible and be prepared for anything!

Include a variety in your images, but never put in anything you do not love

Think of your portfolio as a symphony and each image as a note. Now think about this: if you play the same note throughout the symphony, you are likely to lose the attention of your audience. The same goes for your body of work. If each image is a note, you should attempt to hit different ones. That said, if your portfolio is a symphony, remember that the notes should work together to create a cohesive whole.

Do not be afraid to put in a personal work section

Personal work, or work that has not been commissioned, is just that: personal. While commissioned work demonstrates your level of responsibility and ability to do client work, your personal projects may better demonstrate your vision and style.

Include title slides to help differentiate between singles and stories

As you are presenting your portfolio, it can be helpful to include simple title slides to signify the end of one project from the beginning of another. This can also aid the flow of your presentation and help avoid confusion. Furthermore, if you have a short amount of time, title slides can cut back on lengthy explanations on your part.

Do not be defensive or overly confident about your vision

At the beginning of the review, the reviewer may ask you to talk a bit about your journey and your work. In doing so, remember to take note of your tone. There is no need to be overly confident or to become defensive when being asked why you chose to shoot in a particular way. Being open to outside opinion and commentary about your work will inevitably help you grow as an image-maker.

Do not talk while the reviewer is talking, and don’t interrupt

As a follow up to the previous tip, remember your good table manners. One of the predominant reasons to sign up for a portfolio review is to get another professional’s take on your work. As such, your role is to listen actively, not to talk over the reviewer.

Take notes

Most reviewers will not mind if you take notes while they comment on your work. In fact, they will probably encourage it. Taking notes will help you remember what the reviewer said about certain images as well as give you a general feel for their take on your body of work. It is also a physical demonstration of your engagement and helps to show how much you value and appreciate the reviewer’s time and opinion. You may even consider recording the session as a voice memo on your smartphone.

Bring business cards or leave-behinds

This tip goes back to the notion of being prepared. By meeting the reviewer to show your work, you have already created an impression and, if you are lucky, established a connection. The next step will be to keep in touch. Having business cards or leave-behinds on hand will aid in this process and help make you memorable. At Momenta, we recommend our students look here for promotional ideas and inspiration.

Send a handwritten “thank you” note

No, this does not mean a “thank you” email. Taking the time to hand write a personal note to your reviewer shows how much you appreciate their effort to help your career grow. If your handwriting is terrible, you can always ask a friend or colleague to write it for you. No matter what, a little piece of mail is the perfect follow-up; it will keep you on the reviewer’s radar and put yourself above the rest with a classy gesture.

Momenta Workshops offers one-day, five-day, and two-week documentary, photo, and multimedia training workshops, including the popular Project Series: Working with Nonprofits held in collaboration with Leica Camera. By teaching storytellers to expand their technical and business skills, Momenta explores how to use the camera as a force of change. To learn more about Momenta Workshops, please visit 

We feel extremely lucky here at liveBooks to have so many talented photographers and creative professionals from all over the world using our platform. Lukasz Warzecha, a Polish born British photographer, does incredible photo and video work on mountaineering in some amazing locations. This week we are featuring his website (we love his integration of both photo and video!) Check out what he had to say about it below!

LW website 3


Q: How would you describe the aesthetic of your website in three words?

LW: Uncluttered, Modern, Fresh

LW website 1


Q: How do you choose the photos that display on your homepage?

LW: This has been a long process. I’ve been shooting professionally for over five years now and over this period of time I had opportunities to shoot on four continents and for a variety of clients. I’ve had the pleasure of working with Peter Dennen, Former Director of Photography at Aurora Photos and now running his own consultancy business (Pedro+Jackie). Peter has poured over 1000+ images and organized my work into galleries, the whole process took us a few months also because I’m normally super busy traveling and shooting.

LW website 4


Q: How often do you update your website?

LW: I try to update my page every 12-18 months, in between I’m usually adding some fresh images every now and again.

LW website 6


Q: What is your favorite feature that liveBooks offers?

LW: I’ve been a liveBooks customer for a long time now (four years, I think?!) and I just like the whole system. The look and feel of the galleries and the integrated video capability and the back end, plus email and FTP support.

LW website


See Lukasz’s full site here:

Have a website you’d like us to feature? Email us at!

The importance of having a mobile-friendly website for a photographer or creative should not come as a surprise. The percentage of mobile traffic has surpassed 50% on many sites, and Google (as they are known to do) is once again switching up their algorithm to cater to this growing number.

On Tuesday, April 21st, Google will start using mobile-friendliness as a ranking signal. This means that Google will now start marking your site as mobile-friendly (seen in screenshots below) to determine if your site should rank higher in search results. To put it simply, if your website or blog is not mobile-friendly, it will be penalized by Google when a user is doing a search on a mobile device. Google says that it is doing this so that “users will find it easier to get relevant, high quality search results that are optimized for their devices.”



What does this mean for you and your liveBooks site?

To ensure that your site is not negatively affected by this new change when someone searches using a mobile device, it is important that you make sure Mobile 2.0 is enabled in your editSuite. Mobile 2.0 was built with this new algorithm in mind to optimize your mobile presence. It will transform your liveBooks site into a clean, easy-to-navigate, photo-centric experience for all users on all types of mobile devices.


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You will also want to check out Google’s Mobile-Friendly Test to confirm the compatibility of your site and blog.

Additional Resources:

editSuite Help – Enabling Mobile Websites

Mobile Websites 2.0 FAQ

Google’s Mobile Guidelines

Google Webmaster Help Forum

5 Benefits of Mobile Websites

Need help enabling Mobile 2.0 in your editSuite? Contact our support team at

Todd Beltz, a commercial and editorial photographer who specializes in culinary, space, and travel images, has a website that is so colorful and eye-catching it seems to pop off the page – yet still manages to be extremely clean and easy to navigate.

Here’s what Todd had to say about his site – and don’t forget to head on over to to see more!

todd beltz website


Q: How would you describe the aesthetic of your website in three words?

TB: Minimalist, easy, clean

todd beltz website 1


Q: How do you choose the photos that you display on your homepage?

TB: Choosing photos to put up on my website is a tough job as a photographer. I may find a picture I took to have special meaning and want to display it but it won’t particularly hold any interest to the viewer. So I generally choose photos that will hopefully draw the viewer in to want to see more.

todd beltz website 3


Q: How often do you  update your website?

TB: This varies depending on my work schedule, but I do try to update it with new material at least twice a month.

todd beltz website 2


Q: What is your favorite feature that liveBooks offers?

TB: I have a few favorites but if I had to pick one it would have to be the SEO that liveBooks offers.

todd beltz website 4


Have a website that you’d like us to feature? Email us at!

Photography workshops are one of the most important things to attend in order to continue your education as a professional photographer. The ability to gain new skills from the best and brightest in the field plus make invaluable contacts from all over the country (and the world!) is essential for the longevity of your own business.

There are literally thousands of photography workshops that happen around the world each year. How do you choose one that’s right for you? Read on, because we’ve compiled a list of traits to look for and tips to help you when deciding on a photography workshop to attend.

Figure Out WHAT You Want to Learn

With the plethora of choices out there, it is important to first decide what type of workshop you are looking to attend. Are you wanting to do something more hands-on, such as a photo-tour or expedition? Or do you want to learn more technical skills? An editing class to help with your digital workflow? Or maybe you want something more focused, such as learning how to shoot macro, or increasing the sharpness of your photos. Whatever you decide, when you figure out what skill you are most looking to acquire or perfect, that will automatically narrow down your choices of workshops.

Make a List

Once you’ve narrowed down your focus, make a list of what you want to learn and the things you want to leave the workshop knowing. While the internet is a powerful tool, once you begin your search for a workshop it can be very overwhelming. Having that hand-written list of what is most important to you will help keep you on track. Writing down your goals will also give you an idea of how much time you need to commit to a workshop or class. Workshops typically span one to three days on average, while a class will last over several weeks or months, with each session being a couple of hours long. If you find that your list is getting long quickly, maybe enrolling in a long-term class would give you maximum benefit.

Start Your Search

Once again, the internet is an extremely powerful tool. Use it to get you started, but don’t limit yourself to it, especially because not all classes or workshops are well indexed by search engines. Check around for local photography clubs who may be offering a class for non-members. Check out websites for community colleges and local trade schools. Utilize your network! Ask around for recommendations, especially if you know someone in your same field or specialization or if you simply admire their skill or style. Know who the top dogs are in your field and check out their personal website to see if they are teaching any workshops.

Dig Deeper

Once you’ve selected a handful of classes or workshops that are interesting to you, start digging deeper on the class and instructor. Getting a copy of the syllabus is a given (so you can see exactly what the class covers) but here are some other things to think about when making your final decision:

  • How many students are allowed in the class? – Some workshops are smaller and more intimate, with less than 25 people. These types will give you more one-on-one time with the instructor for feedback and critiques of your work. Larger classes will provide more opportunities for group work and can be a good way to network and bounce ideas off each other.
  • How long as the instructor been teaching? Not to say that the instructors who have been teaching the longest are always better, but it does give you a good indication that they love what they do, and more importantly, love teaching.
  • What do past students say about the class/instructor? – We use reviews and feedback each and every day to make decisions, from what restaurant we should go to for dinner, to which dentist we should make an appointment with. A photography workshop is certainly no different! Seek out feedback from past students. Many instructors will post reviews or quotes on their websites when they are promoting a workshop or class, making that information pretty readily accessible.
  • What are the financial costs? – While most (if not all) of these classes certainly won’t be free, there are definitely multiple factors to consider when trying to get the most cost-benefit out of a workshop. First off – what’s included in the cost? Don’t make assumptions, especially if you are taking an expedition. Are textbooks or other materials included? Meals? Cabs from the airport to the hotel? Equipment? What about a refund policy if your plans should change?
  • What is the class structure like? – Some workshops are more structured and stick to a textbook very closely, while others are fluid and more flexible, allowing students to work in their own topics of interest. Additionally, some classes are lecture and presentation heavy, while others will be more hands-on and give students lots of time to play around and practice skills and get feedback from the instructor. Figure out which type is most appealing to you.
  • What happens after the class is over? – Once the class or workshop is over, is there any follow-up from the instructor? Are you able to ask questions at a later point in time once the information has sunk in and you are able to practice the skills on your own? Choosing a class with an instructor who is open to continued communication will not only build your network but facilitate learning long after the class is completed.

Ultimately, all the research on a class or instructor can only take you so far. What’s really important is that you take the opportunity (finances allowing) to learn in multiple types of settings and from a variety of teachers so that you can best determine what type of structure is right for you.

Are there any other tips you’ve discovered from attending workshops? We’d love to hear about them!

Here are some additional resources for choosing a great workshop:

How to Choose a Photography Class or Workshop

Choosing a Photography Workshop or Tour

How to Choose a Photography Workshop

Artist Claire Rosen, who specializes in fine art, as well as fashion and advertising photography, and was named in Forbes 30 Brightest Under 30 for Art and Design in 2012 and 2013, has one of the most unique yet easy-to-navigate sites we’ve ever seen.

Here’s what she had to say about it – and don’t forget to check out her photography, it’s absolutely stunning!

Q: How would you describe the aesthetic of your website in three words?

CR: Branded, Functional, Cohesive

claire rosen website

Q: How do you choose the photos that you display on your homepage?

CR: The images selected for display on the homepage were chosen to reflect a cohesive vision in my work that didn’t draw lines between fine art or commissioned projects.

claire rosen website 1



Q: How often do you update your website?

CR: I update my website as I have new projects or information to share.

claire rosen website 4

Q: What is your favorite feature that liveBooks offers?

CR: That it is so easy to use and update that I don’t ever have to worry about it!

claire rosen website 2


Check out Claire’s full site: and follow her adventures on Instagram: @clairerosenphoto.

Have a website that you’d like us to feature? Email us at!



April 3rd, 2015

Photographer Spotlight: Jim LaSala

Posted by Heather

Jim LaSala is a multi-award winning fine art photographer and Moab Master who was born and raised in Brooklyn, New York. He lived in Staten Island for several years and currently resides in Flemington, New Jersey. He opened “Strike a Pose Photography Studio” in 1990 specializing in Fine Art Photography, Portraiture, and Electronic Imaging. Jim is presently a managing partner for “Xact Studios” in Hillsborough, New Jersey. As well as still life and fine art images, Jim has been passionately involved in documenting the people and their lives in Haiti. We had the pleasure of chatting with Jim to hear more about his work, inspirations, and vast experiences across the globe.

Q: What’s your inspiration?

JL: My parents are my inspiration, and it started a long time ago. We were less fortunate than many and growing up with deaf parents forced me to mature somewhat faster than some other children my age. They truly moticated me to see past prejudices and being held back from the things that you truly want in life.

Jim LaSala 1

“Eyes on Haiti” – Jim LaSala

Q: What role does photography play in your life?

JL: Communication. My photography is an extension of my feelings and thoughts and it has been very special to me.

Jim LaSala

“Blind Faith” – Jim LaSala

Q: Who are some sources of artistic influence for you?

JL: The first person that comes to mind is the incredible works of George Hurrell, “photographer to the stars.” His control of hot lights and dynamic portraiture has helped me understand the importance of capturing full tones and controlling contrast. Also Ansel Adams, who was a master of pre-visualization. I’ve often been asked how I end up with some of the images that I have produced and I believe it has a lot to do with understanding the story you are trying to share. What made you stop to photograph a certain situation? Was it color, texture, or maybe lack of color? Try to bring out just what it was that caught your interest. Don’t just settle for mediocre but keep your thoughts and ideas flowing. And lastly, Sally Mann. I love her storytelling abilities as well as her black and white treatment.

Jim LaSala 2

“Profound Silence” – Jim LaSala

Q: Let’s talk about your work “Hope and Despair.” Can you tell us a little more about this project?


JL: I have been fortunate enough to make six journeys to Haiti along with a non-profit organization that has been documenting the people who are in such need. This image was captured on my last trip (February 2011) while we were staying in Port Au Prince. We stayed in a makeshift commune that houses volunteers from all over the world. Behind this building are many tents that are set up for hundreds of people that lost their homes after the devastating earthquake in 2010 that took over 300,000 lives. It is here that we find children laughing, crying, playing, and surviving. Warm and friendly people is what I experienced. The many faces and eyes that tell a story we could never imagine. I’m blessed to be a photographer so I can tell the story through my images, and many times we forget how important our job is. When we are documenting and relaying our feelings about people, it’s not just about pushing the shutter. It’s about caring and respecting life. The story behind “Hope and Despair” is as follows: while in tent city, I spent time walking among the people, trying to get to know them, and make them feel comfortable. I came upon these two young girls who had been in tent city for about a year. One seemed quite eager to have her photo taken, while the other one was very shy. With some coaxing I was finally able to grab three or four images before I continued on. There are many times when I don’t even realize what I have captured. We become voyeurs while hiding behind our cameras. At times, we even lose our sensitivity while trying to capture the emotions around us. Sometimes, it’s not until I actually get back home and start editing that I become very emotional and affected by what I have captured. It is at this time when reality hits and we can no longer hide behind a piece of equipment and separate ourselves from the world. I’m hoping to continue my story. I’m hoping that my images can in some way help a country so devastated and so in need, yet so proud and grateful, even for the little they possess. I’m so grateful that I can share my story with everyone through my eyes.

Jim LaSala 3

“Sweet Innocence” – Jim LaSala

Jim’s exhibit, “Cuba Revealed,” is currently showing at the Collection Privee Gallery in Wynwood, Miami.

Check out his website to learn more about his fantastic work!

For the second installment of our featured website of the week we have Martin Sundberg, a photographer, director, and DP based in the San Francisco Bay area. He specializes in making photographs and films of people living an active life and pursuing their passions by land and by sea.

Check out what he had to say about his liveBooks site!

Q: How would you describe the aesthetic of your website in three words?

MS: Clean, functional, and eye-catching

martin sundberg website 3

Q: How do you choose the photos that you display on your homepage?

MS: Initially I worked with a consultant to edit galleries and categories. Since then I have added and subtracted as I saw fit (which does not always make a gallery stronger) but it is so easy to play with and always exciting to get new work up.

martin sundberg website

Q: How often do you update your website?

MS: After ever shoot I like to drop my favorites into a “new work” category, and if they easily fit in the flow of one of my other galleries I’ll drop them in there as well. As bodies of work present themselves I will just try them out in new galleries.

martin sundberg website 4

Q: What is your favorite feature that liveBooks offers?

MS: The behind-the-scenes. Making new galleries and adding new images is so intuitive.

Martin Sundberg website 1

Check out more of Martin’s site here:

Have a website you’d like us to feature? Email us at!



March 30th, 2015

5 Traits of a Great Website Homepage

Posted by Heather

You know the saying “you never get a second chance to make a first impression?” Well that absolutely applies to your website. Which is why your homepage – the first page people land on – is one of the most important pages on your entire website. We’ve identified five traits that make for a fantastic website homepage. How many of them does your site have?

1. Clearly Answers Who You Are and What You Do

As photographers and creative professionals, visuals are going to play a huge role in your website homepage. Ensuring that you choose a photo or photos that clearly illustrate who you are and what your brand is about is imperative so that the user continues to browse your site. Do you do multiple types of photography? Or specialize in one area? Make sure the visuals you choose reflect exactly what you do and what you can offer to a potential client. You never want someone to land on your site and have to ask “what do they do?”

2. Dynamic and Always Changing

Users are smart. They can tell when a site hasn’t been updated in a while or if the content is old. It’s important that your homepage reflects that you are constantly completing fantastic new work and projects and posting it accordingly. In this day and age, styles, techniques, even gear changes so rapidly that it is extremely important to showcase that you are “with the times” in the types of photos you display.

3. Stellar Visuals

As photographers this is where you have a huge leg-up over pretty much every other industry. You take stunning visuals for a living! But how do you choose just one (or a few) for a homepage? One way is to let your ideal consumer or customer decide. Your idea of your best picture may be totally different from your target audience, so feeling out public opinion can sometimes make the decision a lot easier. Maybe run a poll on Facebook or Instagram between two photos and see which one gets the most likes. Another idea is to ask some close friends/family what three words come to mind when they land on your homepage – if those three words are in-line with your style and what you envision your brand to be, you know you’ve got the right picture. Plus, as mentioned in number two, your photo should always be changing, so you will have plenty of opportunity to show off your different shots.

4. Optimal for All Devices

These days, mobile phones and tablets are quickly becoming the preferred way to browse the web. To make sure that people coming to your site have the best experience possible, it is very important that your website is optimized for mobile devices. Not only should your site display beautifully on mobile, but it should also be easy to navigate so your consumer is able to get all of the important information they need. Make sure to enable Mobile 2.0 in your editSuite!

5. Clear Navigation

When a user lands on your homepage, what is the logical next thing you want them to do? Most likely check out your portfolios, then maybe read your bio or get more info on you, and last but certainly not least, contact you. Make sure that your navigation portrays these steps in a way that a user would look for them. Make it clear what each page of your site displays so that they don’t have to waste any time looking for what they want or need.

What are some other traits that you think are the most important to keep in mind when designing your website? We’d love to hear your thoughts!

Momenta Workshops offers a variety of workshops from one-day business skills seminars, to personalized multimedia training, to their popular Project Series: Working with Nonprofits workshops in collaboration with Leica Camera. By helping storytellers expand their skills, Momenta explores how to harness that passion into social change. The workshops seek to train attendees to witness the world in a new way and use their camera as a force of change.

Jamie Rose is Founding Partner and Director of Workshops for Momenta, which specializes in photography, video, and multimedia workshops around the globe. Prior to the founding of Momenta, Jamie worked as an international photojournalist on five continents, won awards and grants for her documentary photography, and was contracted with some of the world’s largest media and nonprofit organizations, including The New York Times, The Washington Post, The Global Fund, and Doctors Without Borders, among others.

Q: Would you tell us about your upcoming workshops?

JR: The Momenta Workshops staff has wrapped up our 2014 year with our final workshop on business skills during the FotoDC festival, and our lineup for 2015 is going to be outstanding! If you are interested in nonprofit photography, we have two domestic workshops in 2015: Project New Orleans in April and Project San Francisco in September. Over the course of these five-day workshops, we assign each student to a different local nonprofit to create a photo or a multimedia piece about the organization’s mission. Project New Orleans fills up to capacity every year and is held in the most rollicking city in the US. This is the first year for our San Francisco workshop, and interest is very high for working with the city by the Bay. Additionally, if you want to get out of the country and work with international nonprofits next year, our two very special workshops overseas are Project Colombia and Project Sierra Leone. Each student will work with a deserving nonprofit and use their photography as a force of social change. Throughout the two-week workshop, students will have life-changing experiences, make powerful visual stories, and create connections with their subjects in foreign countries that will last for years to come. If you just want a quick boost of business skills, we recommend The Business of Nonprofit Photography one-day workshop series, where we explore the ins-and-outs of making money working for nonprofits. These workshops will take place at Leica stores in San Francisco and Los Angeles in 2015. Finally, Leica sponsors all of our nonprofit workshops, one of the best perks of our Project Workshop Series. Students may check out a Leica camera to work on their nonprofit photo story. And truly, nothing beats the Leica M system for documentary coverage. Our students create beautiful photo stories with Leicas every year during these workshops.

Project Uganda student Whitney Curtis – 


Q: Are your workshops geared more toward being creative or improving one’s technical skills? Or both?
JR: I’d say both, plus one extra. Yes, we focus on storytelling and the creative process. However, many of our students are looking for a deeper learning experience with Momenta than just shooting tips. Many established professionals come on our workshops strictly for the one-on-one feedback during their daily, one-hour editing sessions with an instructor. They seek an environment where they can network with like-minded peers and dive into concepts with editors to help them find a fresh outlook on their work.

However, Momenta’s model doesn’t just stop at the creative and technical. We also have a series of lectures on building business skills necessary to work with nonprofits and be sustainable in today’s competitive marketplace. We want students to learn to be successful in both their craft and their business.


Bali: Island of the Gods student Jessica Koscielniak –


Q: What differentiates your workshops from others?
JR: We keep our workshops small with a personal touch and limit our workshops to less than 10 a year. We don’t have a desire to be a huge company with tons of products. We focus on quality documentary training in real-world situations with an outstanding team of instructors. By keeping our workshops limited to 15 or fewer attendees and as many as five instructors on our longer workshops, we maintain an intimate learning experience. We focus on each student’s individual goals during daily 1-on-1 editing sessions, instead of herding everyone into group edits. We balance this with nightly sessions that include discussions, slideshows, and presentations that help to bolster inspiration in a group atmosphere. At orientation, we tell our students, “It is your workshop.” And we mean it. Students and staff work together to craft each person’s experience for the best outcome for their goals. Our alumni will back up that statement. We have a very tight group of past students (many of whom return for multiple workshops) and they have coined themselves the Momenta Family. That network extends far beyond the last day of the workshop, and many have remained friends, shooting buddies, and even have reunions around the world. We pride ourselves in fostering community.



Project Colombia instructor Charlotte Kesl –

Q: I’d love to get a little background on why you host workshops and what you hope others will get out of them?

JR: In my personal work with Momenta Creative and as a journalist, I realized the visual needs of nonprofits are not effectively met in many communities. Likewise, we found visual storytellers were hungry to learn about how to shoot for a nonprofit. When we founded Momenta, we chose to focus the majority of our lineup on nonprofit photography training workshops and the public response has proven to be inspiring.

 Nonprofits can communicate their mission and entice donors more easily with custom photographs and video. Furthermore, these organizations have budgets, and many are willing to pay for beautifully-crafted visuals. This is not a market often explored by photographers. Our goal with these workshops is to open the nonprofit world to photographers who may not have realized it existed before, teach them the business skills necessary to work with these organizations and empower them to make thoughtful work that sparks dialogue. We also work with our nonprofit partners to help them realize and value the power of strong visuals.


 Project India student Dana Pugh –


Q: What are some of the unexpected benefits one might get from attending these workshops?

JR: Three things: Inspirational instructors who are excellent mentors and coaches, extended lectures on developing business skills and a supportive alumni network after the workshop ends. I could add that we have a gang load lot of fun too, but that’s a given!



Project India student Chuck Cecil –

Q: What are the most important things for the attendees to realize when they participate in a workshop, to help them get the most out of the experience?

JR: Whether it’s a Momenta workshop or another company’s workshop, an open mind and good attitude is the key to a great experience. We encourage every student to get ready to put in long hours and have a willing approach for creative exploration. One of our founders, Seth Butler, encourages students to “embrace mindfulness” while on the workshop and when shooting in the field. That mindfulness can create great leaps with their work. A Momenta workshop is going to be an intense, exciting experience because students are packing a hefty amount of learning into a short amount of time. However, the payoffs are incredibly rewarding. We remind students to stop, breathe and take a moment to truly soak in the experience and allow themselves to be enlightened by it.


Project India student Robert Dodge –

Q: Was attending workshops instrumental to help you become the photographer that you are now? If so, how did they do that?

I still attend workshops! I wouldn’t be where I am today without a commitment to my education, and that isn’t just defined by college. When I was starting out, I took weekend workshops, attended the Northern Short Course every year, and went to specific skills building seminars. The workshops I have attended in the past helped me to grow my knowledge base, network with other photographers, and learn new skills to further my career. Whether you attend a Momenta Workshop or any other learning experience out there, I would encourage photographers to make continuing education a priority every year. It’s a big world, and there are great learning experiences to be had.  We’d welcome any of your readers to join us on one of ours!


Project India student Frank Rohrig –

To learn more about Momenta’s workshops line up, please visit

Here at liveBooks, we love providing creative professionals with the tools they need to express themselves, their brand, and their work. We are starting up a new weekly series where we will feature a different liveBooks website each week with details from the site’s owner about what went into its creation. We look forward to seeing the amazing things each of our clients can do with their liveBooks site!

This week we are featuring Mike Adrian, a destination wedding photographer who travels throughout Hawaii, California, Mexico, and Canada.

Mike Adrian Headshot

Q: How would you describe the aesthetic of your website in three words?

MA: Clean, Elegant, Romantic.



Q: How do you choose the photos that you display on your homepage?

MA: Photos need to represent a powerful moment of connection between the couple. I want potential clients to be able to place themselves in the photo – let them feel that this can be their moment too.



Q: How often do you update your website?

MA: Photos are generally updated every three months. Galleries are added or removed based on location, venue, or event style.



Q: What is your favorite feature that liveBooks offers?

MA: The customer support is the best. I can have ideas for the website and the technical team is there to make the ideas become a reality. The ability to update the look and feel of my site based on my business needs is amazing.

Check out more of Mike’s site here:


Interested in having your website featured? Email us at

Networking is one of the most important things you can do for the success of your business as a photographer. The perks of a successful network range from learning from your peers, gaining referrals, collaborating to build portfolios, and even getting discounts on new gear. While networking may be one of the best things for your business, it isn’t always easy getting started. Let’s discuss some basic tips for successfully building your professional network.

Business Communication Duplicate model


Simply put, as a photographer you are your brand. And while you are selling your work, ultimately you are selling yourself. People want to work with awesome people – and networking is the best way to truly show off who you are and what you’re about in the most cost-effective way possible. Beyond that, networking gives you the opportunity to learn from each other. Whether you’re tipped off about a new gadget, or need advice about how to handle a certain situation with a client, exchanging ideas and information with people that do the same thing you do every day is extremely beneficial. Plus, not only can other photographers end up being a referral source, but working together truly does raise the bar for the photography industry as a whole.


Go to seminars, conventions, and workshops. There is no better way to network than to physically be in a place surrounded by other photographers all learning together. Make sure to bring plenty of business cards and follow-up with those that you connected with afterward. Maybe call and invite them to grab a coffee, lunch, or drinks, or send them a handwritten note letting them know you enjoyed meeting them. Putting in the time and effort up front to develop these new relationships will pay off in spades later.

great meeting you

Perhaps the easiest and least-intimidating step of networking is connecting on social media. Figure out the photographers that you specifically want to target and start visiting and liking their Facebook, Twitter, Instagram, LinkedIn, Tumblr, etc, – but be genuine about it. Remember that you are working to build a meaningful relationship that will be mutually beneficial, and simply throwing a bunch of “likes” and comments on their content will probably not get you the outcome you are hoping for. Show that you can provide value and meaningful contribution and above all – showcase your personality!

Join online forums, groups, and discussions. Not only is this a great opportunity to learn, but you will have the ability to provide advice and knowledge on different topics. Bonus tip: many forums allow you to have a link in your signature, so make sure to take advantage of this and link back to your website or portfolio.



Networking events can be tougher to find depending on where you live or if you are new to the industry, but here are some good first places to start:

  • for industry get-togethers
  • Local Photography workshops
  • Local Professional Photographers of America (PPA) groups
  • Local business owner groups
  • Local artist groups
  • Facilitate a meet-up through social media and/or forum discussions

Much like a gym membership, when it comes to networking the best thing to remember is that you get out of it what you put into it. The more time you spend cultivating real relationships with people, the easier it will be to make new contacts and build your business.

Check out some more great resources on networking:

The Ultimate Guide for Photography Networking.

4 Reasons Why Networking is Critical to Going Pro

Social Networking for Photographers

5 Reasons Networking is Important for Photographers

Why It’s Important to Network with Other Photographers

Top Secrets to Better Networking

Posted in Business / Networking / Workshops

Interested in learning about sports photography from one of Sports Illustrated’s top photographers? Join Peter Read Miller April 13-19 in Denver, Colorado, and get access to a variety of action packed sports from mountain biking and college football, to high school basketball, and amateur boxing during this weeklong workshop.


In addition to capturing the action on the field, a portion of the workshop will be spent on learning how to shape the light in both studio and on-location, arena lighting with strobes, and the set-up and use of remote cameras.

For maximum learning potential, participants of this workshop have the opportunity for their work to be personally reviewed and critiqued by Peter each day at one of Denver’s top commercial photography studios.


What you will learn:

  • Techniques to capture action
  • How to use lighting and different angles for shooting various sports
  • The power of cropping & editing images to make them magazine cover-worthy
  • How to choose the best lenses for sports photography

What’s Included:

  • Canon and Dynalite gear loans
  • 6 days of instruction
  • Access to sporting events
  • Location & model fees
  • One on one portfolio review with Peter

Workshop fee: $1,995

Don’t miss out on the opportunity to gain a better understanding of how to turn good images into outstanding ones!

Learn more:

Hopefully by now you all know about the importance of social media for the success of your business. At this stage in the social game, Facebook and Twitter should be old hat. But what about some of the newer platforms that are quickly becoming more popular – even surpassing – some of the old favorites? Instagram, Pinterest, and Tumblr are the networks to watch in 2015 – and the good news for all you creative professionals – all of these platforms are dominated by photo and video content.



InstagramWith 300 million monthly active users and Citigroup just raising the valuation of the network from $19 billion to $35 billion, Instagram has officially surpassed Twitter. With a number of recent updates to the app, such as looping videos, like its main competitor, Vine, does, Instagram has made some huge strides in overall user experience. Instagram also just released a whole slew of new photo editing tools – from creative tools, to brand new filter choices – making it the ideal space for creative professionals to share their photos. If you aren’t on Instagram already, this should be the first social network that you check out ASAP so you can connect with customers, showcase your work, and develop your brand. (Also, make sure to follow @liveBookswebsites!)



Pinterest – With another round of funding, Pinterest is rumored to now be valued at $11 billion with an 111% growth in active users in the past six months. Pinterest has also been making some pretty significant updates to its platform – a smarter search tool called Guided Search that allows a user to filter their searches by adding specific filters relevant to the original search term. Plus, much like Instagram’s Direct feature, Pinterest also recently released the ability for users to have private conversations about specific pins. Since up to 80% of all pins on Pinterest are repins – this is a huge opportunity for photographers to organically “pin” their own content with a high likelihood that it will be re-pinned by the Pinterest community. Everyone – from agency’s (for commercial/editorial work) to consumers (for portraits and weddings) are searching photos on Pinterest. This is a great platform to showcase your work and get noticed – and don’t forget to #hashtag!


Tumblr – While Tumblr has actually been around since 2007, because of some updates and a refreshed interface, its active users grew by 120% in the past six months. To put this all in perspective, Facebook’s active users grew by just 2% in the past six months.  And while Tumblr is mostly known as a microblogging platform, the reason to be on Tumblr is its highly engaged community. Posts are shared, reblogged, liked, and commented on with great frequency, and it has become known as the “Twitterized version of WordPress.”  While you can share and post pretty much any content you want, from text, photos, quotes, links, chat, audio, and video, unsurprisingly in this day and age, the most shared and liked content is photos. Since 83% of Tumblr posts are photos, and most users do not create their own content, adding your original photos to the content pool will set you apart in the Tumblr world. Check out Harrison Jacobs “7 Tumblr Tips for Photographers” for some really great info on how to best utilize this platform for your business.

I think we all know that social media is here for the long haul, and the good news is that it’s a great opportunity to show off your creativity and add meaningful content to the conversation. Take advantage of all of these free ways to get your brand out there – because it will be imperative for the future of your business.


We just got back from 3 days in Las Vegas for the WPPI conference, and we’re still catching up on sleep. The best way to describe WPPI is that it’s three days of education, conversation, and fun – and WPPI 2015 was certainly no different!

The liveBooks team had an absolute blast in Vegas. We approached our time there with a “work-hard, play-hard” mindset, and were thrilled to see some new and familiar faces (we scanned 632 people!) at the liveBooks Booth.  (Hopefully everyone got the orange bags before they ran out!)   As always, we enjoyed seeing our clients in person — as much of our interaction is done via phone or email — and showcasing the new features liveBooks has to offer. Plus, WPPI was a great opportunity for us to hang out with our co-workers that we might not see as often as we would like.

WPPI Recap

From bags, to stickers, to sunglasses, our orange swag seems to have been a huge hit! We gave out 400 totes, 350 sunglasses, 700 lens cloths, and 100 stickers! (It certainly didn’t hurt that our colors perfectly aligned with the World Series Champions, the San Francisco Giants, as was pointed out to us by many of you.)

Check out our Senior Support Specialist, Laura, and her mom showing off their liveBooks swag!

                                                   WPPI                                         swag

Finally, congratulations to Heather East for posting her photo of the liveBooks sticker and winning our WPPI social media contest! Thank you again for everyone that stopped by our booth and participated in our contest. We can’t wait to see you all next year!



Posted in Blogs / Photography

Looking for a hands-on workshop that will connect you with the roots of landscape photography? Join award-winning photographer Craig Varjabedian as he takes you to the California Coast, the place where landscape photography as we know it was born.

Pfeiffer-Beach Pt-Lobos-Sunset-copy Pfeiffer-Waterfall

This is not just any workshop. You’ll explore and make photographs along the California Coast from Monterey to Big Sur, where Ansel Adams, Edward Weston, Wynn Bullock, Morley Baer and many other important photographers made their homes, honed their craft, and created their most significant work.

In addition to making photographs, you will visit with the families of Edward Weston and Wynn Bullock to learn more about their photography. These are the artists and places that inspired Craig most when he was just starting out, and he will take you to where Morely Baer and other esteemed photographers took him.

For Craig, spending time with these artists at these beautiful locations was a turning point for him. It’s where photography began to make sense. The light came on. He hopes that by recreating some of the most significant experiences he had early on in his career, it will influence your work and improve your image-making abilities.

This workshop takes place October 4-9, 2015. For more information or to request an invitation to this one-of-a kind photography workshop visit

Craig’s bio:

Craig Varjabedian’s photographs of the American West illuminate his profound connection with the region and its people. His finely detailed images shine with an authenticity that reveals the inseparable ties between identity, place, and the act of perceiving. Visit Craig’s website to see more of his work and learn more about his workshops.

Photographer Li Westerlund takes us on her latest trip exploring sea life in Indonesia’s Raja Amput. Raja Ampat, or the Four Kings, is an archipelago made up of 1,500 small islands, cays, and shoals surrounding four main islands located off the island of New Guinea in Indonesia’s West Papua province.

Few destinations make me voluntarily get my bags ready and happily embark on a forty to forty-five hours flight mission with all the hassle and sleep deprivation it entails. Among those, some selective and still relatively unexplored dive areas remain, promising enthralling marine environments of a certain kind that cannot be found close to my home town of Half Moon Bay CA. Raja Ampat in Indonesia was one of these irresistible places to dive and photograph before its present-day remoteness, to some degree shielding it from the risk of environmental degradation, perhaps turns less inaccessible to more people. Simply put, I wanted to go there before it changes.

Raja Ampat diving is all about the small creatures and critters, the abundance of fish life, and most certainly its diversity of soft and hard corals. A marine biologist’s dream no doubt. This environment in many ways is the polar opposite of one of my other favorite escapes Cocos Island; the Island of the Sharks with its ferocious currents and large pelagic fish life which I wrote about recently on this blog.

Raja Ampat

Photo courtesy of Li Westerlund

Image courtesy of Li Westerlund

Photo courtesy of Li Westerlund

Though I love capturing the action of large pelagic marine life, I also think that macro expressions below the surface captured as photographic images are somewhat overlooked. With exquisite anemone species, the intriguing solar powered nudibranch and peculiar orangutan crab, a walking shark at night (or more like running when we spotted him), pygmy seahorses almost indistinguishable from their surroundings, and an explosion of color in soft corals and the magnificent hard coral, there was so much to explore. And I loved every bit of it.

Raja Ampat Blog images5 2408

Photo courtesy of Li Westerlund

Photo courtesy of Le Westerlund

Photo courtesy of Li Westerlund

Raja Ampat, or the Four Kings, is an archipelago of about 15,000 square miles, comprising over fifteen hundred small islands and cays surrounding the four larger islands from Waigeo in the north to Batanta, Salawati and Misool in the south. Instead of heading north as planned, we headed south towards Misool because of a typhoon over the Philippines stirring up the water. Though December is the monsoon season, we were lucky with sunshine and the calmest water I have experienced over the years living on dive boats for several days taking these types of trips. Nonetheless, the visibility was only fair at times and for macro captures the currents complicated matters when using the macro lens at its edge.

This time I experimented with lighting and focused on macro expressions. I wanted to capture the beauty I see in the marine life, the splendor which is surely there but perhaps only perceptible when you look closely. There is an intimacy so tangible in this environment, one that you can truly feel when you are down below if you take the time to appreciate and interact with what surrounds you. The trick is to focus on what you “see” and not merely on what it “is” directly appearing in front of you. In an endeavor to express the feeling I wanted to convey, I also used the depth of field differently from how I have previously captured the macro life.

Photo courtesy of Li Westerlund

I believe that people generally tend to care about what they see and what they can relate to. It is my hope therefore that images not focusing merely on epic wildlife encounters, including what to many would be experienced as scary imagery of large pelagic sharks for example, will spark an interest in the marine environment among people not otherwise aware of its wonders. Find my series “Amphimone” “Eudora” and “Amatheia” captured during this trip at


We had the opportunity to speak with photographer Michael Soluri about his exciting work with space exploration photography and his new book, Infinite Worlds: the People and Places of Space Exploration.

Tell us about your book Infinite Worlds: the People and Places of Space Exploration?

Published by Simon & Schuster, Infinite Worlds: the People and Places of Space Exploration, is a coffee-table designed photography book of an historic era in the human and robotic exploration of space involving the Hubble Space Telescope.


Cover of Infinite Worlds Photo by ©michael soluri/Infinite Worlds

In the annals of these kinds of books and American spaceflight, no photographer has ever been extended the degree of quality access into three NASA flight centers for nearly three years to reveal a portrayal of the astronaut crew that essentially saved the Hubble Space Telescope.

In addition to a Foreword by former Senator and legendary astronaut John Glenn, 18 unscripted self-written essays from the Hubble labor force and crew weave a narrative where I seek the humanity in both the human and robotic exploration of space.

How did you come to work in the field of space exploration photography?

I am a fine art documentary and portrait photographer whose interest is the human and robotic exploration of space.

I studied to be a planetary geologist but discovered that I was more interested in the visual qualities of the field rather than impersonal chemistry labs and calculus classes! Once I earned my MFA (Master of Fine Arts) in photography I became an editorial fashion and documentary travel photographer.  I worked in Brazil, Italy and New York.   Over the years I collected, edited and studied decades of space-themed images for my own interest and for various publications, and that led me to more substantive portrait and documentary work on American space exploration.


©michael soluri/Infinite Worlds

In 2004 I photo-edited and co-authored What’s Out There – a visually themed index on astronomical phenomena – and I even got Stephen Hawking to write the Foreword.  While working on documenting the people and places of NASA’s New Horizons mission to the Pluto system in 2005, I discovered that the servicing mission to the Hubble would be reinstated.

Ultimately, Infinite Worlds evolved out of these chance occurrences. History was unfolding and I wanted to discover the meaning and art in human and robotic spaceflight.

How and why did you begin documenting the effort of those prepping for the last Hubble servicing mission?

I didn’t begin this project with a book in mind. It began as an editorial story for Discover magazine that started with an unprecedented three-hour portrait session of the STS125 shuttle crew.  From that I earned the trust of the crew as well as the NASA engineers and scientists who were creating, training and managing this multi-year mission to save the Hubble.

As a photographer what inspires you?

I would point to Kubrick’s “2001, a Space Odyssey” as a transcendent life experience.  My inspiration for Infinite Worlds was a product of many interests (films, short stories, music, history of art and photography, science) and a personality driven to always want to be behind the scenes.

As a photographer, my early influences continue to be my inspiration: the works of Cartier-Bresson, August Sander, Aaron Siskind, Walker Evans and Irving Penn.

©michael soluri/Infinite Worlds

©michael soluri/Infinite Worlds

What did you find to be most challenging about putting together a book of this nature?

The time, patience and discipline to know why I wanted to tell this story, as well as being able to edit 3 years worth of work into a visually coherent narrative.

How did you compile the essays? Why did you decide to include them?

The notion for stories written by various individuals in the shuttle and Hubble labor force was influenced by Working, a remarkable book written in 1972 by the Chicago based broadcaster Studs Terkel.  He wrote about people talking about their work and how they felt about doing it, an approach that felt like verbal snapshots.  As I got to know the people behind the STS125 mission better I would often find myself in a discussion with one of the crew and support staff.   I loved hearing them speak about their work in an unscripted way.

During the subsequent months when I was beginning the daunting task of editing years of photographs, the notion of individuals from the labor force writing their own story became a significant element in planning Infinite World’s narrative.  The 18 story-tellers recalled many common memories and had many individual stores, but the common thread was the need to make a contribution to an end result larger than themselves.

Photo by ©michael soluri

Photo by ©michael soluri/Infinite Worlds

Based on your experience please describe what goes into getting a book published? 

Tenacity is crucial. Although I had a project based on exclusive access, I needed to know my story and that took about two years to develop. I also needed a marketing plan – to identify my audience and what my plan would be for exhibitions and magazine articles. A New York-based literary agent was critical to having the contacts at the various publishing houses. My initial proposals were ultimately shot down.

This caused me to look at myself and think about how I could tell this story in a more compelling way.  Seeing Hertzog’s “Cave of Forgotten Dreams” — a documentary film about the oldest human-painted images in the Chauvet Cave of France, as well as my documentation of the space shuttle’s flame trench beneath its launch pad, helped to reveal the narrative sub-text: time, distance and light.

About a year and a half later Simon & Schuster made an offer. Creating the book took two years. It involved collaborating with the production department to achieve the quality we ultimately experience in Infinite Worlds. It also involved an enormous amount of work with my editor, the art department, copy editor and the marketing and promotion folks.

Realizing the mutual marketing benefits, photo industry support was critical. As a result, I am grateful for Canon, Moab Paper, Eizo, Chimera Lighting and liveBooks.

How has your website helped your business? How has it helped this project?

I chose liveBooks because I could have a custom designed site and a web hosting relationship responsive to my evolving communication needs.  I couldn’t be happier with the collaboration and the responses I receive from the print and electronic media, aerospace industry and art community.  Currently Infinite Worlds is my most visible project, so design flexibility to respond to the marketing of my book was essential and liveBooks provides that flexibility.

What other events are you doing in conjunction with the book release? 

There are many events that will provide varying degrees of visibility.  The holiday season and the run up to and through the 25th anniversary of the Hubble Space Telescope in April 2015 will provide many public and exhibition venues.

My ten-year project portraying the people and places of NASA’s New Horizon’s Pluto mission will come to it’s crescendo beginning in spring 2015 when the probe passes within thousands of miles of Pluto and its moons. I’ll be there photographing the project scientists and flight controllers.

In addition I will be speaking at the IMAX theater at the Denver Museum of Nature and Science on January 21st, the National Air & Space Museum on February 13th and the Smithsonian Institute on April 11th. Exhibitions of my work are currently at the Kennedy Space Center’s Atlantis pavilion, in Hubble @25 at the Intrepid Sea, Air and Space Museum, and in Outside the Spaceship: 50 years of Extra-Vehicular Activity.

Additional information on media and events may be found on my (liveBooks) custom designed website


Posted in Photography / Q and A

liveBooks designers and marketing experts weigh in on the ten things you can do to improve your photography website.

1. Add Fresh Content
With the new year on the horizon, our design experts recommend refreshing the images and content on your website to make sure you are displaying recent and relevant work. “So many people like to build their site and forget it.  We’ve found that the most successful websites are those that are updated regularly,” says Ryan Maher, designer at  Just like a store changes the display window each season, we recommend refreshing the work displayed on your site two or three times a year.

2. Keep Mobile in Mind
It’s no secret that the world is going mobile. As more and more of your website traffic comes from smart phones and tablets, you need to make sure your website is optimized for those visitors. Whether you use a responsive website platform or enable a mobile-optimized version of your desktop site, you need to be sure your website looks good –and functions well– across all devices.

Mobilize Your Website

Expert Tip: Design with mobile in mind.  The mobile visitor behaves differently than the desktop visitor- make sure your site looks good for both!

3. Use Clear Navigation
Website Designer Adam Royer advises, “Function over fashion. User-friendliness is a must!” As you build your website, have an idea in mind of what you want your visitors to do when they land there. Do you want them to view your portfolio? Contact you? Watch a video? Whatever your answer, make sure your navigation and layout makes it easy for people to go to the pages you are hoping to highlight. A clean navigation menu is one of the easiest way to accomplish this!

Expert Tip: Make sure the text is legible! Use fonts that are large enough to be read on all devices.

4. Blog Regularly
Since we don’t all have time to change the photos on our website every week, a blog is a great way to add fresh content to your web presence without altering the look and feel of your website. Make it a goal to generate one blog post per week. You can start short and simple, just try to get something out there. Not only will new blog posts engage your visitors and showcase your recent work, it is also a huge benefit from an SEO perspective, as search engines tend to favor sites producing new content.

5. Let Your Images Do the Talking
Your photos are your calling card, show them off! One of the biggest trends in website design for 2015 is large, full-bleed photos that extend across the entire page. We recommend choosing a few photos that convey your vision, and displaying them (in a rotating slider or stacked) on your homepage.  A great website design that uses this full-bleed feature is the STATURE template within the liveBooks Professional Design Templates.full_bleed

6. SEO
Search Engine Optimization is considered one of the most important things you can do for your website. No matter how great your site looks, and how user friendly it is, search engines like Google, Yahoo and Bing are not going to display it in their results without the proper keywords, tags, backlinks, etc.  While search algorithms change constantly, (making it nearly impossible to “game the system”) one thing you can do to help your ranking is to name your images. Since most photographers websites are portfolio based, you can counteract the lack of keywords with naming and alt tags in your images.

7. Make it Easy to Contact You
You’ve worked hard to get visitors to your site- make sure you’re making it easy for them to contact you!  Whether you utilize a traditional contact form or simply write out your contact information, our experts recommend having a way to contact you listed from every single page of your website.

Expert Tip: Contact forms with fewer than 5 fields perform best!

8. Showcase Videos
Whether or not you have a videography component to your work, including two or three videos on your site is a great way to engage your visitors and bring your work to life.  Each liveBooks template allows for vimeo integration, providing you with the ability to have a video grid, single video, or full-page video embedded into your site.  Some suggested video types include: behind the scenes footage of a shoot, a welcome video of you talking about your work or a promotional video featuring your work.


Expert Tip: Videos perform better when they are integrated into your site, rather than requiring a pop-up to play.

9. Track Visitor Behavior
In order to ensure that your website is performing the way you want it to, you need to understand what people are doing (or not doing) on your site.  Google analytics is one of the easiest (and cheapest- it’s free!) ways to track the behavior of visitors to your website.  Once you understand how visitors are engaging with your site, you can adjust photos, content, and calls to action to maximize each visit.  Notice that people keep hitting your pricing page after visiting a specific gallery? Highlight that gallery on your homepage to increase conversions!

10. Choose the Right Photos
Some photos resonate better than others when put up on your website.  Designer Ryan Mahar recommends that you have a portfolio editor or even some friends or colleagues go through your images and pick out their favorites. Then choose what to upload accordingly.


Award-winning photographer, author and educator Michael Corsentino gives us his tips for getting the most out of the Photo Plus Expo. Follow these simple recommendations and you’re sure to have a productive show!

When it comes to the end of October most people are thinking about their latest Halloween costumes and stocking up on candy for the parade of ghouls and goblins about to descend on their doorsteps. For those of us in the photo industry the end of October is also the time of year when 22,000 photographers and enthusiasts from every corner of the country converge on the Jacob Javitz Center in Midtown Manhattan for the annual PhotoPlus Expo in New York City! With tens of thousands of square feet, 220 exhibitors, 80 conference seminars, myriad special events, and a ton of parties, attendees have a lot of ground to cover in just 4 short days. As a longtime denizen of PhotoPlus, here are my top 10 recommendations for getting the most out of this great expo:

1. Pace yourself
As mentioned above and below you’ve got a lot of ground to cover during PhotoPlus, there’s a ton to take in. Remember Rome wasn’t built in a day, take it slow and resist the urge to try and accomplish everything the first day. Slow and steady wins the race here.

2. Bring snacks
Full conference and expo days easily top 10 hours, definitely qualifying them as endurance events. You’ll need energy and hydration to keep up, brave the crowds, stay on your feet, and explore the miles of exhibitors without falling over. Cover your bases and bring snacks like protein bars, apples, nuts, and bottled water to provide the fuel you’ll need.

3. Staying on track
An iPhone is my go-to tool for staying organized and on point during the show. At a glance I can view the expo schedule, keep track of planned meetings, locate exhibitors, take notes and photograph cool new gear to reference later.

4. Layer
In late October early November the weather in New York starts getting chilly and windy so come prepared. During the expo you’ll be dealing with two temperature zones, one outside the show where it’s potentially cold and windy and another inside the expo where it’s not! In this situation a backpack to stuff an overcoat or a few extra pieces of clothing into is your best friend. This way you can layer up and down as needed. A backpack is also indispensable for holding show collateral and snacks.

5. Go for comfort
This isn’t the time to break in that new pair of killer shoes you’ve been dying to show off. Comfortable shoes rule the day during PhotoPlus! That doesn’t mean you can’t be stylish if that’s your thing, just be sure and choose shoes that are well broken in. Consider using a padded insole for extra comfort and pack a few bandaids just in case things get dicey with your dogs.

6. Make a plan
With so many classes and exhibitors all in one place knowing where to start can be overwhelming. It’s easy to miss the important and get diverted by the trivial. Make it a point to have a plan and prioritize. Let the exhibitors list be your guide. Map out the manufacturers who’ve got that must have gear you’ve been considering. This is your chance to see it all up close and personal, get your questions answered, and take advantage of show discount specials!

7. Take at least one class
PhotoPlus isn’t just the place to ogle the newest lust worthy gear, it’s also your opportunity to meet and learn from your photography heroes. Consider arriving prior to the trade show to take advantage of one or more of the many great classes being conducted. Be sure and reserve ahead of time, seating is limited.

8. Network, network, network
PhotoPlus is your chance for some rare face time with everyone from photography executives, marketers, manufacturers and other photographers, famous and not so famous. If you’ve been dying to get on someones’s radar this is your opportunity. Bring your A game, an iPad portfolio and plenty of business cards!

9. Affordable lodging
Accommodations in NYC typically run the gamut from expensive to very expensive. However there are deals to be had if you know where to look. Many people prefer the Pod for reasonably priced digs, but if you’re a good camper like I am and don’t mind a shared bathroom arrangement, you’ll love Larchmont Hotel in the West Village. At about $100 a night it’s hard to beat. Airbnb is also a great option and the one I opted to use myself this year. For $70 a night I was able to book a room in a clean, modern, well reviewed apartment with a full kitchen located in midtown, a stones throw from the Expo.

10. Enjoy NYC
Fall is one of the best times of the year to visit New York. Set aside some time to enjoy the city and all it has to offer. Explore the beauty of Central Park, check out a museum, take in a show, hang in the village, dine in Tribeca, take a ride on the Staten Island ferry – there’s no shortage of options in the city that never sleeps.

Bonus tip!! Don’t forget your Badge
I hate wearing a badge almost as much as I hate forgetting my badge back at my hotel! There are a lot of things you can do without during PhotoPlus, your badge isn’t one of them. Save yourself the headache and double check to make sure you have your badge with you before leaving for the expo.

If you have other suggestions please leave them in the comments below. And don’t forget to visit the liveBooks team at Photo Plus in booth 566!

Lou Manna has spent over 30 years creating images of all things editable. He is an award-winning commercial photographer, author and teacher based in New York City. His recipe for marketing for photographers is tried and true!

Marketing Basics

Most marketing experts say you need to strictly adhere to a plan and adopt specific tactics and objectives in order to be successful. Well, as a photographer with a creative soul whose spirit prefers shooting wonderful images more than being awash in spreadsheets, I follow three pretty simple rules: I cast a wide net in the right waters by having a great website, practice targeted email marketing, and make sure to stay in touch with current and potential clients.

By practicing this style of marketing, I have been able to maintain a thriving studio in today’s competitive environment.

Image courtesy of Lou Manna.

Image courtesy of Lou Manna.

Casting the Big Net

The Internet offers a huge sea of potential clients, so one of the key things for me is to cast a wide net with a great website. This net is my 24 hour presence and my virtual storefront, so it’s important to show my best work. Personally I love the way liveBooks displays large, high quality photos and permits me to change or move around images in a snap. I cannot tell you how many times I have had a potential client tell me they decided to call because they saw my site. Since I switched over to liveBooks, my revenue has risen over 50 percent. One client even told me he looked at more than 250 photographers’ websites before narrowing it down based on site views alone. It came down to me and one other candidate. I got the job.

Of course you can never be sure who’s surfing the Internet, so that’s why I make it a point to constantly include fresh images and keep the range of displayed photos wide. I can point to an example where just after updating my site I reeled in a big client, the National Mango Board, who in turn referred me to their agency. I was hired to shoot a campaign for them including recipes and beauty shots of mangos. As it happens, the account executive that we worked with loved my photography and decided to tie in the American Lamb Board and sent them to my site for their feedback. Once again my website came through for me without my knowledge. That union led to another client through the same agency, the National Peanut Council.


Consistent Email Marketing Pays Off

Besides this wide cast, I like to use personalized email marketing to nab or influence individual targets—the ones I know. I call this my narrower net. My list is up to three thousand names, mostly clients, peers, people I have met and think might one day be a source of business or referral. My email marketing is not highly polished or sent out at consistent intervals. I send out HTML emails that feature a fresh image whenever I have the opportunity. My images are simple and clean with appetite appeal! I add a few personal sentences and hit the send button. I think recipients appreciate the sentiment and see this as a greeting card, not a marketing push. Just staying in touch reminds people of your work. A few holidays back I sent out about 500 emails with the martini glasses. Nearly ten percent responded with well wishes and I netted two big jobs. Today I count 80 percent of my clients to be repeaters, so email marketing is a real inexpensive mainstay for me.

Holiday Cocktail. Image courtesy of Lou Manna.

Holiday Cocktail. Image courtesy of Lou Manna.

Face to Face is a Narrow Net

The old fashioned way which is geographically limited is getting out there as much as possible to network face to face. People like working with a photographer they have met and are comfortable with. I always carry my business card that has a mouthwatering photo on the back. Combine this with a great website and consistent communication through the Internet and you have a winning recipe.

Lou Manna is an award-winning commercial photographer, author and teacher based in New York City. You can find more of his work on his website and blog.

Posted in Marketing
September 23rd, 2014

Shooting on the Edge

Posted by liveBooks

Have you ever wondered how did they get that shot? Corporate industrial photographer Nick Souza tells us how he is able to create and produce compelling images while navigating a dangerous work environment.

As I carefully work my way to the tip of a 300 foot crane boom perched 200 feet over the water and swaying mightily as it unloads a giant container ship, my biggest challenge is to not smash a camera against one of the huge steel girders that surround me. More importantly, be careful not to slip on the minefield of grease blobs that wait to slam me into the sharp metal catwalk that is below my feet.

Subic Bay Container Terminal in Manila, Philippines

A vessel is assisted by a tug boat as it departs the Subic Bay Container Terminal in Manila, Philippines. Image courtesy of Nick Souza.

Surrounded by giant machinery that will roll over you in a matter of seconds or alternately drop their 2 tons of cargo right where you are standing, my work environment can be extremely dangerous. An ear splitting array of sounds in the midst of controlled chaos, a container terminal plays a roll in our daily lives that most people have no idea about.

The vast majority of our clothing, household goods, electronics and even some of our food are shipped around the world in 40 foot steel boxes on ships longer than four football fields. For twenty years as a corporate industrial photographer I have concentrated on this specialized world. The incredible scale of the ships, the colorful containers and the opportunity to travel captivated me immediately. With a background in photojournalism, telling my client’s stories was easy, but it was doing it dramatically that became my signature style.

Combining my storytelling ability with a strong artistic approach, I create images that are driven by their composition, color or quality of light yet still successfully illustrate the theme or message that they were ultimately created for. This concept has become my brand, with my client’s relying on a unique vision of their industry to differentiate themselves from the competition.

SPRC Container Terminal Cartagena Columbia

View of the front of a Reachstacker which is designed to move containers in multiple directions. Image courtesy of Nick Souza.

My approach to an assignment always begins by gathering as much information as possible. Very simply, I ask a lot of questions! Working on location is about finding solutions to challenges and still producing the best possible images. In an environment where shoot sabotaging last minute schedule changes are the norm, and cooperation is the key to my success, knowing the right questions to ask is what enables me to produce the types of images that I do. Armed with information, it is easier to make decisions about what I am going to shoot and plan for potential opportunities.

Speaking the lingo and having a great deal of knowledge about what I am photographing has served me well in being able to do things that would usually be greeted with a resounding NO! I am persistent and have been given some incredible access to produce some very difficult shots.

I have been on a lot of cranes, but on an assignment in Cartagena Columbia for the manufacturer, I really wanted to shoot from a different perspective. Making giant steel structures look as impressive as they are in person, showcase my client’s brand, throw in some bad weather mixed with uncooperative local authorities, just another typical assignment!

When working in a setting that has massive scale, finding an elevated vantage point is my favorite way to create a dynamic image. Shooting from on top of a container crane is the simplest way to get above this giant world. My client’s crane in Columbia offered a potentially incredible vantage point that I have never shot from before. A small platform at the tip that was actually below the boom, difficult and dangerous to get to while the crane was working, became the place that I absolutely had to shoot from.

SPRC  Container Terminal Cartagena Columbia Kalmar STS Crane

Gantry Cranes unloading a container ship at the Port of Cartagena Columbia. Image courtesy of Nick Souza.

While I work in dangerous environments, I am not a daredevil and safely doing my job is the number one priority. Noticing several minutes of lag time in the cycle of unloading containers, I realized it might be possible to get to my elusive vantage point without risk or interfering with productivity. I was just going to have to convince my escort who really didn’t want to be up there in the first place, that everything would be fine! Utilizing the always-effective bargaining tool of time, as in “we will only be there for a few minutes” I was able to make an image that offered an amazing perspective of my client’s product in operation.

One of the more unusual aspects of a typical assignment is that often I will be shooting for more than one client at the same time. I discovered many years ago that if a project or assignment involves multiple companies, it works very well to combine everyone’s needs into one assignment. Interconnected as vendors or customers of each other, sharing production/travel expenses is always appealing to them. On this type of shoot I provide each client involved with their own custom set of images mixed with selections that are useful for everyone.

Adding this additional level of complexity to my normally challenging assignments has actually enabled me to be more creative. Focusing on the different needs, I’m seeing the situations that I’m shooting in ways that may have been missed. During a recent shoot documenting the delivery of five gigantic automated cranes in New Jersey, I made one of my favorite images by seeing my subject a little differently.

Konecranes ASC/RMG delivery at Global Container Terminal New Jersey USA

A fully assembled automated stacking crane is unloaded from a heavy lift vessel while a supervisor looks on. Image courtesy of Nick Souza.

In an environment that is filled with giant impressive industrial machinery, it is easy to focus only on that. To enhance the story, I will often include people in the frame adding both scale and a connection. On this particular assignment everything came together when the project manager for one of my three clients put himself right in front of me, blocking my shot. With this extremely large man obstructing my perfect angle, I was just about to move when suddenly I saw a great shot. Placing this giant man clad in yellow coveralls in the center of the frame with his back to me while the action happened beyond him told a great story. It would have been really easy to not see one of my now favorite images when the shot I had in my mind was completely obstructed.

With persistence, luck and a lot of patience, I am constantly searching for more interesting ways to photograph an industry that I have been looking at for a long time.

September 15th, 2014

A Visit to the Island of the Sharks

Posted by liveBooks

Cocos Island was designated a World Heritage Site by UNESCO in 1997 and has no inhabitants other than the Costa Rican Park Rangers who strive to stem off illegal fishing within the protected area surrounding the island. With little resources and only one boat available to them they do their best under circumstances to keep the marine environment thriving. Photographer Li Westerlund takes us on her latest trip.

There are many hidden wonders in the world still to explore even for the most adventurous. As a photographer and scuba diver with the love of remote dive-areas, my passport is filled with all kinds of destinations which makes immigration officers at the airports on my return raise their eyebrows. Places like Komodo, Alors and Northern Sulawesi in Indonesia, Papua Guinea and Sudan’s Red Sea waters to mention a few. One of my absolute favourite escapes is located about 35-40 hours of open water travel by boat off the Pacific coast of Costa Rica. Its name is Isla del Coco, or Cocos Island, at times referred to as the Island of the Sharks.

Whitetip on the lookout

Whitetip on the lookout. Image courtesy of Li Westerlund.

The abundance of marine life surrounding Cocos island, which is the only emergent island of the relatively minor Cocos Plate, comes with some of the strongest currents you will encounter as a diver. Thus in many ways this marine preserve not only provides one of the most intensive adrenaline rushes but also some intriguing challenges for divers and underwater photographers.

Abundance of life

Abundance of life. Image courtesy of Li Westerlund.

In August of this year I made my fifth trip, deliberately choosing the rainy season – and does it rain in Cocos Island! – with the hope of encountering enormous schools of scalloped hammerhead sharks that grace the pinnacles around the island. There may not be a real on or off season for encountering these sharks and we all have to remember that the sea gives you what the sea wants to give you, not what you desire when descending into its depth. My preferred time though is between July and September, which also coincides with the time of the year when in the past I’ve encountered the giant whale sharks. And for this year, my trip truly became the trip of whale sharks.

Whaleshark in the deep

Whaleshark in the deep. Image courtesy of Li Westerlund.

Even though we saw scalloped hammerhead sharks, Galapagos sharks, tiger sharks, whitetip reef sharks, yellowfin tuna, the enormous school of jack fish that is always present, bottlenose dolphins and humpback whales on the surface, the mantra “May the whale shark be with you” was forever coined among some of us. There are several destinations around the world known for whale shark encounters but most only permit encounters while snorkelling or scuba diving in fairly shallow waters, when they come closer in to feed on plankton. Yes, the biggest shark on the planet lives on the smallest plankton, which is quite incredible in the bigger scheme if you think about it.

Hammerhead in for cleaning.

Hammerhead in for cleaning. Image courtesy of Li Westerlund.

Compared to other encounters with whale sharks, what mesmerized me the most diving with them in Cocos was the thrill of mingling with them in the greater depth of the ocean and how gently, gracefully, they interacted with us divers. How they were curious and almost inquisitive, and not anxious or troubled by our presence. The monsoon rain pouring down over the island affected the visibility most times, making lighting quite challenging for photography but it also creating an opportunity to capture these magnificent creatures in the mysterious fashion they suddenly appear from the depth.

See more images from her trip in her series “Gentle Giants of the Deep” and “Galenaea” at

August 17th, 2014

Win Clients With Your About Page

Posted by liveBooks

If the top priority for your photography website is to get your best images out there for the world to see, next on the list should be having a unique About page. Your About page is your chance to incorporate a little extra personality into your work which will help you stand out from the competition.

About page

For many of us it’s second-nature to shoot, shoot, and shoot some more, but when it comes to talking about ourselves and writing a few paragraphs about what we do we often just throw something together about our education, qualifications and experience. This is a huge lost opportunity!

Imagine, as a potential client, that you’re looking for a photographer for your wedding day. You’ve narrowed it down to two photographers with comparable talents at the same price range, but one has a typical About page and the other shows some personality and makes you laugh. Who are you going to choose?

Photographer and director David Emmite's About page.

Photographer and director David Emmite’s About page.

Clients are getting savvier every day, and with a run-of-the-mill bio you risk looking like someone merely going through the motions rather than a photographer full of ideas and energy who is ready to deliver amazing photos. Don’t be afraid of posting something a little quirky and off-beat. A little something different is a breath of fresh air.

In addition, from a photographer’s standpoint, having a unique About page works great as an extra level of pre-qualification. We all know that the best, most rewarding shoots are the ones where the client shares our tastes and sensibilities and therefore trusts our vision and judgment. By having a unique About page, you will attract clients that see the world as you do and also weed out clients who may not be the best fit. We’ve heard from countless photographers that people who mention their About page in their initial contact are almost always on the same page as they are when it comes to stylistic choices for their shoot. In this age of fast, fast, and faster, with so many decisions being made based on what can be found online, a unique About page is critical to help you stand out from the masses.

Photographer and humanitarian Sarah Fretwell has been called an unreasonable activist. She formed The Truth Told Project to help the girls and women of the Congo share their stories of sexual violence with the world and serve as a catalyst for change. She tells us about the project and with what we can do to help.
The Truth Told

Kavira Kabambi, 15 year old survivor. Photographed by Sarah Fretwell.

The Truth Told Project

One girl or woman is raped every minute in the Democratic Republic of Congo (DRC). The rape is not random, as you might think. It is a power play that targets those who are not in a position to fight back. The rebel and military groups use rape as a scare tactic and way to control and destroy local communities. The DRC’s society is so broken rape is now “normalized.” Millions of girls, women and men have been raped. Many more will be raped in the time it takes you to read these few paragraphs. More »

July 23rd, 2014

5 Benefits of Mobile Websites

Posted by liveBooks

The internet is constantly changing and as creative small business owners we need to evolve as it changes. It seems like everyone is touting the importance of the mobile experience these days – and for good reason!

The number of smart phones in use worldwide has exceeded 1 billion, and it’s only continuing to climb. In fact, although only 1% of small businesses have optimized their website for mobile viewing, 50% of all local searches are performed on mobile devices. By the end of 2014 mobile is predicted to overtake desktop Internet usage. With consumers using mobile devices and tablets more often, it has become more important than ever to have a well-designed mobile website for your business. More »

Posted in Marketing / Website Tips

A climber and visual storyteller, Cory Richards was named National Geographic Adventurer of the Year in 2012. Cory’s camera has taken him from the controlled and complex studio to the wild and remote corners of the world, from the unclimbed peaks of Antarctica to the Himalayas of Nepal and Pakistan – all in the attempt to capture not only the soul of adventure and exploration, but also the beauty inherent in our modern society.

Cory dropped out of high school and was practically homeless by the time he was just 14 years old. His education came from observing what was happening around him and discovering the richness that comes from struggle. His video “A Tribute to Discomfort” takes you through his journey from recounting the avalanche that almost took his life and led to the moving self-portrait that appeared on the cover of National Geographic, to describing what drives him to tell stories of people and places.

“My job is communicate a real raw visceral experience. Despite the fact that we are experiencing massive problems as a human family we are still experiencing each other, loving and having a ton of fun. I mean life is fun.” – Cory Richards

A Tribute to Discomfort: Cory Richards from Blue Chalk on Vimeo.

June 3rd, 2014

Creating a Brand Strategy

Posted by liveBooks

Your company’s brand is one of its most valuable assets. It represents the core of who you are and why you do what you do. It’s about the promise you make to your customers to provide a product or service, to do so with consistency and quality, and to do it better than your competitors.

To build a successful creative business it takes more than artistic vision and talent. The reality is that you are a small business owner and as such you need to understand business. For many of us that’s not the fun part – but it can be! More »

Posted in Marketing
May 30th, 2014

What Makes a Moment?

Posted by liveBooks

Each of us defines a moment in a different way. For food photographer Penny De Los Santos a moment is where people, culture and food come together.

“I am inspired by and in love with that space where a scene vibrates with an energy. And when it’s combined with light, composition and color – that’s when I make a picture of a moment.” – Penny De Los Santos

In her TEDx Talk she takes us from a candlelit dinner table in war torn Lebanon to the grave of a loved one, asking us to stop, connect and take the time strengthen and honor the bonds between us.

Brand Advocates can create some of the best value for any small business or emerging brand. Advocacy for your brand has a vital impact in driving awareness, creating conversation and generating more business. Cultivating brand advocates who are excited to share their experiences with others can be a low-cost, high-return marketing strategy.

Essentially a Brand Advocate is someone who enjoys your product or service so much they are eager to tell others about it. Brand advocates can be online influencers with a large social media audience, people who are active or well-respected in their industry or your customers. Here are some ways to turn a customer or industry influencer into an active, engaged advocate for your brand: More »

Posted in Marketing

Award-winning photographer Michael Corsentino tells us how to create beautiful portraits using simple lighting techniques. As an author and an educator he generously shares his lighting and posing secrets, processing techniques, time-saving workflow strategies and shooting philosophies with other photographers. We’re thrilled that he’ll be a regular contributor.

Keep it simple! I’m continually reminded of this tried and true maxim. Being a dyed in the wool lighting geek I like nothing more than throwing a ton of lights into a setup, and creating complex, layered lighting. It’s the puzzle solver in me. Sometimes that’s completely called for and the only way to produce the desired result. However solving the lighting puzzles doesn’t always have to involve a kings ransom worth of strobes, power packs, etc, quite the contrary. In fact, 90 percent of my lighting solutions end up using between just 1 to 3 lights. More »

April 10th, 2014

Tax Tips for Photographers

Posted by liveBooks

Dealing with taxes can be stressful. With April 15th just around the corner we wanted to share some helpful tax tips for photographers and creative professionals. As with any general advice you should consult with a qualified tax preparer.

Staying Organized

An ounce of prevention is worth a pound of cure. Staying organized throughout the year is the best way to be prepared for tax season. Utilize accounting software like, Quicken or Quickbooks. Set aside time each month to download and classify the activity from your checking, savings and credit card accounts. At the end of the year 90% of the work required to prepare your tax return will already be done.


If you can’t make time to keep the books yourself on a regular basis or if you aren’t inclined to learn an accounting software package, find a competent bookkeeper in your area with whom you can build a relationship. A good bookkeeper shouldn’t cost more than $40-50 per hour and depending on the size of your business you should expect to engage them for 3 – 4 hours per month. More »

Posted in Business
April 2nd, 2014

The Fine Art of Travel Photography

Posted by liveBooks

Mark Edward Harris is an award-winning photographer, author and educator. His book North Korea was named Photography Book of the Year at the 2013 International Photography Awards. He teaches travel photography workshops at the Los Angeles Center of Photography, Samy’s Camera, and the Santa Fe Photographic Workshops. These are his tips for creating fine art travel photography.

How does one transcend the “I was here” imagery that is often associated with travel photography and create fine art images of places near and far?

From the dozens of workshops I’ve taught on the subject and carefully studying the work of and talking with many of the great globetrotting lensmen and women in the field, I have developed a methodology, that when applied, should yield impressive and at times spectacular results. More »

March 26th, 2014

How to Write a Photography Proposal

Posted by liveBooks

As a photographer being able to appropriately charge for your time and expertise is essential. Photographer Kelsey Foster breaks down what can be a challenging process and shares with us her tips on putting together an effective photography proposal.

Writing a photography proposal is a learned process. I still learn something new every time I need to write one. Everyone has a slightly different way of doing things, so you have to figure out what works best for you.

Writing an estimate is essential for large advertising jobs. Editorial jobs for magazines and newspapers often approach you with a predetermined budget. Wedding and portrait photographers often structure their form and fees differently. No matter what type of photographer you are, being able to appropriately charge for your time and expertise is essential. These tips will help you think about what, and how much, to charge a prospective client. More »

Posted in Business / Marketing
February 13th, 2014

Myanmar: Bridges to Change

Posted by liveBooks

Photographer, filmmaker, and climber Mark Fisher was asked to join an expedition that would make a first ascent of Gamlang Razi, Southeast Asia’s disputed highest peak. He created a film called Myanmar: Bridges to Change about the experience which will be released on June 14, 2014. In the meantime he has shared the trailer and these beautiful images with us. We can’t wait to see it in its entirety!
Myanmar Bridge. Photo courtesy of Fisher Creative.

Myanmar Bridge. Photo courtesy of Fisher Creative.

In August 2013 a group of 7 climbers, 5 Americans and 2 Myanmarese climbers, traveled to the farthest reaches of northern Myanmar to make a first ascent of Gamlang Razi, Southeast Asia’s disputed highest peak. All told, the climbers traveled over 270 miles on foot through some of the harshest terrain on the planet, braving extreme heat and moisture, as well as the gambit of jungle creatures. Despite these challenges, they were rewarded with rare access to one of the most remote and untouched corners of this planet, living with villagers along the trail that have never seen westerners before. In fact, there have been less than a dozen or so westerners in history to have ever been to this part of the world, and only one climbing expedition in history have been to these mountains. More »

Media-education blogger Amy Cobb gives the liveBooks community some tips on how to build your personal brand using Instagram without giving away your work for free.

Is Instagram revolutionizing photography? This is a stale question at this point. We all know that Instagram owns the right to use your photo if you post it with their app, and that it has potentially democratized photography – everyone can be a photographer now, and the photographer with the most followers wins! (What they “win” we have yet to know). Nevertheless, while iPhone and Instagram-only weddings have occurred, they are still by far the exception. Photographers that hope to make money from their photographs – and not just from contests sponsored by corporations – can use Instagram to help establish their personal brand without giving all their work away for free. More »

Claire Rosen is a photographer that blends a fine art sensibility with commercial work to create whimsical imagery inspired by fairy tales, fables, and other children’s stories. Her fashion art and advertising work touch on the bizarre and unusual with the themes of vintage circus, burlesque, magic, curiosities and natural science interwoven throughout the images. She tells us what her favorite moment was this past year and what she’s hoping for in 2014.

What was your most memorable moment this past year?

Taking an overnight train from Budapest to Bucharest…

What is your main goal for 2014?

To find gallery representation in NYC.

What is it that keeps you picking up your camera everyday?

Admittedly it’s not “everyday” but the adventures that my camera allow me to have keeps me picking it up as often as possible!

Fine art fashion photographer

Series: Pre-Raphaelite, 2013
Locality: Bucharest, Romania
Fashion Story
Credits: Model – Marta mraModels, Styling – Raluca Racasan, Hair – Claudiu Alex Sarghe, Makeup – Irina Selesi, Location – Institutul de Arheologie

Connect with Claire and view more of her work on her photography website.

Fine art wedding and portrait photographer Karen Hill loves photography, the history of photography and shooting with film. She is known for her ability to create emotionally powerful images. Karen has shared some of those images with us in addition to what keeps her motivated.

What was your most memorable moment this past year?

There are so many memorable moments in a year of photographing weddings. It’s such an intimate job where so many things are happening all around you at the same time. It’s hard to name just one! So I’ve included a few of my favorite images.

Photo by Karen Hill Photography

Photo by Karen Hill Photography

What is your main goal for 2014?

To keep getting work and making my couples happy.

Photo by Karen Hill Photography

Photo by Karen Hill Photography

What is it that keeps you picking up your camera everyday?

What I love is the feeling I get when everything seems to align, when the perfect moment is in front of you, when the light is just right and the right camera and lens are in your hand. When the sun and the stars align perfectly, so to speak, to me, that’s photography magic and that’s what keeps me picking up my camera everyday.

Photo by Karen Hill Photography

Photo by Karen Hill Photography

Connect with Karen and view more of her work on her photography website.

Robin Layton is an award-winning photojournalist and renowned artist. Her exquisite work has been nominated for a Pulitzer prize and featured in the Smithsonian. She shares some of her favorite moments from this past year with us.

What was your most memorable moment this past year?

I’ve got a few! Becoming a Nikon Ambassador, the release of my second book, hoop: the american dream, and completing my 8th film for The Oprah Winfrey Network.

hoop: the american dream

What is your main goal for 2014?

To keep growing as an artist and to keep creating art.

What is it that keeps you picking up your camera everyday?

I’m at a point in my career where I’m just focusing on creating fine art. After being a “hired gun” for everyone else my entire career it’s my turn. Finding out what I have inside me is very exciting! This is the happiest I’ve ever been in my career.

To connect with Robin and view more of her work visit her website.

Award-winning fine art photographer and instructor Craig Varjabedian recently won Best Art Book at the 2013 New Mexico-Arizona Book Awards for his book Landscape Dreams: A New Mexico Portrait published by the University of New Mexico Press. He tells us about the book and what he is currently working on.

What was the genesis of this book?

My publisher approached me with an idea to create a piece that would celebrate New Mexico on its 100 years of statehood. But really, this book is a natural progression of my work. It presents a selection of my photographs, made over the nearly three decades that I have lived and worked in New Mexico. Some of the images are from my archives while others are newer, based on my desire to have a more complete geographical coverage in order to best represent the varied landscape of the state. More »

As the end of the year approaches it’s an opportune time to reflect on the past year and look forward to the next. We decided to check in with longtime friend and sports photographer Matt Brown to see what his most memorable moment was this past year and what he plans to do in 2014. We look forward to keeping up with him!

What was your most memorable moment this past year?

My most memorable moment in 2013 was being named the Director of Photography for the Los Angeles Angels. Twenty five years of hard work paid off and I couldn’t be happier!

What is your main goal for 2014?

My goal for 2014 is to show the Angels in a new way. I want the fans to see more intimate, quiet moments away from the field. In this photo Los Angeles Angel Mike Trout gets a haircut 90 minutes before a game. Most fans didn’t know this even happened and very few people have seen this photo till now. Check out the Angels photo blog for more candid shots.

What is it that keeps you picking up your camera everyday?

I’m a super competitive person and that drives me to make the best photos day in and day out. Plus I get really grumpy if I don’t shoot!

Keep up with Matt’s work on his photography website and of course on the Angels photo blog!

2013 Season, Game 86: Los Angeles Angels vs Boston Red Sox

Los Angeles Angels Mike Trout gets a haircut 90 minutes before a game.

September 16th, 2013

How to Leverage Your Contacts

Posted by liveBooks

how_to_leverage_your_contactsTaking time each week to leverage your contacts is one of the most basic things you can do to ensure that your business continues to grow. Even though they are already in your address book, maximizing your relationships takes time, consistency and focus. Your network includes past clients, current clients and all of your prospects.


Mantaining Your List

Did you know that 40% of creatives at advertising agencies change jobs each year? 40%! So that great Art Director that you worked with last month may not be there next month. Where did they go? Who took their place? More »

Kike Calvo is an award-winning photographer, bilingual journalist and author represented by National Geographic Stock. The nature of his work is primarily cultural documentary and editorial. He has lectured at the Leica Akademie and is a freelancer for the New York Times. He shares with us a little about his journey as a storyteller, his most memorable moments, and what inspires him.

Melissa Dubasik: How did you get started in photography?

Kike Calvo: This question makes me sad as it was one of the worst moments in my life that drove me into photography. I was studying economics in Spain when my father, a radio personality and one of the most fascinating characters I have ever met, was diagnosed with cancer. I dropped everything and devoted that year to join him on his last journey through hospitals and chemotherapy. Before he died I promised him I would graduate. And I did. More »

For over a decade, award-winning youth photographer Rebecca Drobis has returned to explore and photograph on the Blackfeet Reservation in northwest Montana. Initially, the impressive mountains of Glacier National Park drew Rebecca to the reservation, but the children living in the shadow of those peaks keep her coming back. Grown Up West: Children of the Blackfeet Reservation documents the lives of the youth living on the reservation. Rebecca tells us a little about her project.

Where the endless plains are abruptly transacted by the dramatic Rocky Mountains lies Blackfeet Country. A small community of people call this place home and this project is about the young people of that community. It is a glimpse into their world as they see and live it. Through my photographs, I want to show the triumphs and struggles that are unique to these youth. This project explores the power of place and illustrates how the natural environment and the challenge of reservation life affect a child’s experience.

These challenges unite the community and further strengthen family and neighborly bonds. In the absence of material excess, the children’s imaginations flourish. Without tightly packed schedules of extracurricular activities or the latest video games, children are drawn outdoors to explore and adventure.


My goal in this body of work is to honor the enduring strength, resilience and wisdom of these youth. The project speaks to a universal childhood. More »

We had a great Q+A webinar with many members of the liveBooks community last Monday. Thanks so much to those who were able to attend!

For those who weren’t able to join us, the focus of the conversation revolved around the future of the liveBooks brand, the state of our support team and the new features and platforms we hope to add to liveBooks in the future. To illustrate some of these items, we’ve listed some highlights below.

  • The liveBooks brand remains intact. You can expect to receive the same level of service as in the past and enhancements to the products and designs you love. We plan to increase the amount of resources dedicated to the liveBooks business to create even better products in the future. Our ultimate goal is to create a website that drives you and your business success for the long term.
  • We sincerely apologize if anyone had difficulty getting in touch with a liveBooks representative during the transition period. With the recent acquisition, we are working hard to bring the level of support back to that which you had come to expect from liveBooks. We have hired back many of the familiar faces from the support team, and will ensure that you receive timely responses and in-depth support. Thank you again for your patience.
  • We look forward to improving and creating new products to power your businesses including: responsive designs, HTML 5 components, open API and integrating workflow from LightRoom to liveBooks.

If you missed the webinar and are interested in receiving a copy of the full recording, please email

Posted in Business / Photography
July 16th, 2013

Support Members are still here!

Posted by liveBooks

It’s been a crazy few weeks over here at liveBooks, and we are extremely grateful for your patience and understanding through this process.  In spite of all the exciting news, things are finally starting to settle down and return to life as we remember it.  While you may still have some questions about the acquisition (if so, we encourage you to join this afternoon’s Q+A webinar), rest assured that the liveBooks brand, team, and core values remain intact!

From a support personnel standpoint, not much has changed around here.  Patrick, Luis and Laura are back online to help answer your questions and manage your accounts.  They are joined by Catherine, Senior Customer Satisfaction Manager. We want to ensure that we introduced you to her, in case you see her name pop up on any of our channels.  When Catherine isn’t managing our support teams, she is mastering the art of pilates (well… almost… she fell off the pilates machine yesterday.)  Catherine’s email is


We are excited to utilize our new resources to increase our offerings and deliver an even better product to all of you.  Please feel free to email Patrick, Luis, Laura or Catherine with any questions you may have (allow 48 business hours for a response).


Posted in Business

Dear liveBooks Community,

It is a huge thrill to be joining forces with the liveBooks team. Together, liveBooks and WeddingWire are able to take action with our shared commitment to continue the amazing work that liveBooks has been doing in serving photographers and creative professionals around the world. I wanted to share insight with you on where liveBooks is headed in the months ahead, as well as introduce myself and WeddingWire.

Where We Are Headed
Andy Patrick and I share a passion for helping small businesses succeed online.  As both of our teams work together, we are committed to providing you with the level of service for which liveBooks has been known.  In the coming months, our technology teams will work together very closely to build a more powerful liveBooks platform to serve your business needs for years to come. Whether you are a commercial photographer or creative professional, we look forward to delivering success to your website and your business.

About WeddingWire
WeddingWire is a company dedicated to helping small businesses succeed.  We have extensive experience in working with photographers, videographers, venues, and other small business owners and are focused on understanding their ever-changing business needs.  In fact, many members of our team are creative professionals themselves.  The company was launched in 2007 from my living room and has continued to expand in staff, space and innovation with a priority to serve our clients.

We initially began by creating an online marketplace for the wedding industry, connecting consumers with event merchants efficiently online.  Today, is one of the largest wedding sites in the U.S.  Furthermore, our technology platform powers portions of leading industry sites such as Martha Stewart Weddings and CondeNast’s

Next, we launched, dedicated to helping event planners find the best resources for their corporate and social events.

We are always innovating our current offerings but most recently, we extended our software suite to include features like social media management, digital contract signing, online bill payment, mobilized sites and more.

Today, our platform powers over 140,000 small businesses across the globe. We have become the leading technology company in the industry and our team is laser- focused on driving product innovation for our professional community.  If you’d like to learn more about our company or our products, please visit:

On behalf of the entire WeddingWire team, we are incredibly excited to join the vibrant liveBooks community and we are grateful for the opportunity to serve you and your business needs.  I look forward to connecting with you over the coming months; however, should you have any questions, comments or concerns, please don’t hesitate to email and you will receive a response within 24 hours.


Timothy Chi
WeddingWire, Inc.


Posted in Business

We’ve been busy over the past few months preparing for some exciting news. liveBooks has been acquired by WeddingWire, Inc., which operates the leading wedding and event sites such as,, and many more.  Furthermore, the company features a comprehensive online business marketing and management solution, called eventOS, which offers businesses the opportunity to enhance their marketing, customer relationships, reputation and more. We are confident that in WeddingWire, we have found a great partner and a steward of the liveBooks brand.

Our sincerest apologies for any bumps you may have experienced during this transition period and for any inconvenience it may have caused you.  In tandem with WeddingWire, we are dedicated to making this transition as smooth as possible and we are committed to answering your questions.  Our staff is available and here when you need us.  We look forward to this new chapter as we deliver more value to YOU, our valued liveBooks customers.

Here’s a note from Andy Patrick to the liveBooks community:

We are thrilled to announce that liveBooks has been acquired by WeddingWire, Inc., the leading online marketplace for the wedding and events industry. They are an amazing group of people, passionate about being great stewards of the liveBooks brand, and focused on maintaining our leadership role in all aspects of the photography and creative professional industry.

What does this mean for you?

You’ll continue to receive the same great service as always. For anyone who experienced frustrations during this recent transition period, our sincere apologies. We will be working hard over the next few weeks to make the transition as seamless as possible. This week, support staff is in full force and ready to help with for your support questions, custom design and new site enhancements.

liveBooks brand will remain.

We’re excited to partner with the WeddingWire team to continue to serve the liveBooks community. The acquisition means more resources will be available for product innovation and we will be sharing the details of these developments in the coming months. We’re working to bring you more value as a liveBooks customer.

We appreciate your loyalty over the years and look forward to this exciting next chapter—we’re committed to bringing you stellar business solutions to boost your online presence and success.

Keep doing great work and having fun.

All my best,
Andy Patrick

For more information about WeddingWire’s platform for merchants, which includes lead management, social media monitoring, digital contracts and more, visit

Posted in Business / Ideas / Photography

Portrait photographer Jessica Washburn is especially gifted at newborn and family portraiture. It’s not easy to bring out the best in every member of a family simultaneously. Learn from a pro how to prepare parents for family portrait sessions.

Family portrait sessions should be fun! As photographers we can do more than just create beautiful images for our clients – we can make sure they enjoy their time with us. Ultimately, the experience families have while they’re with us is what determines if we are gaining clients who will want to come back to us again and again.

Family portrait photography

Confession #1:

Growing up, I hated getting our family pictures taken. Uncomfortable clothes, stressed-out mom, cranky kids, and someone almost always ended up crying.

Confession #2:

Until a few years ago, I dreaded taking my own kids’ pictures. I was the stressed-out mom, they were the cranky kids, and if someone was crying it was usually me. Why I decided to pursue family photography after all the itching and whining and the poking and the crying is anybody’s guess, but I’ve learned some things over the years, both as a mom and as a photographer, that have completely changed the family portrait experience. Now, I love family portraits – I love shooting them, I love being in them, and I adore looking at them after the session. My clients and my kids look forward to them. I’ve found that taking the time to prepare parents for their family portrait session can turn a potentially stressful situation into one that’s a lot of fun.

Family portrait photography

Manage your clients’ expectations:

Make sure your clients know exactly what to expect from a session. Explain what will happen from the time they arrive at the session until they leave. Remind them that their children don’t have to be perfect at the session. The camera captures 1/250th or less of a second at a time – in between the wiggles and the goofiness and even the “I don’t want to!” there are always sweet moments. Ask them to trust that you can capture those.

Help them focus on what they can control:

I frequently tell my clients that I hope their family portrait session doesn’t cause them any stress, but if it does, all of that stress should happen before the session. Stress and tension have no place at a portrait session. Thoughtful selection of their photographer, their wardrobe, and a session date and time that works with their family’s schedule will definitely lead to beautiful images. However, once the session starts there isn’t much more parents can do to ensure success, other than having fun and showing affection to their kids.

Family portrait photography

Remind them to be flexible:

Kids have minds of their own. Let clients know that you’ll try something for a while, and if it’s not working out you’ll move on to something else. Reassure them during the session that their child’s shyness or silliness is age-appropriate and that they’re not misbehaving.

Portrait photography website

Bribes and rewards:

Bribing a child before a portrait session almost never works. I explain to parents that by offering a reward to children before a portrait session, they’re often sending the message, “This is going to be painful. So painful, in fact, that I’m going to have to take you to ice cream/buy you a toy/let you play video games to make it up to you.” The problem with bribes is that children under the age of 5 don’t understand delayed gratification, thus the reward is ineffective and can quickly turn into threats, “Uh-oh, no ice cream!”

I believe a child over the age of 5 is completely capable of participating in the session without the promise of a reward. Ask parents to please not mention any rewards before the session. Find out prior to the session if they’re comfortable with you offering a small treat or prize to win the child over to get that last shot at the end of the session. Let everyone know that the session itself will be fun – no one needs a reward for having fun!

Family portrait photography

Encourage parents to keep it light:

Remind parents that comments like, “This is really important to Mommy, we really want you to cooperate,” instantly gives the child complete control over the session. Instead, I encourage parents to say something like, “We’re going to go see Jessica today. She’s going to play some games with us and take our picture. It’s going to be so much fun!”

Portrait photography website

Take comfort into account:

As the mom of many highly sensitive children, I encourage parents to make sure they’re not setting themselves up for unnecessary difficulty by asking their children to do things that make them uncomfortable. Sessions should be scheduled, as much as possible, when children will be well-rested and fed. Ask parents to make sure their children have tried on clothes before the session so that any problems resulting from uncomfortable clothing can be addressed prior to the session date. I also let parents know that we can always take a break from shooting if children just need a drink or a snack, a snuggle, or time to play for a bit.

Family portrait photography

Newborn sessions with brand new older siblings:

Practice makes perfect. Ask your clients to make sure they let the new big brother(s) or sister(s) hold the new baby every day. If the older sibling is too little to hold the baby, he should be lying down next to the baby, kissing the baby, or at least talking to the baby every day. This gives the toddler or child a chance to get used to the baby. It also gives the parents an idea of how much cooperation they can expect from their older child or children. The clients will then come to the session with a much more realistic idea of just how cooperative the older children will be, which is especially important if the new big sister is still pretty much a baby herself.

Family portrait photography

Giving them just a little bit of guidance, we can help our clients avoid some of the common causes of family portrait stress. The less stress at the session, the more time there is for fun, and the more likely you are to win over a client for life.

Family portrait photography

Family portrait photography

Family portrait photographyJessica Washburn’s images are pure, intimate, and above all beautiful. Finding and accentuating the beauty of her clients is always the inspiration for every session. While she enjoys photographing families and children of all ages, Jessica’s attention to detail, patience and absolute love for her subjects has made her especially gifted at newborn portraiture. Her newborn images display a unique sensitivity and sense of peacefulness.

To see more of Jessica’s work visit her website.


April 4th, 2013

A Look Back at WPPI

Posted by liveBooks

After all the lead-up to WPPI in Las Vegas last month, it seems strange that it’s really over. But as I look into the rear view mirror, I see it getting smaller and smaller as we drive our brand forward toward new product launches and what will likely be a healthy wedding season.

This was my first WPPI and everything that I was told to expect turned out to be true. The crowds were massive, the energy was high, the sessions were informative, and Las Vegas was the perfect town (and the MGM Grand the perfect locale), to host the event.

Unlike Imaging USA in Atlanta last January, Pinhole Pro’s presence at WPPI was as an integrated brand beneath liveBooks, Inc. and alongside Fotomoto. For the most part those who were looking for us managed to find us just fine, and when they did they were pleased to note that all of the Pinhole Pro products they’d come to love were on display to touch and feel.

You Asked. We Delivered.

WPPI also marked the unveiling of our brand new Horizontal Panoramic album, which is now available in Pro Studio. Log on to check it out now. You can even save 25% off it and all other Pro Studio product through April 15th when you use promo code PROWPPI. Enjoy!

All-Star Speaker Lineup

We were fortunate enough to have a wonderful lineup of speakers at this year’s event, including Wedding Photographers Stacie Kirkwood, Barrie Fisher and Jared Platt, commercial photographers Michael Grecco and Mark Wallace, and liveBooks CEO Andy Patrick. Our own Patrick O’Connor walked attendees through all the great custom tips and tricks available to all of us in Pro Studio, and Fotomoto Product Manager Piam Kiarostami spoke about the benefits of Fotomoto. Speaking of which….


Start Selling with Fotomoto

Trade shows are nothing if not an opportunity to sample and demo product, and one of our major points of discussion at WPPI was the integration of Fotomoto into liveBooks websites. It was great to see booth attendees’ faces continually light up as we showed them how they can sell photos through their liveBooks websites for free. Think of it as an extra source of revenue that you can set and forget.

For a sample of what I’m talking about, visit Jared Platt’s site and click the ADD TO CART button at the bottom of the screen. If you like what you see, and I think you will, I’d be remiss if I didn’t let you know that you can now save 50% off a Professional predesigned liveBooks website, which includes the integrated Fotomoto shopping cart option, by visiting and entering promo code LBWPPI at checkout.

Our next major industry event will likely be the PhotoPlus Expo in New York in October, but we are looking into creating a trimmed down booth experience for smaller shows throughout the spring in summer. Please be sure to ‘Like’ us on Facebook and check our Events tab to stay abreast of our upcoming appearances.

Joe Franklin is the Director of Marketing at liveBooks and Pinhole Pro. When he’s not sending emails, optimizing landing pages and organizing events, he’s running the trails of the SF East Bay Regional Park district or shooting photos of whatever catches his eye.

Being able to create and deliver an elevator pitch is fundamental to any good marketing plan. In the final installment of a 4 part series, liveBooks Inc. CEO Andy Patrick discusses the value in being able to state your elevator when it counts.

Posted in Business / Marketing

Being able to manage and grow your contact database is essential for all working photographers. In part 3 of a 4 part series, liveBooks Inc. CEO Andy Patrick discusses some effective ways to manage and grow your database.

Posted in Marketing / Photography
March 4th, 2013

Photography, The Art of Selection

Posted by liveBooks

Learning to edit your work is essential in order to become a successful working photographer. Wedding and portrait photographer Jared Platt shares with us his tips on how to become a better photo editor.


One of the greatest challenges new photographers face is learning to bridle their excitement to show everyone, everything they shoot. The difference between a good photographer and a great one is not what they shoot, but what they choose to show the world. Learning to edit your work is paramount to being a great photographer.


In the last century, there was a buffer between the amateur photographer and the rest of the world: the science of photography itself and the cost of production and distribution. Expensive labs, chemical heavy darkrooms, and the complexity of publishing one’s work made it difficult to publicize. Those who were willing to make the effort and spend the money did so very carefully, with assistance from industry professionals to insure their work was well received. These hurdles to publication slowed photographers down and forced them to reflect on their work before displaying it to the public at large.


Today, you don’t have to go through a gatekeeper to have access to the world. With the advent of Facebook, blogs and Instagram, the public is only a click away from seeing your latest shot. A photographer can snap a shot, alter it in Snap Seed and post it to the world in a matter of 60 seconds, for free, without any oversight, second opinions or editorial review.

And the world will act as your editor by following and un-following your feeds. Now you (the photographer) need to learn how to be a photo editor. You can do it, you have the skills, but you now need the discipline to be your own harshest critic and to accept nothing but the best, even when it hurts to hit the delete key.


After all, photography is the art of selection. When you are out in the field photographing, you have an infinite number of frame options available to you, and with your photographer hat on, you choose the location, the angle, the moment and even the exposure settings for each image you capture. When you get back to the Lightroom, you now have a smaller number of frame options available, but it is still the same act of selection that occupies your attention. The only difference is that the decisions you make in the computer can be contemplated over and are not as permanent as missing the shot in the field. If a photographer approaches the act of selecting in the computer the same way she approaches selecting at the camera (with confidence), the act of selection will be far less intimidating and much more fruitful.


I offer a few suggestions for being a better photo editor:

Comparative Review:

First, photographers select in the field by reviewing options in comparison to one another. In the old days, we used to make our selections in the darkroom using a contact sheet with 15-36 images being compared to one another at the same time. Reviewing images one at a time will never yield quick or informed selection decisions. The art of efficient, accurate and quality selection begins with this comparative review principle: we make better decisions when we see our options in comparison to each other.


Positive Selection:

Second, photographers in the field take an infinite number of options and select images from that infinite set. When options are placed before you in comparison, one option will catch your eye and that is the option you will explore. Back in the studio, the selection process is hindered when photographers scrutinize every possible image. Instead, determine what you are looking for (i.e. children in action, brides dressing, politicians lying, etc) and set those images in front of you. As you compare them to each other on the screen or in print, let the great images jump out and grab you. Those that do not are unworthy of your attention.


Kill Your Darlings

Third, you must be willing to “kill your darlings.” Too many photographers keep too many images because it cost them time and money to produce. But if the image is not impressive, it should not be shown. Your goal as a self-editor is to promote your great work and, like the gatekeepers of the 20th century, deny entry to the rest. Shakespeare’s character Polonious reminded his son that “brevity is the soul of wit,” and I am reminding you now, that brevity is the soul of a potent portfolio. Protect your brand by protecting your portfolio.

Don’t just think of your portfolio as the book you show your clients, or a website for potential clients. Your portfolio is anything and everything you put out into the public’s eye. This includes your printed products, magazine publications and advertisements, your Facebook pages, blogs, image galleries and Instagrams. This is where you make your impression on the public, which is why it is so important to be more critical of your own work.

Seek Out Private Critiques:

Fourth, find someone you trust to review your work on a regular basis. This could be another photographer, a mentor, your print lab, a portfolio review session at a trade show, a camera club or even a password protected web forum.  You don’t want a “yes” man to butter you up, but an honest and harsh critique. The public will be more than happy to critique your work, but getting that critique means that you have to show the world your mediocre work. Henri Cartier-Bresson said “showing your contact sheets is like taking your pants off in public.” Don’t take your pants off in public – it’s not good for your brand!

The world knows that you are putting your best foot forward. So, when you share images that are merely good, you are telling your potential clients that this is the best you’ve got. If you are not willing to reject the good that is mixed in with the great, you will be seen as mediocre at best.  If you won’t judge your own work harshly, the world will.


Jared Platt is a professional wedding and lifestyle photographer. He has lectured at major trade shows, photo conferences and universities on photography and workflow. Currently, Jared is traveling the USA and Canada teaching photography and post production workflow.

Posted in Editing / Photography


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