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How many people will ever see your photographs? If you’re planning to sell your images, it’s your responsibility to help people find them. Even if you’re a world-renowned nature photographer with your own T.V. show like Art Wolfe, building an audience can be as important as clicking a shutter. Here are seven tips from Art to help photographers drive traffic to their work. Sign up for Art’s free webinar on October 5 to learn how he makes his stunning images, or watch his archived first webinar here.
Aerial view of Lake Natron, spotted with a flock of flamingos. ©Art Wolfe

Aerial view of Lake Natron in Tanzania, spotted with a flock of flamingos. ©Art Wolfe

I’ve talked and written about how photographers need to look beyond the stock agencies to market their images. There are a host of pros and cons to these alternate business models, but the need to drive traffic to your website is always the tallest hurdle. No single approach will do. Instead, you need to attract attention, and keep it, by projecting your brand across a range of media platforms and by creating mutually beneficial collaborations. Here are some tips for how all kinds of photographers can do that.

1. Collaborate

Once you have a collection of images, see if you can create an association with other photographers to market a particular class of subjects. Photoshelter makes that easy with their Virtual Agencies, but there are several ways to accomplish the same thing. By grouping your work with that of other photographers, all of you can offer a wider selection of similarly themed work to potential buyers. My work is available alongside images from Thomas Mangelsen and David Doubilet at WILD, our virtual agency.

2. Organize

If each photographer does a good job of file naming and keywording, a buyer is more likely to find your image collection. Online galleries also allow you to display a larger selection of your work than an editor at an agency would allow. This is not an invitation to self-indulgence, however; show only your best or most saleable work.

3. Prioritize

I steer clear of microstock. If you can produce what the market demands in high volume, there is money to be made there, but it tends to encourage “treadmill shooting,” a mentality of “generate content” instead of creating art. Forgive me if I stick to Rights Managed and Royalty Free.

The sun sets over the southern Atlantic ocean as ten thousand nesting pairs of black browed albatross settle in for the brief summer night.

The sun sets over the southern Atlantic ocean as 10,000 nesting pairs of black browed albatross settle in for the brief summer night. ©Art Wolfe

4. Contact

Once your collective is up and running, or even if you decide to fly solo, contact all your existing clients with the news. Buy and use lists of prospective clients, like those provided by Agency Access and other services. More »

Gene Higa is a destination wedding photographer based in San Francisco, but he’s got great tips for all kinds of photographers. In today’s Tip of the Week, Gene gives us a quick pointer to save traveling photographers from a potentially stressful situation.

“You never know if your bags are going to make it to the location.”

Be Part of the RESOLUTION: Gene has some great tips lined up, but we’re always eager to hear what you’d like to know more about. Leave your questions in the comments (with a link to your website, of course) and Gene will be happy to respond.

I’m happy to announce National Geographic Fellow Chris Rainier as a new regular contributor to RESOLVE. Chris is a renowned documentary photographer and has been part of the leadership team for important Nat Geo initiatives, including the All Roads Photography Program and the Enduring Voices Project. In his monthly video posts, Meetings with Remarkable People, Chris will take us with him as he travels around the world, giving us access to his thoughts and conversations with industry leaders, and exploring the ways that photography, culture, and technology are influencing one another and reshaping the media landscape. In this first post, Chris shares the ancient dances and rituals he documented on a recent trip to Papua New Guinea, as well as his thoughts about how technology is impacting indigenous cultures.

“Part of the project I’m working on here in New Guinea is documenting endangered languages and helping them revitalize that. So we bring them computers, we bring them video cameras, still cameras, audio recording systems. And we empower people, where invited, to do their own revitalization, to bring back their language, to maintain their language, and to maintain and revitalize their culture.

It doesn’t mean because a new technology comes along that it necessarily has to replace the old technology, the ancient technology, the ancient rituals.”

Be Part of the RESOLUTION: Do you think cultures can be “bilingual,” maintaining traditional practices while adopting advanced technology? Or do new technologies inevitably encroach on ancient ones?

Gene Higa is a destination wedding photographer based in San Francisco, but he’s got great tips for all kinds of photographers. In today’s Tip of the Week, Gene explains how he built on his existing client relationships to land his first destination wedding — a strategy he recommends to any photographers looking to grow their business.

“Start tapping into what you already have.”

Be Part of the RESOLUTION: Gene has some great tips lined up, but we’re always eager to hear what you’d like to know more about. Leave your questions in the comments (with a link to your website, of course) and Gene will be happy to respond.

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