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Momenta Workshops offers a variety of workshops from one-day business skills seminars, to personalized multimedia training, to their popular Project Series: Working with Nonprofits workshops in collaboration with Leica Camera. By helping storytellers expand their skills, Momenta explores how to harness that passion into social change. The workshops seek to train attendees to witness the world in a new way and use their camera as a force of change.

Jamie Rose is Founding Partner and Director of Workshops for Momenta, which specializes in photography, video, and multimedia workshops around the globe. Prior to the founding of Momenta, Jamie worked as an international photojournalist on five continents, won awards and grants for her documentary photography, and was contracted with some of the world’s largest media and nonprofit organizations, including The New York Times, The Washington Post, The Global Fund, and Doctors Without Borders, among others.

Q: Would you tell us about your upcoming workshops?

JR: The Momenta Workshops staff has wrapped up our 2014 year with our final workshop on business skills during the FotoDC festival, and our lineup for 2015 is going to be outstanding! If you are interested in nonprofit photography, we have two domestic workshops in 2015: Project New Orleans in April and Project San Francisco in September. Over the course of these five-day workshops, we assign each student to a different local nonprofit to create a photo or a multimedia piece about the organization’s mission. Project New Orleans fills up to capacity every year and is held in the most rollicking city in the US. This is the first year for our San Francisco workshop, and interest is very high for working with the city by the Bay. Additionally, if you want to get out of the country and work with international nonprofits next year, our two very special workshops overseas are Project Colombia and Project Sierra Leone. Each student will work with a deserving nonprofit and use their photography as a force of social change. Throughout the two-week workshop, students will have life-changing experiences, make powerful visual stories, and create connections with their subjects in foreign countries that will last for years to come. If you just want a quick boost of business skills, we recommend The Business of Nonprofit Photography one-day workshop series, where we explore the ins-and-outs of making money working for nonprofits. These workshops will take place at Leica stores in San Francisco and Los Angeles in 2015. Finally, Leica sponsors all of our nonprofit workshops, one of the best perks of our Project Workshop Series. Students may check out a Leica camera to work on their nonprofit photo story. And truly, nothing beats the Leica M system for documentary coverage. Our students create beautiful photo stories with Leicas every year during these workshops.

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Project Uganda student Whitney Curtis – www.whitneycurtis.com 

 

Q: Are your workshops geared more toward being creative or improving one’s technical skills? Or both?
JR: I’d say both, plus one extra. Yes, we focus on storytelling and the creative process. However, many of our students are looking for a deeper learning experience with Momenta than just shooting tips. Many established professionals come on our workshops strictly for the one-on-one feedback during their daily, one-hour editing sessions with an instructor. They seek an environment where they can network with like-minded peers and dive into concepts with editors to help them find a fresh outlook on their work.

However, Momenta’s model doesn’t just stop at the creative and technical. We also have a series of lectures on building business skills necessary to work with nonprofits and be sustainable in today’s competitive marketplace. We want students to learn to be successful in both their craft and their business.



 

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Bali: Island of the Gods student Jessica Koscielniak – www.jessicakoscielniak.com

 

Q: What differentiates your workshops from others?
JR: We keep our workshops small with a personal touch and limit our workshops to less than 10 a year. We don’t have a desire to be a huge company with tons of products. We focus on quality documentary training in real-world situations with an outstanding team of instructors. By keeping our workshops limited to 15 or fewer attendees and as many as five instructors on our longer workshops, we maintain an intimate learning experience. We focus on each student’s individual goals during daily 1-on-1 editing sessions, instead of herding everyone into group edits. We balance this with nightly sessions that include discussions, slideshows, and presentations that help to bolster inspiration in a group atmosphere. At orientation, we tell our students, “It is your workshop.” And we mean it. Students and staff work together to craft each person’s experience for the best outcome for their goals. Our alumni will back up that statement. We have a very tight group of past students (many of whom return for multiple workshops) and they have coined themselves the Momenta Family. That network extends far beyond the last day of the workshop, and many have remained friends, shooting buddies, and even have reunions around the world. We pride ourselves in fostering community.



 

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Project Colombia instructor Charlotte Kesl – www.charlottekeslphoto.com/charlotte-kesl-photography

Q: I’d love to get a little background on why you host workshops and what you hope others will get out of them?


JR: In my personal work with Momenta Creative and as a journalist, I realized the visual needs of nonprofits are not effectively met in many communities. Likewise, we found visual storytellers were hungry to learn about how to shoot for a nonprofit. When we founded Momenta, we chose to focus the majority of our lineup on nonprofit photography training workshops and the public response has proven to be inspiring.

 Nonprofits can communicate their mission and entice donors more easily with custom photographs and video. Furthermore, these organizations have budgets, and many are willing to pay for beautifully-crafted visuals. This is not a market often explored by photographers. Our goal with these workshops is to open the nonprofit world to photographers who may not have realized it existed before, teach them the business skills necessary to work with these organizations and empower them to make thoughtful work that sparks dialogue. We also work with our nonprofit partners to help them realize and value the power of strong visuals.



 

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 Project India student Dana Pugh – www.danapugh.com

 

Q: What are some of the unexpected benefits one might get from attending these workshops?


JR: Three things: Inspirational instructors who are excellent mentors and coaches, extended lectures on developing business skills and a supportive alumni network after the workshop ends. I could add that we have a gang load lot of fun too, but that’s a given!

 

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Project India student Chuck Cecil – www.cecilimages.com

Q: What are the most important things for the attendees to realize when they participate in a workshop, to help them get the most out of the experience?


JR: Whether it’s a Momenta workshop or another company’s workshop, an open mind and good attitude is the key to a great experience. We encourage every student to get ready to put in long hours and have a willing approach for creative exploration. One of our founders, Seth Butler, encourages students to “embrace mindfulness” while on the workshop and when shooting in the field. That mindfulness can create great leaps with their work. A Momenta workshop is going to be an intense, exciting experience because students are packing a hefty amount of learning into a short amount of time. However, the payoffs are incredibly rewarding. We remind students to stop, breathe and take a moment to truly soak in the experience and allow themselves to be enlightened by it.



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Project India student Robert Dodge – www.robertdodge.com

Q: Was attending workshops instrumental to help you become the photographer that you are now? If so, how did they do that?
JR: 

I still attend workshops! I wouldn’t be where I am today without a commitment to my education, and that isn’t just defined by college. When I was starting out, I took weekend workshops, attended the Northern Short Course every year, and went to specific skills building seminars. The workshops I have attended in the past helped me to grow my knowledge base, network with other photographers, and learn new skills to further my career. Whether you attend a Momenta Workshop or any other learning experience out there, I would encourage photographers to make continuing education a priority every year. It’s a big world, and there are great learning experiences to be had.  We’d welcome any of your readers to join us on one of ours!

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Project India student Frank Rohrig – www.frankrohrig.com

To learn more about Momenta’s workshops line up, please visit www.momentaworkshops.com.

Interested in learning about sports photography from one of Sports Illustrated’s top photographers? Join Peter Read Miller April 13-19 in Denver, Colorado, and get access to a variety of action packed sports from mountain biking and college football, to high school basketball, and amateur boxing during this weeklong workshop.

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In addition to capturing the action on the field, a portion of the workshop will be spent on learning how to shape the light in both studio and on-location, arena lighting with strobes, and the set-up and use of remote cameras.

For maximum learning potential, participants of this workshop have the opportunity for their work to be personally reviewed and critiqued by Peter each day at one of Denver’s top commercial photography studios.

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What you will learn:

  • Techniques to capture action
  • How to use lighting and different angles for shooting various sports
  • The power of cropping & editing images to make them magazine cover-worthy
  • How to choose the best lenses for sports photography

What’s Included:

  • Canon and Dynalite gear loans
  • 6 days of instruction
  • Access to sporting events
  • Location & model fees
  • One on one portfolio review with Peter

Workshop fee: $1,995

Don’t miss out on the opportunity to gain a better understanding of how to turn good images into outstanding ones!


Learn more: www.peterreadmiller.com

Looking for a hands-on workshop that will connect you with the roots of landscape photography? Join award-winning photographer Craig Varjabedian as he takes you to the California Coast, the place where landscape photography as we know it was born.

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This is not just any workshop. You’ll explore and make photographs along the California Coast from Monterey to Big Sur, where Ansel Adams, Edward Weston, Wynn Bullock, Morley Baer and many other important photographers made their homes, honed their craft, and created their most significant work.

In addition to making photographs, you will visit with the families of Edward Weston and Wynn Bullock to learn more about their photography. These are the artists and places that inspired Craig most when he was just starting out, and he will take you to where Morely Baer and other esteemed photographers took him.

For Craig, spending time with these artists at these beautiful locations was a turning point for him. It’s where photography began to make sense. The light came on. He hopes that by recreating some of the most significant experiences he had early on in his career, it will influence your work and improve your image-making abilities.

This workshop takes place October 4-9, 2015. For more information or to request an invitation to this one-of-a kind photography workshop visit http://eloquentlight.com/photographing-the-california-coast-workshop.html.

Craig’s bio:

Craig Varjabedian’s photographs of the American West illuminate his profound connection with the region and its people. His finely detailed images shine with an authenticity that reveals the inseparable ties between identity, place, and the act of perceiving. Visit Craig’s website to see more of his work and learn more about his workshops.

Award-winning photographer, author and educator Michael Corsentino gives us his tips for getting the most out of the Photo Plus Expo. Follow these simple recommendations and you’re sure to have a productive show!

When it comes to the end of October most people are thinking about their latest Halloween costumes and stocking up on candy for the parade of ghouls and goblins about to descend on their doorsteps. For those of us in the photo industry the end of October is also the time of year when 22,000 photographers and enthusiasts from every corner of the country converge on the Jacob Javitz Center in Midtown Manhattan for the annual PhotoPlus Expo in New York City! With tens of thousands of square feet, 220 exhibitors, 80 conference seminars, myriad special events, and a ton of parties, attendees have a lot of ground to cover in just 4 short days. As a longtime denizen of PhotoPlus, here are my top 10 recommendations for getting the most out of this great expo:

1. Pace yourself
As mentioned above and below you’ve got a lot of ground to cover during PhotoPlus, there’s a ton to take in. Remember Rome wasn’t built in a day, take it slow and resist the urge to try and accomplish everything the first day. Slow and steady wins the race here.

2. Bring snacks
Full conference and expo days easily top 10 hours, definitely qualifying them as endurance events. You’ll need energy and hydration to keep up, brave the crowds, stay on your feet, and explore the miles of exhibitors without falling over. Cover your bases and bring snacks like protein bars, apples, nuts, and bottled water to provide the fuel you’ll need.

3. Staying on track
An iPhone is my go-to tool for staying organized and on point during the show. At a glance I can view the expo schedule, keep track of planned meetings, locate exhibitors, take notes and photograph cool new gear to reference later.

4. Layer
In late October early November the weather in New York starts getting chilly and windy so come prepared. During the expo you’ll be dealing with two temperature zones, one outside the show where it’s potentially cold and windy and another inside the expo where it’s not! In this situation a backpack to stuff an overcoat or a few extra pieces of clothing into is your best friend. This way you can layer up and down as needed. A backpack is also indispensable for holding show collateral and snacks.

5. Go for comfort
This isn’t the time to break in that new pair of killer shoes you’ve been dying to show off. Comfortable shoes rule the day during PhotoPlus! That doesn’t mean you can’t be stylish if that’s your thing, just be sure and choose shoes that are well broken in. Consider using a padded insole for extra comfort and pack a few bandaids just in case things get dicey with your dogs.

6. Make a plan
With so many classes and exhibitors all in one place knowing where to start can be overwhelming. It’s easy to miss the important and get diverted by the trivial. Make it a point to have a plan and prioritize. Let the exhibitors list be your guide. Map out the manufacturers who’ve got that must have gear you’ve been considering. This is your chance to see it all up close and personal, get your questions answered, and take advantage of show discount specials!

7. Take at least one class
PhotoPlus isn’t just the place to ogle the newest lust worthy gear, it’s also your opportunity to meet and learn from your photography heroes. Consider arriving prior to the trade show to take advantage of one or more of the many great classes being conducted. Be sure and reserve ahead of time, seating is limited.

8. Network, network, network
PhotoPlus is your chance for some rare face time with everyone from photography executives, marketers, manufacturers and other photographers, famous and not so famous. If you’ve been dying to get on someones’s radar this is your opportunity. Bring your A game, an iPad portfolio and plenty of business cards!

9. Affordable lodging
Accommodations in NYC typically run the gamut from expensive to very expensive. However there are deals to be had if you know where to look. Many people prefer the Pod for reasonably priced digs, but if you’re a good camper like I am and don’t mind a shared bathroom arrangement, you’ll love Larchmont Hotel in the West Village. At about $100 a night it’s hard to beat. Airbnb is also a great option and the one I opted to use myself this year. For $70 a night I was able to book a room in a clean, modern, well reviewed apartment with a full kitchen located in midtown, a stones throw from the Expo.

10. Enjoy NYC
Fall is one of the best times of the year to visit New York. Set aside some time to enjoy the city and all it has to offer. Explore the beauty of Central Park, check out a museum, take in a show, hang in the village, dine in Tribeca, take a ride on the Staten Island ferry – there’s no shortage of options in the city that never sleeps.

Bonus tip!! Don’t forget your Badge
I hate wearing a badge almost as much as I hate forgetting my badge back at my hotel! There are a lot of things you can do without during PhotoPlus, your badge isn’t one of them. Save yourself the headache and double check to make sure you have your badge with you before leaving for the expo.

If you have other suggestions please leave them in the comments below. And don’t forget to visit the liveBooks team at Photo Plus in booth 566!

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