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liveBooks Ambassador Marcela Taboada’s exhibit, Sanmigueleñas, is currently running through the end of January at the Centro Cultural San Pablo in Oaxaca, Mexico. 

These Mexican girls are daughters of farmers who learned how to grow vegetables organically. They are the future mothers who will transmit to their children how to stop the use and abuse of pesticides and to eat healthy. I photographed them the day that the harvest was done. My idea was to raise awareness that we all belong to Mother Earth and that by having a healthy and conscious society we can respect our planet in this globalized world.

Due to lack of information, children are fed sweets and processed drinks that affect their physical development. Although corn is the basis of our diet, at schools and other institutions, junk food abounds.

I decided to make these portraits of girls and young Zapotecs of San Miguel del Valle, a district of Tlacolula in Oaxaca, when the harvest of an organic garden that participated in the global collective project “I Have a Dream” was made. The vegetables they carry as “crowns” are what they themselves planted, irrigated, tended and harvested with their parents. My intention is to raise awareness to all women that we are related to land and fertility. We feed our children who will carry this message to future generations. I consider it very important to rescue organic home gardens that help make a healthy and conscious society, obtaining a sustainable supply in this globalized world.

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November 2nd, 2015

Photo Plus Expo 2015 Recap

Posted by liveBooks

Now that we’re back in the office and able to reflect on the amazing three days at Photo Plus Expo in New York City, we are reminded once again how truly awesome our clients are! We had an absolute blast meeting new people and catching up with old friends, chatting with you about your websites, and facilitating one-on-one Support help.

We scanned over 600 people at the liveBooks booth, gave out tons of swag including our signature orange tote bags, sunglasses, lens cloths, and stickers (hope you got some before we ran out!)

IMG_1115

If you stopped by our booth hopefully you were able to check out some of the exciting new things that are coming to liveBooks in the next few months. If you didn’t get a chance to stop by or attend PPE – stay tuned for the big unveiling very soon!

 

Posted in Exhibitions / Photography
July 27th, 2015

#LBPicStop Instagram Contest

Posted by liveBooks

Are you traveling somewhere really fun and exciting this summer? Are you taking photos along the way? If so – then our Instagram contest is definitely for you!

Open to all – current liveBooks clients and non-liveBooks clients – we want to give you a free website for a year!

All you have to do is follow three easy steps:

1. Follow us on Instagram – @liveBookswebsites

2. Tag us in a fun and unique travel photo from this summer

3. Use the hashtag #LBPicStop

Three winners will be chosen. Contest runs from July 21st – August 21st.

insta contest

 

Terms and conditions.

Questions? Email us at social@livebooks.com.

Posted in Contests / Social Media

Photography workshops are one of the most important things to attend in order to continue your education as a professional photographer. The ability to gain new skills from the best and brightest in the field plus make invaluable contacts from all over the country (and the world!) is essential for the longevity of your own business.

There are literally thousands of photography workshops that happen around the world each year. How do you choose one that’s right for you? Read on, because we’ve compiled a list of traits to look for and tips to help you when deciding on a photography workshop to attend.

Figure Out WHAT You Want to Learn

With the plethora of choices out there, it is important to first decide what type of workshop you are looking to attend. Are you wanting to do something more hands-on, such as a photo-tour or expedition? Or do you want to learn more technical skills? An editing class to help with your digital workflow? Or maybe you want something more focused, such as learning how to shoot macro, or increasing the sharpness of your photos. Whatever you decide, when you figure out what skill you are most looking to acquire or perfect, that will automatically narrow down your choices of workshops.

Make a List

Once you’ve narrowed down your focus, make a list of what you want to learn and the things you want to leave the workshop knowing. While the internet is a powerful tool, once you begin your search for a workshop it can be very overwhelming. Having that hand-written list of what is most important to you will help keep you on track. Writing down your goals will also give you an idea of how much time you need to commit to a workshop or class. Workshops typically span one to three days on average, while a class will last over several weeks or months, with each session being a couple of hours long. If you find that your list is getting long quickly, maybe enrolling in a long-term class would give you maximum benefit.

Start Your Search

Once again, the internet is an extremely powerful tool. Use it to get you started, but don’t limit yourself to it, especially because not all classes or workshops are well indexed by search engines. Check around for local photography clubs who may be offering a class for non-members. Check out websites for community colleges and local trade schools. Utilize your network! Ask around for recommendations, especially if you know someone in your same field or specialization or if you simply admire their skill or style. Know who the top dogs are in your field and check out their personal website to see if they are teaching any workshops.

Dig Deeper

Once you’ve selected a handful of classes or workshops that are interesting to you, start digging deeper on the class and instructor. Getting a copy of the syllabus is a given (so you can see exactly what the class covers) but here are some other things to think about when making your final decision:

  • How many students are allowed in the class? – Some workshops are smaller and more intimate, with less than 25 people. These types will give you more one-on-one time with the instructor for feedback and critiques of your work. Larger classes will provide more opportunities for group work and can be a good way to network and bounce ideas off each other.
  • How long as the instructor been teaching? Not to say that the instructors who have been teaching the longest are always better, but it does give you a good indication that they love what they do, and more importantly, love teaching.
  • What do past students say about the class/instructor? – We use reviews and feedback each and every day to make decisions, from what restaurant we should go to for dinner, to which dentist we should make an appointment with. A photography workshop is certainly no different! Seek out feedback from past students. Many instructors will post reviews or quotes on their websites when they are promoting a workshop or class, making that information pretty readily accessible.
  • What are the financial costs? – While most (if not all) of these classes certainly won’t be free, there are definitely multiple factors to consider when trying to get the most cost-benefit out of a workshop. First off – what’s included in the cost? Don’t make assumptions, especially if you are taking an expedition. Are textbooks or other materials included? Meals? Cabs from the airport to the hotel? Equipment? What about a refund policy if your plans should change?
  • What is the class structure like? – Some workshops are more structured and stick to a textbook very closely, while others are fluid and more flexible, allowing students to work in their own topics of interest. Additionally, some classes are lecture and presentation heavy, while others will be more hands-on and give students lots of time to play around and practice skills and get feedback from the instructor. Figure out which type is most appealing to you.
  • What happens after the class is over? – Once the class or workshop is over, is there any follow-up from the instructor? Are you able to ask questions at a later point in time once the information has sunk in and you are able to practice the skills on your own? Choosing a class with an instructor who is open to continued communication will not only build your network but facilitate learning long after the class is completed.

Ultimately, all the research on a class or instructor can only take you so far. What’s really important is that you take the opportunity (finances allowing) to learn in multiple types of settings and from a variety of teachers so that you can best determine what type of structure is right for you.

Are there any other tips you’ve discovered from attending workshops? We’d love to hear about them!

Here are some additional resources for choosing a great workshop:

How to Choose a Photography Class or Workshop

Choosing a Photography Workshop or Tour

How to Choose a Photography Workshop

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