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There aren’t many photographers who are also branding consultants or art directors at a successful design firm. Since Steve Coleman is all three things, we thought he’d be the perfect person to help photographers understand and strategize their branding efforts. First question: What exactly is a brand anyway?

With the rapid change happening in the photography industry, we photographers are becoming part of a much larger, more competitive, more sophisticated global economy. Potential clients now have access to innumerable choices, and any photographer is now just one option in an overwhelming smorgasbord of photographic options. To compete in this economy, photographers need to have a new skill set that includes the ability to define, express, and manage their brand.

Why does everyone want this camera? The Hasselblad brand makes a promise, and keeps it.

Why does everyone want this camera? The Hasselblad brand makes a promise - and keeps it.

A well defined brand strategy can improve your profits, your reputation, and the likelihood you’ll be considered for future jobs. It may even effect whether your business succeeds or fails.

But I’m not here to convince you that you need a brand strategy, nor to tell you what it should be (I’ll discuss those another day). Rather, I want to take a step back and help you understand what a brand is. Unless you understand that, it will be difficult to ever build the most effective brand possible.

If we asked most people what a brand is, their answers would likely be tangible things like logos (the Nike swoosh) or colours (the red of a coke can) or words (BMW’s “The Ultimate Driving Machine”). Likewise, when people set out to build their brand, they usually focus on the same tangible things. “I need a brand” translates to “I need to build a ‘look’ or ‘style.'” While these are important elements or expressions of a brand, they are not the brand itself.

So what is a brand? A brand is a promise. It is whatever people think, feel, trust, and believe you, your business, or your product will give them if they buy from you. It exists inside people’s minds, out of your reach — yet it’s a big part of why they buy from you.

So what is a brand? A brand is a promise.

Logos, colours, fonts and words are simply how you try to convey your brand’s promise to people. Thus a “brand” is a promise and “branding” is all the tangible things you use to express that.

Confused? Let me give you an example. If you mention the name “Hasselblad” to photographers and ask them to describe the brand in a single word, you’ll get similar responses: expensive, quality, icon, fashionable, professional, reliable. Many photographers will express a deep desire to own one. That’s the sign of a great brand. But this deep desire to own a Hasselblad, and the positive way photographers describe the brand, does not come from a logo, website, or colour. It comes from a brand promise, which many photographers believe and which Hasselblad has spent decades cultivating.

What has helped make the Hasselblad brand so strong and effective? For starters, Hasselblad has clearly defined the promise it makes to customers. What’s more, it is a promise they make sure they keep. It is based on a truth about who Hasselblad is and what its customers need. More »

As China-based photographer Ryan Pyle says, first exhibitions can be daunting affairs for any level of photographer. For his recent Toronto show of documentary work from Chinese Turkistan, Ryan walks us through the endless tasks he had to navigate — and the rewards that made them worth it. For more info, check out Brian Kosoff’s posts about his first exhibition after leaving commercial photography, and Ryan’s earlier post about making photos on an extreme Tibetan trek.

I recently had an exhibition of my work from Chinese Turkistan, or Xinjiang, China, in Toronto, Canada. It was my first solo exhibition, but similar shows will happen in Europe and China next year. Putting on a gallery show can be a very trying experience for any photographer, emerging or established. But as I learned, the rewards outweigh all the hard work that goes into it.

In the early days of my time in China, I realized that I had a strong connection to the province of Xinjiang, the mainly Muslim region in northwest China. The Chinese portion of the Silk Road, once known as Chinese Turkistan, is changing before our eyes. Ancient mud brick homes and labyrinth-like towns are being torn down in the name of “progress.” I had traveled in the region often and felt an immediate passion to tell the stories of its people, but I didn’t actually make images there until some years later, in 2005, when I visited the region on assignment.

I’d made the images for myself, but wanted to share them with the world. I like to contact the galleries I’m familiar with by email and set up face-to-face meetings to show prints. Some galleries are very open minded and want to meet emerging photographers. Most galleries don’t even reply. It’s a competitive, in some cases cut-throat, industry — and the economic crisis has made it that much more difficult to get started. More »

Gene Higa is a destination wedding photographer based in San Francisco, but he’s got great tips for all kinds of photographers. In today’s Tip of the Week, Gene talks about package versus a la carte pricing. He prefers packages, which help streamline his business, but offering a la carte can also help upsell packages.

“We also have a la carte pricing so they can see the value of each package.”

Be Part of the RESOLUTION: Gene has some great tips lined up, but we’re always eager to hear what you’d like to know more about. Leave your questions in the comments (with a link to your website, of course) and Gene will be happy to respond.

liveBooks recently created a partnership with ImageSpan, so I have been learning a lot about the company and what they do. Aside from providing photographers with LicenseStream, a web-based service to easily license their images online, ImageSpan also has an informative blog, which includes tips that can help any photographer optimize their online presence. I particularly like these “don’ts” for search engine optimization, many of which are “dos” taken too far. More images than ever are found through search engines like Google. These tips can help your work rise to the top of the page. I’ve included the first five. See ImageSpan’s blog for all ten.

The following are ten things “not” to do to ensure your website remains listed on any search index and, most importantly, to ensure that people can find your work through search engines.

1. Keyword Stuffing: If you use the same keyword repeatedly within your website’s text or in your keyword tags, you’ll find yourself penalized and likely removed from the search results index. How much repetition is too much? Use a keyword density checker to make sure that you’re not over the legal limit. Experts say 3-7% for your major keywords and 1-2% for your minor keywords. We touched on this in our last blog post about keywording, Licensing Fundamentals: Keywording for Search Results.

2. Duplicate Content: Duplicate content deliberately tries to trick search engines into improving a website’s ranking. Search Engines have built-in algorithms that analyze pages with similar content. How much similarity are they looking for? Use this duplicate content tool to see if your pages duplicate too much information. If so, the search engines may omit your web pages or site from the search index. A good place to read more on duplicate content is the Google Webmaster Central Blog. If you need to see a more visual presentation on the subject, check out the blog posted by SEOMOZ.org.

3. Free-For-All Link Exchange Programs: There is a difference between natural link building and free-for-all link exchange programs. With natural link building, you’re linking to relevant sites or reciprocating links with partners or associations. Free-for-all linking occurs when you use software to put your links out to hundreds of thousands of sites.

Free-for-all programs are essentially spam, and if a search engine discovers this practice, they will likely penalize your website and lower your ranking (if not blacklist you). Stay honest — start a link-building program by establishing reciprocal links with relevant, reputable websites. It really is that simple. If you’d like a good online resource to learn more about this, check out this blog by SEOMOZ.org on link building.

4. Robots: Do not use a robot to rewrite your content. Such robots alter content just enough to generate a set of new, duplicate pages for search engine indexing, with the ultimate goal of increasing your search engine ranking. You may be seduced by the offer of having your website rewritten for you. Don’t fall for it.

Such robots, or programs, typically rewrite your content with very few changes. If you’re caught with duplicate content, your search ranking is likely to plummet so far that no one will ever find it. Needless to say, if you use the LicenseStream HTML code to publicize your store on your blog or personal website, don’t submit it for a robot to rewrite — not only will it affect search engine rankings for your personal website, but it could also affect rankings for your LicenseStream store.

5. Keyword Dilution: Focus on the main keywords that pay off for your online content. To get an idea of what keywords people are looking for, use the free service from Wordtracker. Plug in your keywords and see how many searches they have initiated. Focus the copy on your website and each page on a specific theme. This will naturally ensure your keywords are specific to the types of content and images that someone can find at your website. You may want to refer to the previous ImageSpan blog post about keywording practices.

For all ten tips and other helpful information, check out ImageSpan’s blog.

Be Part of the RESOLUTION: What techniques do you use to improve search engine ranking for your images?

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