Resolve

A collaborative online community that brings together photographers and creative professionals of every kind to find ways to keep photography relevant, respected, and profitable.

Have an idea for a post?

Want us to find an answer to your question? Interested in becoming a contributor?Email us

‹ Home

Posts Tagged: Group Therapy

We asked a wide variety of former staff photographers the same question, and here’s what they told us. Please share your own stories — as you can see, you’re not alone. Follow the “more” link to see all photographers. Click here for more “After Staff” posts.

  • How long were you a staff photographer and where? Did you think you’d be a staffer for life? What is the biggest difference between what you’re doing now and what you were doing as a staffer?

Jason Arthurs
www.jasonarthurs.com
If you combine my 2 years of internships with 4 years as a full-time staffer, then it’s a total of 6 years I was in newspapers. I don’t think I could ever see myself doing it forever. It was an amazing time in my life but it was so much of a roller-coaster ride I never really felt totally in control of what I chose to focus my energy on.

This summer I have been given several opportunities to teach that I would not have had if I were still at the newspaper. I taught a week-long workshop for North Carolina high school journalism students, and helped coach two documentary projects through the University of North Carolina. For one class I spent one month in the Galapagos Islands helping edit a multimedia project shot by students and it was an amazing experience and I would not have been able to get the time off work to do something like that at the newspaper.

David Walter Banks
www.davidwalterbanks.com
I was a newspaper staff photographer for a year and a half, before which I interned for a newspaper for eight months. When I began, I planned to stay in the newspaper business for an indefinite amount of time, but I did hope to work for myself at some point. However, as I spent more time in the newspaper world, it became evident that not only was it not the place for me, the industry itself seemed to be falling quickly into turmoil.

I now shoot for a number of national and international magazines; I’m part of a successful wedding photography business; I helped found the photographic cooperative Luceo Images; and I’ve begun to move toward more commercial work. I would say that the biggest difference is that I now feel that I’m controlling my own destiny in relation to the path my career is taking, as well as the images I produce.

Kendrick Brinson
kendrickbrinson.com
I had two internship and two jobs at newspapers from 2005 to 2009. Once I discovered my love for photojournalism toward the end of college, I thought I would work at a newspaper for life. My mother worked as a writer at The State newspaper for more than 20 years so it seemed like an exciting yet solid career. After about a year and a half working for newspapers, my attitude toward them slowly shifted as I watched friends lose their jobs and their enthusiasm.

I am very busy now. I work with some of my favorite photographers in Luceo Images, doing personal projects and editorial work for major newspapers and magazines. I also photograph weddings with my partner David Walter Banks under Our Labor of Love. Now I am spending more time working on marketing and researching stories that I want to tell, and less time looking for heat features to fill holes in an-ever thinning newspaper.

Bob Croslin
www.bobcroslin.com
I was a staffer at the Tampa Tribune from 1996 to 1999, a multimedia producer at MSNBC.com from 1999 to 2001 and a picture editor and staff photographer at the St. Petersburg Times from 2002 to 2006. I didn’t think I’d be a newspaper staffer for life because I saw first-hand how much the business of journalism was changing when I went to work at MSNBC. I didn’t think there would be newspaper staff positions by 2004 or 2005. Turns out I was about 5 years off.

I’m an editorial and commercial photographer specializing in produced portraiture based in the Tampa Bay area. The biggest difference is that I used to be one part of an organization and now I AM the organization. I’m the photographer, the marketing dept, the accounting dept, the IT dept, the archivist — and I do it mostly by myself.

Pouya Dianat
www.pouyadianat.com
These days my work schedule is whenever the Braves play. I had a great working relationship with the team while I was at the Atlanta Journal-Constitution, and they’ve allowed me a lot of creative freedom thus far. The night’s they’re out of town, I’m firmly planted behind my MacPro, editing away.

I don’t think my photography has changed, but I am enjoying my photography a lot more since going freelance. I’m exploring every outlet that I’m interested in, while still applying the same vision I have to the work I did at newspapers. A lot of the ideas I have won’t work, maybe my idea falls apart in the studio, but I learn from the experience.

Not everyone affected by the newspaper decline is in their mid-40’s with a family to support. For those of us fortunate enough to be free from those more important responsibilities, this is a prime opportunity to do whatever we want. I’ve told a lot of students that I’ve spoken to that the next phase of photography is finding something you LOVE and applying photography to it. More »

FREE EBOOK

Learn how to engage your audience and
build brand recognition across social
channels. Learn more...

Free eBook

Search Resolve

Search

READY TO GET STARTED?

Pick your package. Pick your design.
No credit card required.

Start 14-day Free Trial
Compare packages