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A blog page is a great way to create content and keep your visitors engaged. When clients visit your website, they want to know your story and learn more about your work. Blogs allow you to do just this! Creating new entries can showcase your work while giving a brief story. In addition,they help establish yourself to your audience as someone who has authority in your line of work as well as create opportunities by bringing in additional traffic to your website.
Whether you choose to create a blog for your personal enjoyment or to enhance your professional rapport (or both), liveBooks is happy to help get you started on your blog!
3. Select Blog and then select Add
4. You can enter a Title, Date, Author. Create your blog post in Description and add any related images.
You can also add many type of additional content blocks, such as a Video, Image Gallery, and Contact Information.
NOTE: If you are looking for another blog option, liveBooks offers a custom-designed blog that mimics the look and feel of your site based on a version of the WordPress platform. If you are interested, please contact the support team for more information at help@livebooks.com!
June is here and with it, comes the beginning of Summer! Our liveBooks team has picked the best Summer songs to jam to whether you’re at a beach shoot, snapping shots on your Summer trip or simply enjoying your days off. We hope you that there is something in our June Spotify playlist for you!
Have a Summer song stuck on replay? Share it with us now!
Photographer Stephen Guenther has more than twenty years of creative direction in film, video, interactive and print. Functioning as Design Director, Film Director, Excecutive Producer and Creative Lead. His clients have run gamut from S.C. Johnson on the corporate side to Lions Clubs International on the nonprofit side. To see more of his work, visit his liveBooks8 website: www.stephenguenther.com.
I have always “had” a camera, since the age of around ten (Micky Mouse 127 mm) but it wasn’t until I accidentally ended up in a darkroom in college that the magic inspired me to turn from psychology to photography. Perceptual psychology had been an on-going focus. (pun intended). Digital of course has changed the whole process. I enjoy the mechanics of photography, but I try to only have and carry the minimal equipment that works for me. I continue to reduce the weight and increase the quality of my work, Sony equipment now fills that need.
My industry is of course evolving…I started out in a fine art mode with some corporate photography. But in the last ten + years I have been able to travel the globe documenting NGO humanitarian efforts with both photography and film. The NGO work has been life-altering, and travel side of it was also inspiring in being able to open a larger view of the world…I now blend my fine art background with these genres to offer a personal vision in both.
SG: Direct, clean and personal.
SG: Seems like an almost seasonal pattern, though the seasons are not really represented in the images.
SG: Photographers generally like newer work the best, yet sometimes, depending on travel or need I will re-discover in my image database an image that was forgotten and now re-born.
SG: Since I also do work in video, the new display of videos is perfect for my video clients.
SG: Don’t try to present something to please others or attempt to isolate your skills. Make it personal, make it subjective…something that allows you to share your unique vision.
Have a website you’d like us to feature? Email us at social@livebooks.com.
My earliest long-term photography project was a 3 year documentary photoessay on Cambodian refugees and street gangs in the U.S., something I worked on while doing my masters in Photography at Columbia College in Chicago. As an undergraduate student, I’d studied Southeast Asian studies and Thai language to it was only natural to start my professional career based in Bangkok, Thailand covering Southeast Asia. Clients included The New York Times, Time Magazine, Newsweek, and several European and Asian-based publications. I worked on assignment as well as my own documentary projects throughout the region. I continued this kind of work later based in Tokyo and then Paris, France.
Nowadays I do less editorial work and more corporate and commercial work and have been living and working out of Seattle for the better part of a decade although I continue to travel and work in Asia. To see more of Stuart’s work, visit his liveBooks8 website: www.isett.com.
SI: Big and bold. As a lot of my older work was shot on slide film or b/w negative, I worked hard making sure the colors and quality of those images matches more recent digital work. Too many photojournalists don’t do that with older slide work and I think it’s important that images on my website, whether editorial or commercial, look their best.
SI: Every few weeks I’ll add photos, then pull older ones. My portfolio is always a work in progress, always evolving. Like most photographers, I’m on my own worst editor. I’ll tweak the design a few times a year.
SI: My roots are as a photojournalist so even though most of my work these days is corporate and commercial, I try to balance what I do today with my roots as a documentarian and show that on the homepage.
SI: Well I sues the old system for close to a decade so plenty to like about liveBooks8, but the ability to edit, modify, and add images is key for me.
SI: Make sure your images are technically consistent across the website. This is more true for photojournalists who need to learn the design skills for some of their commercial brethren and not simply throw images up. Design is important, even if you are a documentary photographer.
Have a website you’d like us to feature? Email us at social@livebooks.com.
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