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Editorial Photography

  • In the latest update on Iranian-American photojournalist Roxana Saberi, after being charged with espionage two weeks ago, she was subsequently convicted and sentenced to eight years in prison. Her parents, Reza and Akiko Saberi, who are staying in Tehran to press for her release and Roxana has announced a hunger strike in protest. In the meantime, students at Northwestern University, where Roxana received her graduate degree in journalism, are rallying in her support. According to ABC News, Roxana’s parents have hired new lawyers for her appeal, which could be decided within a week.
  • Congratulations to Damon Winter of the New York Times and Patrick Farrell of the Miami Herald, the winners of this year’s Pulitzer Prizes for photography. Damon’s coverage of the Obama presidential campaign garnered the award in the Feature Photography category, and Patrick’s photo story of the aftermath of Hurricane Ike in Haiti earned him the award in the Breaking New category.
  • Showing that they aren’t resting on their Pulitzer laurels, the New York Times posted a nice multimedia slide show featuring Tyler Hicks’ photographs of American soldiers in Afghanistan.
  • Photojojo alerted us to World Pinhole Camera Day on Sunday (April 26) and also to the extravagant pinhole cameras for free download from Corbis. They come as a pdf that you cut out and assemble yourself — warning, these are the most complicated instructions we’ve seen in a while, but they look cool! All the designs are created by Fwis, a small design firm based in New York.

After watching Harry Benson‘s Photographers In Focus video about getting his start in photography, we figured he would have some sage words for photographers trying to make their own start in the business. Below he talks about the sacrifices a photographer makes — which don’t feel like sacrifices if you love what you’re doing.
©Harry Benson

James Brown, Georgia, 1979 ©Harry Benson

Carmen Suen: How did you get started in photography?

Harry Benson: That was a long time ago. When I was a teenager, I felt like being a photographer was my only hope. I have always been interested in photography. And, I was never very good at academics. I thought, I could be a professional soccer player, or I could be a professional photographer. I played a few soccer games, and thought I wasn’t that great. When I was 21 or 22, I started doing wedding photography at local churches. It was at that time that I started to get more serious about photography. Eventually, I got a job at the Daily Express.

To me, photography is honest and straightforward. As a photographer, all you need to do is to take good pictures. If you work hard, and take the opportunities in front of you, you will succeed. There are, of course, obstacles. While my friends were going out for a drink, I was working. I seldom got to celebrate Christmas and New Year like most people do. I celebrate these holidays with my family in a different way. I don’t see it as a sacrifice; I see it as a privilege. It’s very lucky to be able to do what makes you happy.

CS: What was your first “big job”?

HB: Well, there was not really any one “big job.” But I think I have some favorite pictures — those I took during my 2-week trip with the Beatles in February 1964. I love those pictures because they are happy pictures.

That was a very special trip for me. I never wanted to be a rock photographer. But then I got this opportunity to travel with one of the most important groups in rock history. Because it was a newspaper assignment, I had to send pictures back to London every day. I had to consistently bring back good photographs. I needed to stay as creative and good as I could be. That was not easy, but I did it.

CS: Do you have any advice for young photographers?

HB: Always go to the smallest denominator, and don’t get carried away. Look for a job in a local newspaper, not a big city paper. Local newspapers pay for your mistakes. If you can take a great picture of a small town mayor, you can take a great picture of a president.

  • The Guardian reported Monday that after ratings for the Academy Awards last year plunged to a historic low, producers asked key actors and presenters not to enter via the red carpet this year so viewers would have to watch the ceremony to see their gowns. Not surprisingly, the photographers who make their living from photos of Oscar gowns were pissed. The ratings this year jumped 13 percent — and in typical over-simplified fashion, we bet the academy attributes that to this new policy (not the fact that the styling was classy and classic this year, the presenter was hot, or even, that people need Hollywood distractions more when the economy’s in the toilet), and keeps it.
  • In an official announcement released via the NPPA website, Pete Souza, the recently-appointed official White House photographer, filled out his team with Chuck Kennedy as assistant director of the White House photography office and Lawrence Jackson and Samantha Appleton as official photographers. Kennedy’s precisely executed inauguration picture made front covers of hundreds of newspapers all over the world. Jackson was most recently a staff photographer at the Associated Press in Washington DC, and Appleton, named one of the “30 Under 30” by Photo District News, is known for her projects on Iraq and Africa. Souza said she will be primarily assigned to cover the First Lady. We wonder if it’s common practice to have a woman photographer specifically assigned to the first lady. Anyone know?
  • After months of speculations, Rocky Mountain News owner E.W. Scripps announced yesterday that the publication will cease operations after its last edition today (February 27, 2009). The paper, which has been serving Denver for 150 years, has won 3 Pulitzer Prizes in photography since 2000. Sadly this is likely the first in a long line of newspaper closings; the San Francisco Chronicle also announced this week that it is looking for buyers in a bid to save the paper. We can’t decide if it’s poetic justice or just sad irony that the best reporting on the closing was done by the paper’s own staff via Twitter.
  • Defense Secretary Robert Gates has finally lifted the 18-year-old photography ban, now allowing caskets arriving at Dover airforce base in Delware to be photographed, as long as families of the deceased agree to it. The Dover Air Force Base is the military’s largest mortuary facility, where bodies of American troops are sent before traveling to hometowns. We hope this is part of the wave of change apparently sweeping Washington. If those photos had been allowed earlier, maybe we wouldn’t have had to wait so long for that change.

Harry Benson, the always-dapper, world-renowned photographer, showed up for this recent liveBooks Photographers In Focus video interview in a well-fitted suit — albeit without a tie. According to Harry, his attire isn’t just good fashion sense, it’s also good business sense.

“If you need to go to the White House for a press conference, dress like a professional, not a plumber,” he says. “It shows respect for yourself, as well as who you represent.”

Harry should know, considering he photographed every U.S. president from Eisenhower to George W. Bush. He says he has seen photographers turned down for jobs simply because they were wearing jeans and no jacket.

“It is something that is so obvious to me, yet so many young photographers seem to fail to recognize it,” Harry says.

Now that he mentions it, that suit does look pretty comfortable — we bet he was wearing it even when he was bouncing on beds with the Fab Four. No wonder the Queen of England named the Scottish photographer a CBE (a designation just one level below knighthood) in January.

Check out the video for more Benson insights into being the best photographer you can be.

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