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February 20th, 2009

Photo News 2.16.09 – 2.20.09

Posted by Melissa Dubasik

  • The Fairey/AP lawsuit saga drags on. Last week, the Center for Internet and Society (CIS) at Stanford University filed suit against the AP on Fairey’s behalf. Now the CIS is asking the public to send examples of photos that are “like” the Mannie Garcia photo, we assume to prove that Fairey’s image didn’t necessarily come from that one specific photo. For more from Fairey’s side of argument, head over to the New York Public Library (NYPL) on February 26 for a discussion with CIS founder Lawrence Lessig, Shepard Fairey, and author Steven Johnson. The event is jointly sponsored by NYPL and Wired Magazine. Tickets are on sale here. (via Boing Boing)
  • Magnum Photos is now accepting submissions for 2009 membership. As you’ve probably heard, Magnum is open for submissions only once a year. And only a talented few, and sometimes none at all, are invited as nominee members. If you’re looking for some inspiration, check out last year’s nominees: Peter van Agtmael and Olivia Arthur. Submission deadline is May 31, 2009.
  • Northern Short Course (NSC) McLean, VA is fast approaching, on March 19 – 21. And so is the deadline for its Still Photography and Multimedia Contest. To make things easier for everybody, this year the NSC is accepting all entries electronically, due by February 27, 2009. In addition to more than 20 workshops, The NSC also offers bonus portfolio review sessions in the evenings.

After seeing all the great speakers at WPPI this year, we know many attendees will think, “Hey, I could do that.” After all, it’s a great way to increase your visibility and give back to the community. So we talked to Arlene Evans, the director of WPPI operations, about how to send your proposal to the top of the stack.

What are you looking for from speaker proposals, especially from people who haven’t spoken at WPPI before?
We have 10 new speakers this year who have never spoken for us before. They’re a little different from what we normally see. They may be talking about a different aspect of lighting, or a different approach to Photoshop, or right now photographers are very interested in posing and lighting techniques. And, of course, they should address how to make their work stand out from everybody else so that they can continue to do business in this down economy.

What goes into that program description?
There is an outline, essentially, of what they want to teach. Sometimes it’s only five or six lines, and then we ask them for more information. Remember it’s got to fill up a 2-hour class. It has to be a topic about which the person is extremely knowledgeable and a topic that will pique interest, to make the audience want to ask questions. We also check out a potential speaker’s website to see what kind of photographer they are.

Do you think there are topics that are particularly hot-button issues right now, and how do you keep a finger on the pulse of what people who come to WPPI would like to hear more about?
We always send out a survey after the convention. We ask people to critique the classes that they have been to and also to submit topics that they think were missing.

In the big classes, people want to go back to the basics. We have a lot of attendees who have never been professionally schooled in photography. They picked up a digital camera and thought they had a feel for it. They didn’t go to Brooks or RIT. They feel they have a lot to learn in some of the basic areas they may have just skimmed over because they have a good eye.

As I said, posing and lighting are two of the main areas of interest. They also want to learn how to get the picture right in the camera, without having to “fix” the image in postproduction. This year, of course, we’re emphasizing how to keep your studio afloat in this bad economy. We have a whole program track, The Business Institute, which covers that topic, with seven classes specifically addressing marketing. More »

Rachel LaCour Niesen is an old-hat at WPPI and has taught there with Andrew Niesen and Mark Adams for many years. That might make it sound like she doesn’t understand what a first-time WPPI attendee is going through — on the contrary, Rachel has such a reputation for helping new and experienced photographers alike, we knew she’d be the perfect person to share a few tips about surviving the huge WPPI show in Las Vegas, which starts February 14.

An image by LaCour photography. © LaCour

An image by LaCour photography. © LaCour

1. Start with a Strategy

First-time WPPI attendees are often spotted meandering through the tradeshow with a glazed, “deer in the headlights” look on their faces. Don’t risk being overwhelmed and paralyzed in the tradeshow. Before you leave for Vegas, write up an action plan. Compile a “Must See” list of products and vendors that most interest you. Prioritize visiting those booths first. Then, you can be confident that you’ve visited your top vendors before wandering around the rest of the tradeshow. When you arrive, start by reviewing the WPPI Program Guide and the Tradeshow Map.

2. Take Risks

Human nature is to seek out seminars that affirm our strengths. Rather than hang out in your comfort zone, push yourself by attending classes that challenge your weaknesses. Prioritize attending seminars that push you beyond your comfort zone. Are you intimidated by lighting techniques? Then attend Matthew Jordan Smith’s “Lighting Secrets” seminar on Monday, February 16. Need to boost your confidence in your sales skills? Then attend Corey McNabb’s “Sellification” seminar on Tuesday, February 17.

3. What Happens in Vegas Should NOT Stay in Vegas

Don’t leave your new knowledge behind. One of the biggest mistakes I made after attending my first WPPI was stuffing my notebook into my desk drawer. I never pulled it out again! WPPI is an amazing learning opportunity. Don’t waste it by taking tons of notes that will never be read again. Schedule a “WPPI Recap Retreat” for yourself. Put it on the calendar, block it off so you don’t get interrupted. You will need at least a full day to review your notes and decide how to apply your new knowledge to your business in 2009. You will learn so much at WPPI — soak it up and then implement it! More »

February 10th, 2009

How to get the most out of WPPI 2009

Posted by liveBooks

With the 2009 Wedding and Portrait Photographers International (WPPI) just a few days away, we wanted to make sure everyone attending gets as much out of the experience as possible. Especially for a first-time attendee, the more than 100 classes, endless parties, and celebrity names can be overwhelming. Here are a few tips on how to make the most of this year’s event from George Varanakis, the vice president of sales and group publisher for WPPI/Rangefinder Publishing—and the man making most of the big events happen.
  • Take advantage of the hospitality. For WPPI’s first year at the new venue, the MGM Grand is offering attendees two-for-one dinners and drinks at almost every restaurant and club in the hotel and conference center, including places like Craftsteak and Studio 54.
  • Here comes the…photographers. Be sure not to miss the Canon Mock Wedding and Opening Reception on Sunday night, where top wedding photographers Joe Buissink, Bambi Cantrell, Jerry Ghionis, Denis Reggie, and Yervant will demonstrate and describe their techniques while wedding photography duo Jim and Katarina Garner renew their vows. And, of course, don’t miss the real reception afterward, also sponsored by Canon.
  • It wouldn’t be Vegas without music. WPPI and Nikon are sponsoring an exclusive concert for WPPI attendees only. The doors open for Grammy-award winning band Blues Traveler on Monday night at 9:30 p.m. in the MGM Grand Arena.
  • Where’s the afterparty? Although the list of WPPI-sponsored events might seem endless, don’t forget that there will be lots of get-togethers that are not in the official lineup, like Lindsay Yates-Teal’s event for all the readers of her Pay It Forward blog, in Studio A on Sunday night after the Canon Mock Wedding and Reception.
  • Get by with a little help from your friends. WPPI is an outstanding place to meet, learn from, and empathize with other photographers who know exactly what you’re going through on a daily basis. The best thing to remember is to bring lots of cards, and don’t be afraid to say “Hi.” The photography industry isn’t as competitive as most other communities — almost everyone is approachable and friendly.

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