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With a sense of duty but not much true excitement, I had planned on traveling to Denver for the Democratic National Convention, months before. Then, in August, war broke out in the Caucuses between Russia and Georgia. I called Michael and said, I want to go to Georgia. And he said, do you have an assignment? And I said, no. And he said, what about the DNC? I said, forget about the DNC. And he said, are you going to forget about the DNC if I can “assign” you again? I said, what do you mean? He said, if I can commit to paying you, would you think about not going to Georgia on your own?
If someone gives you a good assignment, you take it, right? I’m not going to be able to pay my rent from this blog, but, a) it’s the thought that counts, the fact that he’s willing to commit; and b) every bit helps. When I thought about it, it came down to: Michael Shaw is offering me an assignment to cover the DNC.
So Michael came to Denver as well, because he’s not only the editor, he’s also the main writer and journalist for the BAGnewsNotes blog. It was the first time we worked together face-to-face, because he lives in San Diego and I’m in New York. And it was enormously productive. We were able to get decent access, because the political parties take blogging very seriously, so they gave us standard press credentials. Of course it’s funny for me because I ran into all these photographers I know, and they asked me, who are you working for? They say, Time or Newsweek or whoever, and I say, it’s a blog called BAGnewsNotes. But just gauging from their responses, many photographers had already heard of what Michael was doing, and were already reading the blog. So within the small world of photojournalism, people know and appreciate it.
They thought what we were doing was fabulous, but also that it was incredibly ironic because I’m known for being very analog in this digital age, and developing film in hotel rooms. I do all these really old-fashioned traditional things, yet here I am on the other end of it. I’m shooting black-and-white film, processing it in a bathtub, and uploading the images to a blog. I was shooting digital as well at the DNC, but the New Hampshire and Ohio primaries I photographed entirely on film.
I believe that BAGNewsNotes has real credibility. Aesthetically, we’re not there not yet, I’ll be the first to admit that. When it comes to design and how we present the images and text, it’s not perfect. But that’s growing pains, technical issues. In terms of mentally and conceptually where we want the site to go, we have a good idea and I think we’re succeeding. Sometimes I feel like I’m really sticking my neck out, because I’ve put a lot of work into this in the last couple years, especially the last year. And I do wonder if maybe that was time that I should have spent trying to get traditional assignments. But then I look at the fruits of our labor, the photography and the analysis, and I’m really proud of what we’ve accomplished, on less than a shoestring. Hopefully, the more people who look at what we’re doing, and the more people we’re able to get turned onto this, the more viable it becomes.
This Valentine’s Day (Saturday, February 14, 2009), photojournalists, videographers, editors, writers, and volunteers are working in 18 locations nationwide to tell the stories of homeless teens. Their work will be uploaded in real time to the Do1Thing website, where many of their images and multimedia presentations are already available. One of my favorites is “Portrait of Perseverance” by Chris Stanfield, which tells the story of 22-year-old Sakina Lockhart, who made it all the way through college while living in shelters or hallways of rundown motels.
Do1Thing was conceived after photographers donated their time to shoot portraits of 346 foster children, 150 of whom were consequently adopted. Realizing the power photography could have to mobilize people around an issue, Najlah Hicks and Pim Van Hemmen decided to shine the light of visual storytelling onto several social issues affecting children and teens.
This is a model I think we’re likely to see cropping up more and more. It reminds me of the RAVEs that the ILCP does, sending a bunch of photographers into a threatened area to create a cache of images and other content that can be used to draw media attention to the issue. Both websites are also rich resources, giving people many options for how to help, and undoubtedly counting on the top-quality content there to drive potential donors and advocates to the site.
It also doesn’t hurt to have huge names associated with the project, like Do1Thing does. Of the more than 130 photographers, editors, and videographers signed on, here are just a few heavy hitters (although every participant deserves to be recognized for his or her contribution): Nina Berman, Bill Frakes, David Leeson, Tyler Hicks, Ed Kashi, David Hume Kennerly, Martin Schoeller, Vincent Laforet, Jimmy Colton, Stephanie Heimann, Bob Sacha, and pretty much every VII photographer.
Check out the Do1Thing website to see how you can join this prestigious group and other ways to help the more than 1.3 million homeless youths in the country through this initiative.
Fine art and portrait photographer Michael Jang tells some great “breaking into the biz” stories in this video interview from our Photographers in Focus series. While still in art school, he used a letter from his teacher and some creative subterfuge to crash big Beverly Hills parties — and make the images that launched his career. We wanted to make sure you got a chance to see it if you haven’t already.
Michael is in San Francisco like us, so we thought we’d check in and see what he’s been up to lately. He’s excited about his recent conversation with aspiring photographers at the University High School here in town. Check out the San Francisco Chronicle story about his visit to the school as well as a collection of his very early family photos, which have just been acquired by the SFMoMA this year. Michael also gave us some bonus video footage of him speaking at a Photoshelter panel discussion.
“Don’t lose sight of why you want to be a photographer and your love for photography,” he advises. “If you can make good pictures, people will find you.” His point — that the real issue is not how to make money, but how to make great pictures — might not be the most popular, since it’s not the easy solution, but judging from the applause after Michael’s comments, it needs to be said more often.
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