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As a kid growing up in Ohio I started a door-to-door sled-pulled grocery service for elders during the Blizzard of 1978. In the early 90’s I started the Chicago MadHousers to build small temporary shelter for homeless individuals. Ten years ago I started FiftyCrows Foundation to support documentary and photojournalistic photographers that document social issues. Renowned photographer and National Geographic Society Fellow, Chris Rainier, asked me to help him to start the NGS All Roads Photography Awards to support storytellers documenting their own culture. And here at liveBooks our philanthropic efforts are extensive, from supporting an orphanage in Mexico, to working in the local homeless kitchen, to donating over one hundred websites for organizations around the world.
But why? Why do these things?
Last week I had visitors from Iran. One, an outstanding Iranian photographer that had won an All Roads Award back in 2006. The other visitor was her husband, a Washington Post correspondent based in Tehran. I remember the first workshop for the All Roads winners, I was teaching them the basics of how to shake hands, how to create an elevator pitch, and of course how to put together their new liveBooks site. Now, four years later, I was the awe-struck student, listening intently to Newsha’s tales of her assignments for The New York Times, exhibition opening under the terror of being arrested, awards and honors from around the world, and the evolution of her artistic vision.
I once heard that, “we are not looking for the meaning of life, but rather, the experiences that remind us what it means to be alive.” For me, the experience of being of service for a fellow human is such a reminder. After Newsha and Thomas left, I smiled for days, knowing that in some small way I had contributed to her path.
This is why we do these things. This is why I suggest that you too find a path of service. Regardless of how small you might think it is, it can have a tremendous impact in ways you may never even know. The return on the investment is enormous, and it may even help your business in some way.
I would love to hear from you about ways you’ve blended your creative vision and your profession. Let’s see how many of us are giving, and in so doing – receiving.
If you’re in San Francisco this week be sure to catch Chris Rainier at the Herbst Theatre on Wednesday, April 6th as he discusses his efforts to record the remaining natural wilderness and the indigenous cultures around the globe by putting these wonders to film and using the visual stories to bring about social change.
And, please check out the website from my Visitor from Tehran. Keep singing Newsha – loudly!
Editor’s Note: Dr. Jeffery M. Levine was recently featured in the New York Times article, “The Elderly, Through the Eyes of a Geriatrician.” Levine (a liveBooks customer) discusses geriatrics and the combination of art and medicine on his healthcare blog, www.jmlevinemd.com.
As a young doctor starting out in my profession I wanted to stake a claim in academia – doing research and teaching about human aging. What I achieved is something different from what I originally intended when I began my project of visually documenting the process of growing old.
Initially I tried to catalog the physical manifestations of aging. Using Kodachrome slide film and flash, I captured changes of the skin and musculoskeletal system, supplementing my portfolio with x-rays that enhanced understanding of the physiology of growing old. One day out of curiosity I switched to black and white film, turned off the flash, and stepped back to photograph my patients in their natural environment and captured the interactions between me and my subject.
Editor’s note: Dan’s words of advice were featured in liveBooks latest report, “8 Blogging Truths for Creative Professionals.” More of Dan’s honest and heartfelt narratives can be found on his blog at http://smogranch.wordpress.com.
My earliest memory of writing is from elementary school. In a small, spiral bound notebook, I managed to compile hundreds of pages about a group of mushroom people.
I was convinced of its brilliance. Then I promptly lost the notebook. Note to us all: backup your work. I didn’t write for the next twenty years, but as I began my photography career, something changed in me and writing on a daily basis became a part of my life. But let me be painfully clear. This was not a choice I made. This was something I had to do.
There was something inside of me that needed to come out and photography was not enough, still isn’t enough. I remember my first, adult journal, or diary, or whatever you want to call it. One of those black and white speckled jobs from the supermarket, a “composition book,” I think they call it.
I began to fill them.
With nearly 100 million iPad, iPhone and iTouch devices in use across the planet, liveBooks’ CMO John Philpin was recently interviewed by TWiP host Frederick Van Johnson to find out how liveBooks is responding to the lack of Flash on those devices. As it turns out, it’s all under control. In the podcast, John and Frederick explore our new iPhone and iPad settings, which are now available to all customers through the liveBooks editSuite.
Frederick and John also discussed how liveBooks plans to advance along with the ever-changing world of technology that we are part of today – and what it all means to you as a liveBooks customer and a creative professional.
Interested in hearing more? Listen to John and Frederick in this podcast, which can be found on PixelCorps.tv.
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