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“We want to make sure we are as specific as possible to keep our business safe.”

Prix Pictet announced yesterday that the winner of this year’s photography prize for environmental sustainability goes to British based Israeli photographer Nadav Kander, whose project Yangtze, The Long River Series documents the changing landscape along China’s Yangtze River. Pictet also awarded a photography commission to RESOLVE contributor Ed Kashi, who will fulfill Pictet’s annual commission this year in Madagascar.

Vincent Laforet released his latest short film, Nocturne, shot with a prototype Canon 1D MKIV on Monday, but was asked by Canon to take it down the following day, he explained on his blog. Photo Business News and Fake Chuck Westfall both took Canon Japan to task for the move. If you didn’t catch Nocturne before it was taken down, it’s on YouTube, of course.

And the drama goes on. After Shepard Fairey admitted last week that he had lied about his source of his Obama image, the Associated Press released a statement on Tuesday that they are challenging Fairey’s account in court as “purposely deceiving.” Excerpts of AP’s most recent court filings and the letter Fairey’s attorneys sent to the AP are available at PDN.

Jen Bekman Projects, the innovative creator of the 20×200 prints store and the Hey, Hot Shot! photo competition, received $800K+ in venture capital funding. The series A funding was led by California-based venture capitalist True Ventures, along with a other angel investors.

“We have to put ourselves in the place of our clients.”

A shocking revelation has just come to light in the ongoing battle between Sheppard Fairey and the Associated Press. The Associated Press released a statement last night claiming that Mr. Fairey knowingly submitted false images to the legal proceeding between Mr. Fairey and the Associated Press. Furthermore the statement reveals “that Fairey tried to destroy documents that would have revealed which image he actually used” and that “he created fake documents as part of his effort to conceal which photo was the source image, including hard copy printouts of an altered version of the Clooney Photo and fake stencil patterns of the Hope and Progress posters.”

This case started back in February when the Associated Press claimed that the source image Mr. Fairey used for his iconic “Hope” and “Progress” posters of then Senator Barack Obama did in fact belong to them. They also claimed that Fairey’s use of the image was a copyright infringement. Before The Associated Press could file a law suit against Mr. Fairey, Fairey’s legal team filed a suit against The Associated Press claiming fair use exception and that the image Fairey used as his source was completely different than the one The Associated Press declared was theirs.

At this juncture it’s worth mentioning that there is a valid dispute between the Associated Press and Mannie Garcia, the photographer who shot the image in question, as to who is the legal copyright holder of the photograph. Although that disagreement has little bearing on Mr. Fairey’s illegal actions announced today.

As I first wrote here at RESOLVE, Fairey’s use of the image without giving attribution to the photographer was detrimental to the entire creative community. It will be hard to predict the impact from this latest twist in an already bizarre story. Mr. Fairey’s legal counsel apparently jumped ship after submitting the admissions about his evidence tampering to the court.