livebooks blog

Last week, The Next Web broke the news that CBS, Pepsi, and Entertainment Weekly magazine will join forces to launch the first video advertisement in a paper magazine. A paper-thin screen on the page, activated when a reader open the magazine, will then flicker and load the video. Is this the future or just another fad? Chase Jarvis calls it “pretty damned desperate.”

The Pentagon has commissioned The Rendon Group to run a background profile on any reporter seeking to embed with U.S. forces. And who is doing these checks? Rendon, the firm notorious for furnishing false information to justify the invasion of Iraq during the Bush administration. Stars and Stripes has the full story.

Burning Man, which starts Monday, has spurred controversy this week with its photo rights policy. The Electronic Frontier Foundation said that its policies to “protect attendees’ rights” are infringing on fair use rights. Of course, the Burning Man organizers argue that “our rules about photography are different from the outside world – but isn’t BRC’s unique environment what makes Burning Man transformative in the first place?”

The Federal Trade Commission has decided to jump into the crowded “Where is journalism headed” debate. In December they will run a series of workshops titled “From Town Criers to Bloggers: How Will Journalism Survive the Internet Age?” in December.

The “Obama Joker” photo has stirred up plenty of controversy since Flickr decided to take it down. Flickr says it received a takedown notice from a copyright holder, but PDN did some investigative work and found that neither Time, DC Comics, nor the photographer seem to have sent such a notice. Blogger Thomas Hawk says he saw the name on the takedown notice, and it looks like “a totally bogus made up name.”

New York Magazine last week published the most in-depth article yet chronicling the sad financial downfall of celebrity photographer Annie Leibovitz. The question on everybody’s mind is how a person who’s making an annual salary of $2-to-$5 million could run into a debt of over $24 million. The Wall Street Journal blames it on her “leverage-and-live-large lifestyle.”

In a surprising move, Time Inc. has purchased a house in Detroit to serve as a long-term base of operations while its publications document the struggle of the nation’s automobile capital. This seemingly unprecedented move will allow Time’s journalists to cover the story not only as observers, but as part of the community.

The iPhone emerged this month as the most popular camera on Flickr, ousting the long-reining top uploader, the Canon Rebel XTi. We’re not surprised considering how easy  iPhone images are to upload and the improved picture quality of the new 3GS. At the time of writing this post, the XTi has climbed back to the top of the chart, but we’re betting Canon is paying attention and expect to see wi-fi upload capabilities in their DSLRs soon.

Matt Mandelsohn’s The Lesson of Lindsay is a beautiful story of young girl struggling with personal tragedy. The fact that the piece was turned down by every potential publisher, one because they wanted “happy” news stories, is just a tragedy. A Photo Editor boils it down to the “duh” soundbite that publishers still refuse to listen to.

Our sources informed us of Vincent Laforet’s new film – “a narrative short filmed exclusively with the Canon 5D Mark II” – a while ago, so we’re glad to be able to share it with you finally. The unofficial website will only tell you that it’s named “Betrayed“, and is directed by Joshua Grossberg with cinematography by Vincent Laforet and photographer Robert Caplin. Stay tuned to RESOLVE for more details.

According to an opinion piece in The Wall Street Journal, London’s National Portrait Gallery is furious about images of paintings from the museum’s web site showing up on Wikipedia. The core of the argument is whether these photographic images of the masterpieces are considered in the public domain or if they are creative work. The Gallery Hopper has details and links to related stories.

Need more Martin Parr in your life? Don’t we all? iGoogle has released a new Martin Parr theme with images by the Magnum photographer. Click here to see it for yourself.

Some people are still trying to figure out what “free” really means, Rupert Murdoch is just saying no. According to the Guardian, the media mogul “has lost patience with giving away his expensively produced journalism on the internet for nothing.” By June 2010, you’ll have to pay to read any News Corp content.

NPPA publicly objected to a recent comment by Homeland Security Secretary Janet Napolitano asking people to tell the police if they see someone “continually taking photographs of a piece of critical infrastructure that doesn’t seem to make any sense.” “Photography by itself should not be considered suspicious activity, and it is protected by the First Amendment,” the NPPA reiterated.

In an effort to save the financially troubled Gamma, the photojournalist arm of French photo agency Eyedea, directors are taking legal actions that will likely lead to a reorganization. As Fred Ritchin points out on After Photography, Gamma is largely responsible for the rise of international, multi-lingual news photo agencies.

It started last week when a Los Angeles-based photographer proudly posted on the Model Mayhem forum that Time Magazine used his $30 stock photo for its April cover. The pats on the back quickly turned to comments like, “you got screwed” and spread around the photo blogosphere, where Salon even picked up the story. dvafoto has a roundup of related coverage.

Conscientious has a couple posts related to the controversy around Edgar Martins’ work for the New York Times Magazine, giving Martins a chance to explain his side of the story. As usual, Joerg has been able to encourage meaningful discussions (here, here, and here) in the midst of a lot of reactionary commentary.

August 15th will mark the 40th anniversary of Woodstock, and Lens honors the event with an interview with legendary photographer Bill Eppridge, who was there with a “car full of film.”