livebooks blog

While iStockphoto is launching its 10th birthday bash, this New York Times story outlining the hard road ahead for photographers stirred up debate in the photo world (there’s even a follow-up article with reader and blog responses). Adding insult to injury, word also surfaced of a new business model for product photography called Via U!, where buyers can composite an image and purchase all rights for a flat $250 fee. A Photo Editor has details.

Blurb’s Photography Book Now competition has also launched its third year. In addition to $25,000, the grand prize winner will also be given the opportunity to show their work at ICP, the Annenberg Space for Photography, and the George Eastman House. The competition is a reminder of the potential of self-publishing, something we discussed extensively in our Future of Photobooks series.

After two years of research by members Richard Anderson and Peter Krogh, ASMP announced the launch of its dpBestflow.org website at FotoWeekDC earlier this week. Shorthand for “Digital Photography Best Practices and Workflow,” the website, part of the three-tier project that includes a book and a traveling seminar series, aims to offer definitive guidelines for digital photography best practices and workflow.

Forbes Media announced yesterday that it has acquired digital magazine FlipGloss and its Digital Glossy Insert photo publishing platform. Launched about 8 months ago, FlipGloss combines search engine capabilities with the experience of flipping through photo content of a magazine, and users can click on objects in the photos to find out where to purchase an item or even be led to an advertiser’s website.

Wes Anderson’s new movie, Fantastic Mr. Fox, which opens in selected theaters today, is a stop-motion picture shot entirely using a Nikon D3 – over 600,000 stills that generate 18.5 terrabytes of data. According to movie review website IMDb, the beautifully art-directed adaptation of the Roald Dahl classic used Nikon D3 because it “offers a significantly higher resolution than even that of full High Definition.” Wired.com has a great “Making of” the movie here.

Google has cut the price for extra storage on its photo sharing site Picasa to about one eighth of what it used to cost. For $5 a year, now you can have 20GB photo storage on the site. “Since most people have less than 10GB of photos, chances are you can now save all your memories online for a year for the cost of a triple mocha,” according to the official Google Photos Blog.

A Photo Editor pointed us to some hopeful news about the future of the media industry. Maggwire.com is planning to charge readers a subscription fee to access a channel where they can get content from a large number of top magazines. On the other end of the spectrum, San Francisco-based McSweeney’s announced that they’re releasing a single-issue “21st-Century newspaper prototype” called San Francisco Panorama in December. It’s big and beautiful and nothing like a website — that’s the point.

The judge in the ongoing Google book settlement case ruled this week that photographers are not authors and therefore cannot be included as part of the settlement, according to TechCrunch. The motion to join the current settlement between Google and the Author’s Guild was brought earlier by ASMP, the Picture Archive Council of America, the Graphic Artists Guild, and several individual photographers.

Germany’s most popular women’s magazine, Brigette, confirmed with The Guardian that from 2010 on, it will be banning professional models from its pages and use only women with normal figures. Andreas Lebert, editor-in-chief of the magazine, said that he is tired of having to retouch pictures of underweight models to “fatten” them up. Conscientious has more on the story.

Last Wednesday, Toyota posted an apology on the Flickr forum admitting that they have been using pictures from Flickr without photographer permission. They have since removed the Flickr photos from their 4Runner website. PDN reported that Toyota USA’s ad agency, Saatchi & Saatchi Los Angeles, has reached out to at least one of the Flickr photographers involved.

Kodak’s new brand campaign named “It’s Time to Smile,” focuses on strengthening relationships by sharing important life moments, in pictures of course. Behind the happy message, though, is a not-so-cheery outlook. After thousands of layoffs and salary cuts earlier this year, the company reported yesterday its fourth quarterly loss in a row, PDN reported.

Jorge Colberg at Conscientious alerted us to an interesting interview with William Patry, senior copyright counsel at Google and author of a number of books on copyright law, including his recent Moral Panics and the Copyright Wars. The interview covers topics from the AP-Fairey lawsuit to the moral imperative of copyright.

Popular news site The Daily Beast, in partnership with Global Philanthropy Group, has launched a philanthropy and photography site, The Giving Beast. Be sure to check out the galleries, featuring works of Sarah Elliot, Elizabeth Gilbert, Suzy Allman and other note-worthy photographers.

Despite some questions about its longevity, the New York Photo Festival will launch its third year in 2010, as Andrew Hetherington reported this morning on What’s the Jackanory? Lou Reed will be one of the lead curators this year, but Andrew tips his hat to Erik Kessels, whose 2008 NYPH conversation with Martin Parr was a highlight. We’re stoked about photo thought leaders Vince Aletti and Fred Ritchin (check out this excerpt from Ritchin’s recent book, too).