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One constant during the course of my career has been a close association with environmental non-governmental organizations (ENGOs). As an environmental photojournalist, motivated by a deep concern for the environment and the need to protect intact wilderness, working closely with committed activists and knowing that my images will play a significant role in their efforts has been one of the most rewarding and inspiring aspects of my work. I believe this has been a mutually beneficial relationship. My images have helped to shape public opinion and provided organizations with the material they need to advocate in a visually compelling way. In many situations, ENGOs have very graciously credited my work as being instrumental to their successes. In turn, the knowledge and contacts provided by ENGOs has greatly assisted in my understanding of these issues and has provided critical knowledge of various locales as well as the logistical support so important to successful fieldwork.
On occasion, groups have also directly commissioned me to produce imagery, and I have also raised money independently to undertake projects in order to furnish ENGOs with the images they need. Many of my most interesting and long-term projects have been possible only as a direct result of my longstanding relationship with these groups.
I have also given a number of visual presentations and tours in order to build support for some of the issues I have photographed and feel particularly strongly about. This has provided me with the opportunity to directly share my images with a large cross-section of people. Their feedback and response has helped me better understand the power of certain kinds of images, and that has been a great asset in my field work.
While my work with NGOs has mostly been with ENGOs, I think that any photographer whose work is devoted to promoting positive change, whether in environmental, humanitarian, or other issues would greatly benefit from a close relationship with NGOs dedicated to furthering these same goals.
This Valentine’s Day (Saturday, February 14, 2009), photojournalists, videographers, editors, writers, and volunteers are working in 18 locations nationwide to tell the stories of homeless teens. Their work will be uploaded in real time to the Do1Thing website, where many of their images and multimedia presentations are already available. One of my favorites is “Portrait of Perseverance” by Chris Stanfield, which tells the story of 22-year-old Sakina Lockhart, who made it all the way through college while living in shelters or hallways of rundown motels.
Do1Thing was conceived after photographers donated their time to shoot portraits of 346 foster children, 150 of whom were consequently adopted. Realizing the power photography could have to mobilize people around an issue, Najlah Hicks and Pim Van Hemmen decided to shine the light of visual storytelling onto several social issues affecting children and teens.
This is a model I think we’re likely to see cropping up more and more. It reminds me of the RAVEs that the ILCP does, sending a bunch of photographers into a threatened area to create a cache of images and other content that can be used to draw media attention to the issue. Both websites are also rich resources, giving people many options for how to help, and undoubtedly counting on the top-quality content there to drive potential donors and advocates to the site.
It also doesn’t hurt to have huge names associated with the project, like Do1Thing does. Of the more than 130 photographers, editors, and videographers signed on, here are just a few heavy hitters (although every participant deserves to be recognized for his or her contribution): Nina Berman, Bill Frakes, David Leeson, Tyler Hicks, Ed Kashi, David Hume Kennerly, Martin Schoeller, Vincent Laforet, Jimmy Colton, Stephanie Heimann, Bob Sacha, and pretty much every VII photographer.
Check out the Do1Thing website to see how you can join this prestigious group and other ways to help the more than 1.3 million homeless youths in the country through this initiative.
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