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I recently had an exhibition of my work from Chinese Turkistan, or Xinjiang, China, in Toronto, Canada. It was my first solo exhibition, but similar shows will happen in Europe and China next year. Putting on a gallery show can be a very trying experience for any photographer, emerging or established. But as I learned, the rewards outweigh all the hard work that goes into it.
In the early days of my time in China, I realized that I had a strong connection to the province of Xinjiang, the mainly Muslim region in northwest China. The Chinese portion of the Silk Road, once known as Chinese Turkistan, is changing before our eyes. Ancient mud brick homes and labyrinth-like towns are being torn down in the name of “progress.” I had traveled in the region often and felt an immediate passion to tell the stories of its people, but I didn’t actually make images there until some years later, in 2005, when I visited the region on assignment.
I’d made the images for myself, but wanted to share them with the world. I like to contact the galleries I’m familiar with by email and set up face-to-face meetings to show prints. Some galleries are very open minded and want to meet emerging photographers. Most galleries don’t even reply. It’s a competitive, in some cases cut-throat, industry — and the economic crisis has made it that much more difficult to get started. More »
Stuart Thurlkill
I talked with everyone I knew and then went and talked to everyone I didn’t know. I found out what each person’s greatest need was and tried to find a way to fill that need. I made it a point to go everywhere with advertising and marketing material. I worked with some great photographers here in Arizona who gave me a chance to cut my teeth while I built a portfolio. I also built my own flash website. I don’t recommend this unless you have a lot of time on your hands. I also put together a print portfolio and started to shop it around to as many people in my community as I could get an appointment with.
Michael Mulvey
I instantly jumped on getting my website together and I happened to use liveBooks. I also started a blog. This allows me to routinely update a photo area with what I am immediately doing at the moment. I joined several associations and jumped into the business end of photography concerning branding, copyright law, marketing, etc. I also started networking and using the various social media sites to get the word out, build new relationships, and keep the ones I always had. More »
John Kaplan, who wrote Photo Portfolio Success and has had impressive success with his own portfolio over the years, is here to answer your questions. Leave a question in the comments section, along with your website if you have one, and he’ll respond asap, also in the comments, so others can benefit from the good advice.
www.johnkaplan.com
John Kaplan is one of America’s most accomplished narrative photographers, having been awarded the Pulitzer Prize for Feature Photography, POY National Newspaper Photographer of the Year, the Overseas Press Club Award, two Robert F. Kennedy Awards, and the Nikon Documentary Sabbatical Grant. He is also the author of Photo Portfolio Success, which helps photographers edit to their strengths and prepare stunning portfolios that eliminate doubt in the minds of editors, buyers and contest judges.
A full professor at the University of Florida and a Fulbright Scholar, John teaches throughout the world and has twice been named a juror for the Pulitzer Prizes. His work has appeared in LIFE, The New York Times, American Photo and numerous book annuals.
John’s work is exhibited at museums and galleries worldwide including solo exhibitions in the United States, Peru, Bolivia and Korea as well as shows in the United Kingdom, France, Japan, Korea, Canada, South Africa, Australia, and New Zealand. His project on survivors of torture in West Africa was awarded the Overseas Press Club Award for Feature Photography and the Harry Chapin Media Award; the United Nations used the work to help facilitate contact with the victims.
Presently, John is directing and producing his first feature length film, the autobiographical Not As I Pictured: A Pulitzer Prize-winning Photographer’s Journey Through Lymphoma.
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