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March 31st, 2009

Putting images to work in the Amazon: An audio interview with Lou Dematteis & Michael Costuros

Posted by liveBooks

During the 1980s photojournalist Lou Dematteis was based in Nicaragua for Reuters covering many of the conflicts in South America. In 1990 a journalist friend alerted Lou to the havoc being wrecked by large oil companies on native Amazon communities, and in ’93 he traveled to the region to see the devastation for himself. Impressed by the way local organizers were able to utilize his images in their resistance efforts and frustrated to hear their stories of photographers who took their pictures and never returned as they promised, Lou created an exhibition and bilingual book. Crude Reflections cautions against the false promises of companies like Chevron/Texaco, with whom Amazon communities are in a legal battle, and utilizes Lou’s images as well as interviews with people directly affected to make a strong case against collaboration with large outside companies.
Luz Maria Marin holds the head of her husband Angel Toala one day before he died of stomach cancer in his home in Shushufindi.

Luz Maria Marin holds the head of her husband Angel Toala one day before he died of stomach cancer in his home in Shushufindi. ©Lou Dematteis

Click below for segments from a recent audio conversation between Lou Dematteis and Michael Costuros, the founder of liveBooks. Lou speaks candidly about the tangible social change produced by the project and how his involvement with the cause continues to nourish his own passion and creativity.

Part 1: How did Amazon organizers initially use your images? “I found out that photographs I had taken that I had passed on for use in Ecuador had been used as part of an education and organizing campaign.”

Part 2: How did the book Crude Reflections come about? “In 2007 we received a Distribution Grant from the Open Society Institute, and that allowed us to print a set of photos and display them back in the Amazon, so the people living this and experiencing this had a chance to see their photos. They were literally in tears.”

Part 3: What effect has the book had in South American communities? “The book is bilingual…we didn’t just want to produce a book we were going to show in the United States. We wanted to make it useful and available to people in Ecuador and Latin America.”

Part 4: How has this project enriched your life? “I’ve developed an incredible bond with many people there. They are very thankful that I’ve helped give a voice to their community. That is tremendously fulfilling to me.”

Be Part of the RESOLUTION: Have you run into people who are wary of photographers after hearing false promises about returning to help the community? What is the photographer’s responsibility in these situations?


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