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The only thing we love more than our liveBooks8 platform is the gorgeous work that our clients are sharing on it! Have an image that you are dying for the world to see? We want to feature you! We are excited to announce our first ever summer Facebook cover photo contest where we are looking to feature the #bestofLB8 on our page each week.
To submit your images, please send the original image file to firstname.lastname@example.org with the subject line “Facebook cover photo contest” or submit your entry via Twitter or Instagram by tagging liveBooks AND #bestofLB8. We will select u to eight photos to be displayed weekly between July 1 & August 22, 2016.
Submissions are now open! Follow the rules below to have the chance to be featured on our Facebook page.
Please send the original image file to email@example.com with the subject line “Facebook cover photo contest” OR submit your entry via Twitter or Instagram by using the hashtag #bestofLB8 AND tagging liveBooks. Please include your full name, where the photo was taken and the date in your entry. The summer cover photo of the week will be selected by the liveBooks team. Up to eight photos will be posted between July 1-August 22, 2016. Selected photos will be featured on our Facebook page as a cover photo for approximately one week and may be shared on Instagram
Rules & Regs:
1. Photo must have been taken by you in the last 3 years.
2. Photos must be horizontal and fit within the Facebook cover crop area of 851px by 315px. Vertical photo submissions will 3. be discarded.
4. Please avoid heavy filters and edits.
5. Explicit content will be discarded.
6. Smartphone photos are accepted but DSLR images are preferred.
7. By submitting your photo through email or hashtag, you give liveBooks permission to use and promote the submitted image via our liveBooks social media outlets.
Think you have what it takes? Submit your photo now!
July 1, 2016:
July 11, 2016:
July 18, 2016
July 25, 2016
August 1, 2016
August 8, 2016
Are you traveling somewhere really fun and exciting this summer? Are you taking photos along the way? If so – then our Instagram contest is definitely for you!
Open to all – current liveBooks clients and non-liveBooks clients – we want to give you a free website for a year!
All you have to do is follow three easy steps:
1. Follow us on Instagram – @liveBookswebsites
2. Tag us in a fun and unique travel photo from this summer
3. Use the hashtag #LBPicStop
Three winners will be chosen. Contest runs from July 21st – August 21st.
Questions? Email us at firstname.lastname@example.org.
Hundreds of up-and-coming wedding photographers have already tweeted this statement to the world on emerge Photo Contest’s Twitter page in hopes of becoming one of 15 winners in the emerge Photo Contest.
Emerge is designed to give new wedding photographers a way to showcase their work, and for this reason, it is operated differently than most photo competitions. Emerge gives each entrant their very own website to feature an entire wedding photo story by submitting up to five photos in each of the categories: wedding preparation, details, venue, the kiss and favorite wedding. You’re submitting multiple images – not just one!
So why should you enter? We thought you’d ask so here are four reasons why you should break away from the crowd and emerge:
1) Exposure – The top five winners receive a coveted listing on The Knot, the web’s leading wedding planning site, one write-up in RANGEFINDER magazine as an Editor’s Choice, a profile on RESOLVE, plenty of Twitter and Facebook buzz and more.
2) Cool prizes – A Sony camera and lens worth nearly $3000, shootQ, Pictage and liveBooks accounts for one year, Think Tank gear, Induro Tripod Kit and plenty of others. Visit the emerge website for the complete listing.
3) Low entry fee – You’re entering to win thousands of dollars in prizes and some fantastic exposure for a low entry fee of $29. Go to www.emergephotocontest.com to get started now.
4) Exposure – did we mention that already? The value of ‘exposure’ to the modern photographer… priceless
The last day to enter is May 31st, and that is less than two weeks away. Are you ready to emerge? If so, check the official rules to register – and away you go. And for all of you experienced photographers, what are your words of advice for these emerging wedding photographers? Please share your thoughts in the comment section below.
While iStockphoto is launching its 10th birthday bash, this New York Times story outlining the hard road ahead for photographers stirred up debate in the photo world (there’s even a follow-up article with reader and blog responses). Adding insult to injury, word also surfaced of a new business model for product photography called Via U!, where buyers can composite an image and purchase all rights for a flat $250 fee. A Photo Editor has details.
Blurb’s Photography Book Now competition has also launched its third year. In addition to $25,000, the grand prize winner will also be given the opportunity to show their work at ICP, the Annenberg Space for Photography, and the George Eastman House. The competition is a reminder of the potential of self-publishing, something we discussed extensively in our Future of Photobooks series.
There are few areas of photography that are as crowded right now as the world of weddings. The portrait and wedding photography market has grown exponentially in recent years, and with more shooters shifting in from other shrinking markets, that trend is likely to continue.
For those emerging photographers who are passionate about wedding photography but don’t know how to distinguish themselves from the growing crowd, we’re happy to announce emerge, a new contest for emerging wedding photographers — and not just because it’s the brainchild of liveBooks ;)
The emerge Photo Competition is special because it gives photographers the opportunity to tell an entire picture story through multiple images, uploaded into website portfolios in five categories: wedding preparation, details, venue, the kiss, and favorite wedding. Winners will also receive a full suite of tools to help them get their business off the ground and take it straight to the stratosphere.
A panel of wedding industry leaders and magazine photo editors will crown 15 winners total, three in each category, who will receive a prize package worth $1,400, including:
a one-year subscription to a liveBooks predesigned website,
a one-year subscription to a Pictage account,
a one-year subscription to a ShootQ account,
a 2011 WPPI VIP pass,
a Think Tank Photo Belt,
and a $100 Asuka Book gift card.
The top photographer in each category will also receive an advertising package from TheKnot.com valued at $1,200 and a professional photography kit from Sony valued at $2,000.
Check out more details here. Deadline for entries is May 31, 2010 and we’re looking forward to announcing the winners soon after. Good luck!
The Natural History Museum in London announced this week that it is stripping wildlife photographer of the year of his £10,000 prize because they believe his prize-winning photo was made with a hired tame Iberian wolf. Photographer José Luis Rodriguez strongly denies that the photo was staged, according to organizers, but the images was still removed from the exhibition of winners at the museum. Jörg Colberg at Conscientious uses this story as a jumping off point to examine our expectations of “truth” in photography — it’s worth the read.
The Court of Human Rights declared Section 44 of the Terrorism Act 2000 unlawful, Giles Turnbull reported Tuesday on the PhotoCineNews blog. Section 44, which became law in the UK in 2000, gives police officers the right to stop and search anyone, for any reason, inside a designated but undefined “area” and has been the source of frequent conflict between police and photographers. Despite the ruling, the law and its enforcement is unlikely to change soon, Giles says. Photographers are not turning down the pressure though, continuing the very successful I’m a Photographer, Not a Terrorist campaign, with a rally in London’s Trafalgar Square planned for later this month.
PDN reported Tuesday that the French picture agency Oleil had closed after 15 years. While agency closings are hardly uncommon these days, this comment from the Oleil website forces us to confront the full weight of what they suggests for the industry: “The press economic crisis has now made the production of photo-stories impossible.”
We can’t help but wrap up with a couple positive stories from liveBooks. CEO Andy Patrick has been appointed to the Board of Directors for Mohawk Fine Papers, an industry leader that is particularly dedicated to environmental responsibility. We’re also excited to announce the integration of Get Satisfaction with our support dashboard. Get Satisfaction‘s dynamic support communities with easy social media integration have been sweeping the Web — if you’ve ever seen one of those vertical “Feedback” tabs on a website, you know what we’re talking about.
Newsweek‘s cover image of Sarah Palin in running shorts awkwardly holding her PDAs caused a huge stir this week, especially when Daily Finance uncovered that the resale of the image, originally made for Runner’s World by Brian Adams, constituted a breach of the original contract. In a side saga, photojournalist Nina Berman took considerable heat for her incisive comments about the cover on the BAGnewsNotes blog when a YahooNews link flooded the blog with new readers.
A recent study conducted by psychologists at the University of California, Los Angeles, found evidence that merely looking at a photo of a loved one can decrease a person’s perception of pain, the New York Times Well blog reported this week. Although the study was very small, focusing only on 25 women’s reactions to images of their boyfriends, it found that their pain perception was lower looking at a photo than even holding their boyfriend’s hand.
The winners of the 64th Annual College Photographer of the Year were announced over the weekend. Ryan C. Henriksen was named College Photographer of the Year and Maisie Crow, the runner-up (both are students at Ohio University). Check out the extensive gallery of winning images, as well as archived screencasts of the judging process, which lend incredible insight into how the judges’ decisions were made. UPDATE: There’s a great interview with Documentary Gold winner Alex Welsh over at The Visual Student.
The Telegraph launched a new section this week called Telephoto that compiles an impressive array of stories focusing on art and documentary photography. After being tipped off by 1854, the blog of the British Journal of Photography, we had a great time perusing gems like Alec Soth’s video diary of trying to photograph the most beautiful woman in Georgia (the country).
Miki Johnson: When did you realize you were meant to be photographing dogs?
Sarah Zemunski: In my 3rd year at AAU, I began to get very frustrated. I hadn’t found my niche, and the work I was doing for class was just mediocre. Aside from school, I was working at a doggy daycare. I began taking pictures of the dogs in the play area. That lead to photographing “The Dog of the Month” for the business. Every month, I would shoot a different dog, and the portrait would go up in the lobby.
At that time I never thought about shooting dogs for school. I thought it might be cheesy, and my pictures were bordering on snap-shots. Then in one class, I decided to present one of my dogs as an assignment. I was hesitant, and I thought people would think it was stupid. But everyone loved it! I got more positive feedback from it than I had for anything else I had done in the class. So I began photographing dogs for every assignment. The teacher of that class, Noel Barnhurst, really supported my work. If it wasn’t for him, and the people in that class, I may not have had the courage to show my dog work.
Since then, I’ve tried to fit dogs into all my classes. For my Architectural Landscape class, I photographed dogs with architecture. I just started photographing other animals this past semester. My teacher for Senior Portfolio, David Wasserman, told me I needed to shoot other animals to make my portfolio complete. At first, I was against it — I only wanted to shoot dogs. But now I am so glad I branched out! I feel the work I have done with other animals is my strongest. In fact, the portfolio I produced for the class was named best portfolio in my school’s Spring Show!
I think you should photograph what you are passionate about. I have always been passionate about animals, but it took me a while to find out I should be photographing them!
MJ: Tell me about how you got into photography.
SZ: As a child, my dream job was to work with animals. Photography didn’t come into the picture until later in high school. Growing up, I never really took pictures, except for snapshots of family and friends. In high school, I took a photography class and I eventually came to San Francisco and took classes at The Academy of Art University (AAU). I have two semesters left before I graduate.
When I first started out, the thing I liked most about photography was framing the shot. I wasn’t too interested in my subject matter. Mostly, I walked around and shot what I saw on the street. For me, it was about how the shapes and lines fit into the frame.
As I advanced at school, I experimented in several genres. For school assignments, I often shot people — I am now remembering how much I hated it! Some photographers are meant to shoot people. I am not one of them. But if I hadn’t spent all that time shooting, my work wouldn’t be as strong as it is now.
My dream photography job five years from now would be traveling the world to photograph animals (all expenses paid, of course!). I want to be known as THE animal photographer. I am interested in working with wild animals — and their trainers. I want to be the Annie Leibovitz of animals. Haha.
MJ: I have to ask, any funny/poignant stories about working with dog?
SZ: I am a dog-walker, so I have funny dog stories just about every day! The dog I photographed for the Go Pro contest actually ran away during the photo shoot. She is a timid dog, and is very attached to her owner. I felt comfortable enough with her off-leash, but that was a mistake. While shooting, she just started running away, slow at first, then sprinting. She was headed back to her house, since she only lived a few blocks away.
My assistant/boyfriend (thank God he was there!) took off after her. He chased her out of the park, and through the neighborhood. Finally, he caught up to her and brought her back. Zoey was so exhausted from the run, that it made her much more mellow for the photo shoot. Maybe I would have never gotten the shot of her in the ivy if she wasn’t so tired!
Since the photo shoot, Zoey has passed away from cancer. Her owner was thrilled to see my image had won the contest. She feels the image really captures the essence Zoey. I was so glad I was able to provide the owner with pictures to remember her beloved pooch.