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As sponsors of the Foundry Photojournalism Workshop for the third year, liveBooks recently got an update about the lineup of instructors for this year’s workshop happening from June 20-26 in Istanbul, Turkey.
We have to admit, it’s an impressive list: Maggie Steber, Ron Haviv, Andrea Bruce, Stephanie Sinclair, Ami Vitale, Guy Calaf, Kate Brooks, Tyler Hicks, Kael Alford, Adriana Zehbruaskas, Jared Moossy, David Guttendfelder, Rena Effendi, Anastasia Taylor-Lind, Jon Vidar, David Bathgate, Tewfic el Sawy, Henrik Kastenskov/Bombay Flying Club.
You can read all about the Foundry Workshop in our interview with founder Eric Beecroft from last year’s edition in India (year one was in Mexico). The workshop began in 2008 as a more affordable workshop option that international and emerging photographers could afford.
With such a prestigious list of instructors this year, we thought it would be good to hear from a few of them about the Foundry experience and their advice for workshops in general.
Miki Johnson: What is your favorite thing about being involved in the Foundry Photojournalism Workshop? Do you have a favorite moment from past years?
Ron Haviv: Watching the growth of the students in such a short period of time. The realization from many that this is a great way to spend your life. Seeing that moment on students’ faces is inspirational to me.
Ami Vitale: The collaboration and working with fine photographers and fun people. It’s always a great experience and I’m always inspired by my students and colleagues. Last time I left feeling full of inspiration and ideas. Watching students grow in the short span of the workshop is incredible.
Tewic el Sawy: My favorite take-home sentiment from participating in the Foundry Photojournalism Workshop is the mutual camaraderie and unfettered sharing of knowledge, information, and support between instructors and students/attendees. As for my favorite moment: during the final screening of the students work at the Manali workshop, learning that Dhiraj Singh (one of my class attendees) had deservedly won the top photography spot/prize of the workshop.
MJ: What is the most important things for students to realize when they participate in a workshop, to help them get the most out of the experience?
Ron: To open their minds to the knowledge that all the photographers, both students and teachers alike, are sharing with them.
Ami: To have fun and not to be too hard on themselves. I think some people come into this and put so much pressure on themselves to succeed. This should be an environment of exploration and learning — and making mistakes is part of the learning process.
Tewic: The most important lessons that students will learn is to leave their ego at home, to help each other, to collaborate, and to be optimistic. Speaking for my class, they will realize that the more they know of multimedia, the more they’ll progress in their careers.
MJ: Was there a class or instructor that helped you become the photographer that you are now? How did they do that?
Ami: Rich Beckman. I’m back in grad school with him again! He’s always been ahead of the curve when it comes to finding new paths for storytelling. I’m studying Multimedia and Film with him now.
Tewic: I took a class in Havana with Magnum photographer Costa Manos and he told me that my photographs were “too simple.” He was right, and I’ve been trying to complicate them ever since.