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	<title>Comments on: Should photojournalists seek out the silver lining?</title>
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	<link>http://blog.livebooks.com/2009/12/should-photojournalists-seek-out-the-silver-lining/</link>
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		<title>By: &#124; duckrabbit - we produce beautifully crafted multimedia</title>
		<link>http://blog.livebooks.com/2009/12/should-photojournalists-seek-out-the-silver-lining/comment-page-1/#comment-8698</link>
		<dc:creator>&#124; duckrabbit - we produce beautifully crafted multimedia</dc:creator>
		<pubDate>Thu, 03 Dec 2009 23:48:27 +0000</pubDate>
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		<description>[...] Ande talking to Miki Johnson on RESOLVE   Spread the [...]</description>
		<content:encoded><![CDATA[<p>[...] Ande talking to Miki Johnson on RESOLVE   Spread the [...]</p>
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		<title>By: Twitted by halflifestudio</title>
		<link>http://blog.livebooks.com/2009/12/should-photojournalists-seek-out-the-silver-lining/comment-page-1/#comment-8686</link>
		<dc:creator>Twitted by halflifestudio</dc:creator>
		<pubDate>Wed, 02 Dec 2009 21:19:01 +0000</pubDate>
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		<description>[...] This post was Twitted by halflifestudio [...]</description>
		<content:encoded><![CDATA[<p>[...] This post was Twitted by halflifestudio [...]</p>
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		<title>By: k.a.</title>
		<link>http://blog.livebooks.com/2009/12/should-photojournalists-seek-out-the-silver-lining/comment-page-1/#comment-8684</link>
		<dc:creator>k.a.</dc:creator>
		<pubDate>Wed, 02 Dec 2009 16:14:46 +0000</pubDate>
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		<description>Thanks for sharing this perspective.  I agree with Karen wholeheartedly.  I believe that whoever it is running the communications of these NGOs feel like the best way to &quot;hit home&quot; is to show a suffering child, and this will in some way make people want to jump up and contribute that &quot;cup of coffee a day&quot;&#039;s worth of goodness.  However, I agree with those photographers who say the best way to get someone involved is to show -positive- results.  If an NGO specialises in providing clean water, its images should show how their assistance has made a difference.  This encourages trust in the organisation or at least curiosity as to how the audience can help continue to &#039;do good&#039;.</description>
		<content:encoded><![CDATA[<p>Thanks for sharing this perspective.  I agree with Karen wholeheartedly.  I believe that whoever it is running the communications of these NGOs feel like the best way to &#8220;hit home&#8221; is to show a suffering child, and this will in some way make people want to jump up and contribute that &#8220;cup of coffee a day&#8221;&#39;s worth of goodness.  However, I agree with those photographers who say the best way to get someone involved is to show -positive- results.  If an NGO specialises in providing clean water, its images should show how their assistance has made a difference.  This encourages trust in the organisation or at least curiosity as to how the audience can help continue to &#39;do good&#39;.</p>
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		<title>By: Should photojournalists seek out the silver lining? &#124; RESOLVE &#124; The Click</title>
		<link>http://blog.livebooks.com/2009/12/should-photojournalists-seek-out-the-silver-lining/comment-page-1/#comment-8680</link>
		<dc:creator>Should photojournalists seek out the silver lining? &#124; RESOLVE &#124; The Click</dc:creator>
		<pubDate>Wed, 02 Dec 2009 02:50:26 +0000</pubDate>
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		<description>[...]   Considering that today is World AIDS Day, this seemed like the perfect time to highlight a new book from photographer Karen Ande, Face to Face: Children of the AIDS Crisis in Africa. Although hardly the first person to document this topic, Karen’s emphasis on telling positive stories is unusual. And her technique presents a hard — but important — question for documentary photographers: Do too many images of suffering make people feel helpless to improve things? [...]</description>
		<content:encoded><![CDATA[<p>[...]   Considering that today is World AIDS Day, this seemed like the perfect time to highlight a new book from photographer Karen Ande, Face to Face: Children of the AIDS Crisis in Africa. Although hardly the first person to document this topic, Karen’s emphasis on telling positive stories is unusual. And her technique presents a hard — but important — question for documentary photographers: Do too many images of suffering make people feel helpless to improve things? [...]</p>
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