livebooks blog

Kodak’s new brand campaign named “It’s Time to Smile,” focuses on strengthening relationships by sharing important life moments, in pictures of course. Behind the happy message, though, is a not-so-cheery outlook. After thousands of layoffs and salary cuts earlier this year, the company reported yesterday its fourth quarterly loss in a row, PDN reported.

Jorge Colberg at Conscientious alerted us to an interesting interview with William Patry, senior copyright counsel at Google and author of a number of books on copyright law, including his recent Moral Panics and the Copyright Wars. The interview covers topics from the AP-Fairey lawsuit to the moral imperative of copyright.

Popular news site The Daily Beast, in partnership with Global Philanthropy Group, has launched a philanthropy and photography site, The Giving Beast. Be sure to check out the galleries, featuring works of Sarah Elliot, Elizabeth Gilbert, Suzy Allman and other note-worthy photographers.

Despite some questions about its longevity, the New York Photo Festival will launch its third year in 2010, as Andrew Hetherington reported this morning on What’s the Jackanory? Lou Reed will be one of the lead curators this year, but Andrew tips his hat to Erik Kessels, whose 2008 NYPH conversation with Martin Parr was a highlight. We’re stoked about photo thought leaders Vince Aletti and Fred Ritchin (check out this excerpt from Ritchin’s recent book, too).

I blame my friends who work at three-letter agencies for the United States government. They are the ones who invited me to the Black Hat Technical Security Conference in Las Vegas to drink, have a good time, and learn how completely ignorant I was about online security.

Today, I am a changed person. What I previously deemed to be adequate, if not savvy, security precautions for my quotidian web use, I learned was the same as leaving a full camera bag with the top flipped open on the front seat of my parked car. Sure, the doors are locked, but it would take only the slightest initiative and about six seconds for someone to break the window and walk away with tens of thousands of dollars in gear. I know what you’re thinking. You would never do that. Okay, then take the quiz below. If you answer yes to any of these questions, I’ve got news for you: You’re way more vulnerable than you think.

• Do any of your passwords contain a word that can be found in an English language dictionary or in a dictionary covering pop-culture references from the last 100 years?
• Do you ever close a web window that is signed into an account of some kind without logging out of the account first?
• Ever log in to your bank or credit card account without first checking if the lock symbol is active on your browser window?
• Ever log in to your bank account or 401(k) from a free WiFi access point?
• Ever open an email when you’re unsure where it came from?
• Ever log in to a secure site from a borrowed computer?

Why we are the way we are
In spite of the news stories that circulate daily about online security breaches, we are surprisingly apathetic about the threats they pose to us personally. It’s like backing up your computer — it’s a secondary concern until you’re hit with disaster. Then, suddenly, you’re a convert to the church of redundancy.

Unfortunately recovering from a security breach is nowhere near as easy as recovering from a lost hard drive. With the latter you at least have an idea of what you’ve lost. You can lament it over a glass of wine and move on with your life. A security breach places the control of your social, financial, and photographic life in the hands of someone else. And the ramifications will potentially haunt you long after the initial breach.

Consider the following. A friend of mine had a huge falling out with a close friend, who guessed her email password and sent an inflammatory email to her entire address book. Most of the recipients realized her email address book had been compromised, but those who didn’t know her well were shocked. Ultimately she was able to contact everyone and inform them what happened — but you can imagine how things could have gone worse.

My friend, like many of us, never thought twice about the weak password on her email account. The convenience of an easy-to-type, easy-to-remember password took priority over other considerations. She could not fathom anyone using her email account maliciously.

This is what gets us into trouble. We’re good people and have an inherent problem thinking like criminals. It’s hard for us to see our online assets through criminal eyes and predict how to protect ourselves.

Squatting
A while back I was uploading images to the FTP directory of my web site when I was hit with a disk space error. An examination of my FTP server revealed dozens of unidentified folders, most filled with illicit pornography. My head spun. Given the nature of the material, I contacted my internet service provider, filed an official support ticket, and had them remove the files in case there were any legal protocols involved. A hacker had broken my FTP directory password and was serving up an entire website from my FTP directories for months without my knowledge. Oh man, I was pissed.

Unfortunately there was no way to trace the hacker. Moreover, and frightening to consider, if the authorities had found the illegal site before I did, I could have been arrested. An investigation would have revealed I had been hacked, but who needs that kind of grief?

If you’re utilizing a portfolio service like liveBooks that is monitored by a professional IT staff, you’re safer, but only if your password is strong. Weak passwords are the easiest way for a hacker to access to your account. If you do get hacked, liveBooks keeps a backup of your online portfolio going back a week onsite, and going back a month at a secure offsite facility. Recovery usually takes an hour. But don’t depend on those protocols unless you absolutely have to. Adopting safe practices is a lot easier and less expensive.

Good habits
So here we are at the basic security primer for photographers, or anyone else who spends most of their time online. This is by no means a definitive list, but it will help you think more carefully about your online habits. The information here was gathered from Black Hat, Craig Butterworth at the National White Collar Crime Center, and Carl Slawinski from Agile Web Solutions.

NEW HABIT 1 — Free WiFi: Never, ever, ever log in to your bank account or credit card account when you’re on a free WiFi access point. The reason you have to use a password to access most WiFi networks, especially your own, is because that password encrypts the information floating through the air between your computer and the WiFi hub. If the network is open, so is the information your sending over it.

NEW HABIT 2 — Passwords: The days of passwords drawn from kid’s birthdays, dog names, and Star Wars characters are over. I have seen a brute-force attack crack a weak password in minutes. With today’s powerful computers and free cracking dictionaries and rainbow tables available online, hackers can let computers run for days while they sort out passwords.

One of the most effective ways to keep your passwords strong, like ox, is to invest in a product like the highly regraded 1Password from Agile Web Solutions. I have been using the product for years, but only after my discussion with folks who make 1Password did I take my security to the next level.

1Password generates strong passwords, which it stores for you. When you need the password, the application will enter it for you with an easy key stroke. The generated passwords are so convoluted that you’d never be able to remember them, but that’s the point. 1Password is also on the iPhone so you can take your passwords with you. The file that they use to store your passwords is heavily encrypted and would take a supercomputer 128 years to crack it. More »

“We want to make sure we are as specific as possible to keep our business safe.”

Prix Pictet announced yesterday that the winner of this year’s photography prize for environmental sustainability goes to British based Israeli photographer Nadav Kander, whose project Yangtze, The Long River Series documents the changing landscape along China’s Yangtze River. Pictet also awarded a photography commission to RESOLVE contributor Ed Kashi, who will fulfill Pictet’s annual commission this year in Madagascar.

Vincent Laforet released his latest short film, Nocturne, shot with a prototype Canon 1D MKIV on Monday, but was asked by Canon to take it down the following day, he explained on his blog. Photo Business News and Fake Chuck Westfall both took Canon Japan to task for the move. If you didn’t catch Nocturne before it was taken down, it’s on YouTube, of course.

And the drama goes on. After Shepard Fairey admitted last week that he had lied about his source of his Obama image, the Associated Press released a statement on Tuesday that they are challenging Fairey’s account in court as “purposely deceiving.” Excerpts of AP’s most recent court filings and the letter Fairey’s attorneys sent to the AP are available at PDN.

Jen Bekman Projects, the innovative creator of the 20×200 prints store and the Hey, Hot Shot! photo competition, received $800K+ in venture capital funding. The series A funding was led by California-based venture capitalist True Ventures, along with a other angel investors.

“We have to put ourselves in the place of our clients.”

A shocking revelation has just come to light in the ongoing battle between Sheppard Fairey and the Associated Press. The Associated Press released a statement last night claiming that Mr. Fairey knowingly submitted false images to the legal proceeding between Mr. Fairey and the Associated Press. Furthermore the statement reveals “that Fairey tried to destroy documents that would have revealed which image he actually used” and that “he created fake documents as part of his effort to conceal which photo was the source image, including hard copy printouts of an altered version of the Clooney Photo and fake stencil patterns of the Hope and Progress posters.”

This case started back in February when the Associated Press claimed that the source image Mr. Fairey used for his iconic “Hope” and “Progress” posters of then Senator Barack Obama did in fact belong to them. They also claimed that Fairey’s use of the image was a copyright infringement. Before The Associated Press could file a law suit against Mr. Fairey, Fairey’s legal team filed a suit against The Associated Press claiming fair use exception and that the image Fairey used as his source was completely different than the one The Associated Press declared was theirs.

At this juncture it’s worth mentioning that there is a valid dispute between the Associated Press and Mannie Garcia, the photographer who shot the image in question, as to who is the legal copyright holder of the photograph. Although that disagreement has little bearing on Mr. Fairey’s illegal actions announced today.

As I first wrote here at RESOLVE, Fairey’s use of the image without giving attribution to the photographer was detrimental to the entire creative community. It will be hard to predict the impact from this latest twist in an already bizarre story. Mr. Fairey’s legal counsel apparently jumped ship after submitting the admissions about his evidence tampering to the court.

American Society of Magazine Editors just announced the results of their 2009 Best Magazine Cover Winners this week, and the Best Magazine Cover of the Year goes to Rolling Stone’s for its Peter Yang portrait of a smiling Obama. It was also the magazine’s best-selling issue in 2008. Across the Atlantic, The Maggies released the results of the Best Covers in the UK.

Stock Artists Alliance (SAA), an organization that represents independent stock photographers, confirmed in a press release that it will merge with the Alliance of Visual Artists, an umbrella organization representing five photographic associations, including the Professional Photographers of America.

Polaroid announced at a press conference in Hong Kong earlier this week that it will relaunch its instant cameras and film, with distribution expected in mid 2010. The announcement came largely in response to The Impossible Project, a group of Polaroid enthusiasts in the Netherlands that has been trying to recreate the magic of the film on a low budget and is now tasked with recreating it for Polaroid.

Rob Haggart at A Photo Editor pointed us to two impressive documentary videos shot with the Canon 5D Mark II by Danfung Dennis and Yassine Ouhilal, respectively, Check out Rob’s behind-the-scene interview with Yazzy in particular.

I’m going to be in New York City from October 13-24, catching up with friends in the photo world and then joining the liveBooks team at PhotoPlus Expo on October 22-24. If you haven’t checked it out yet, we’re offering FREE access to the Exhibition Hall and a chance to win a $3,200 liveBooks website. Look for us at Booth #378, at the PhotoPlus Expo Bash, and at other events all three days. If you want to keep up with special offers and events, be sure you’re following us on Twitter and Facebook.

While I’m on the road, we’ll be posting some of our favorite content from the archives. I’m also taking this time to figure out how we can continue to improve RESOLVE, so if you have feedback, now is the time to share it! Leave any additional thoughts or questions in the comments, please :) And, of course, if you want to meet up in NYC, let me know!